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Journal Article
RETURNING TO THE SCENE OF THE CRIME: Uses of Trial Dossiers on Consensual Male Homosexuality for Urban Research, with Examples from Twentieth-Century British Columbia
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GLQ (2003) 10 (1): 77–110.
Published: 01 January 2003
...Gordon Brent Ingram Duke University Press 2003 RETURNING TO THE SCENE
OF THE CRIME
Uses of Trial Dossiers on Consensual Male
Homosexuality for Urban Research, with Examples
from Twentieth-Century British Columbia
Gordon Brent Ingram
The transcripts of hearings and trials...
View articletitled, RETURNING TO THE <span class="search-highlight">SCENE</span> OF THE CRIME: Uses of Trial Dossiers on Consensual Male Homosexuality for Urban Research, with Examples from Twentieth-Century British Columbia
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Journal Article
Cruising Henry James: The Scene of Queer Sociality as a Critique of Capital
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GLQ (2016) 22 (1): 81–108.
Published: 01 January 2016
...Michael D. Schmidt While it has become nearly axiomatic to read Henry James's style as a privileged site for discussions of the unrepresentability of desire, I argue that in The American Scene James exhibits a literary style intimately related to the historical specificity of homosexual desire...
Image
in A Critique of “Mascquerade”: Homotribalism and Call Me by Your Name
> GLQ: A Journal of Lesbian and Gay Studies
Published: 01 January 2022
Figure 3. Elio in the opening scene behind the Mapplethorpe print. Film still, Call Me by Your Name (dir. Luca Guadagnino).
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in A Critique of “Mascquerade”: Homotribalism and Call Me by Your Name
> GLQ: A Journal of Lesbian and Gay Studies
Published: 01 January 2022
Figures 5–7. Avowal scene at the monument to the Battle of Piave. Film still, Call Me by Your Name (dir. Luca Guadagnino).
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Image
in A Critique of “Mascquerade”: Homotribalism and Call Me by Your Name
> GLQ: A Journal of Lesbian and Gay Studies
Published: 01 January 2022
Figure 9. “Somewhere in northern Italy.” Opening scene. Film still, Call Me by Your Name (dir. Luca Guadagnino).
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Journal Article
LOVE AND ANGER: Scenes from a Passionate Career
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GLQ (2011) 17 (1): 145–153.
Published: 01 January 2011
... surround in an effort to outline the impact of passionate engagement in feminist and queer politics and scholarship. Duke University Press 2010 Love and Anger
Scenes from a Passionate Career
Lisa Duggan
Gayle Rubin exudes a cool brilliance. But she contains multitudes, and beneath
the surface...
Journal Article
EXPLOSIVE: Scenes from Israel's Gay Occupation
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GLQ (2010) 16 (4): 517–536.
Published: 01 October 2010
... with the Israeli-Palestinian conflict, even at moments when, through cinematic silence, the conflict is implicitly disavowed. Duke University Press 2010 Explosive
Scenes from Israel’s Gay Occupation
Rebecca L. Stein
The perverse relationship between Israelis and Palestinians is a
depressing B movie...
Journal Article
Ideological Fantasies
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GLQ (2012) 18 (1): 47–69.
Published: 01 January 2012
.... By revisiting a textual scene in the genealogy of capitalism where commodity fetishism makes its appearance as a rhetorical construction—Leon Battista Alberti's treatise on the family—I show how ideology works phantasmically to “eternalize” or “universalize” historical contingency, even as the historicization...
Journal Article
THE HAUNTING OF GAY MANILA: Global Space-Time and the Specter of Kabaklaan
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GLQ (2008) 14 (2-3): 317–338.
Published: 01 June 2008
... to recover kabaklaan ( bakla -ness) from its subordinated position within local exclusionary systems. Drawing from popular themes that thread through the virtual, physical, and print spaces that have emerged as part of Manila's post-2000 gay scene, the article foregrounds notions of complicity, particularly...
Journal Article
The 1001 Seances
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GLQ (2011) 17 (4): 457–481.
Published: 01 October 2011
...) and The (Diblos) Notebook (1965). In both novels, as well as in the lost novel embedded in the poem, the plot is dominated by a central, climactic, sadomasochistic scene of real or symbolic castration. Sedgwick distinguishes the fixity of this novelistic theme of castration from a different thematic range...
Journal Article
Little Monsters: Race, Sovereignty, and Queer Inhumanism in Beasts of the Southern Wild
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GLQ (2015) 21 (2-3): 249–272.
Published: 01 June 2015
..., the essay queries the burden of fabulation that the film places on its youthful protagonist. This burden restages the scene of engulfment through which racialized bodies and indigenous territories are dispossessed by and for white settlement. © 2015 by Duke University Press 2015 fabulation...
Journal Article
Queer Relay
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GLQ (2008) 14 (4): 569–597.
Published: 01 October 2008
... worlds, and explores more openly the relations among tale, style, funding, personnel, production practice, and release in a film scene that seeks visual transparency for queer feeling, career possibility for queer filmmakers, and new recognition effects for queer and nonqueer audiences. It imagines queer...
Journal Article
A Class Act: Ryan Landry and the Politics of Booger Drag
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GLQ (2009) 15 (1): 1–30.
Published: 01 January 2009
...Karen C. Krahulik In “A Class Act,” Karen C. Krahulik returns to the scene of her community history of Provincetown, Massachusetts, but uses a different methodology to assess the relationship between gentrification and transgression. Remaining within, but not confined by, the fields of history...
Journal Article
The Importance of Being Bitchy
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GLQ (2024) 30 (2): 157–180.
Published: 01 April 2024
... of social marginalization, reveling in upsetting good taste for laughs. Traversing literary studies and popular culture, this essay tells the story of bitchy luminaries in three historical scenes: the tart wit of nineteenth-century satirists Jane Austen, George Gordon Byron, and Oscar Wilde; classic...
Journal Article
The Black Gay Male Image under Siege
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GLQ (2024) 30 (4): 567–575.
Published: 01 October 2024
... of the montage, and constructed scenes of Black queer lifeworlds, past and present, as challenging the linear modes of temporality that have confined Black politics to a perpetual state of deferment and the modern notion of vision under which the Black gay male image remains under siege. [email protected]...
Journal Article
The Future Is Child's Play: A Travesti, Intersex Theory of Anti-Development
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GLQ (2025) 31 (1): 81–109.
Published: 01 January 2025
... in Argentina, connecting current divides between an older generation of travesti activists and younger trans people to long-standing invocations of generational kinship at the national level. The second part of the essay scales beyond scenes of individual and national transition to transnational notions...
Journal Article
Queers Read What Now?
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GLQ (2018) 24 (2-3): 315–341.
Published: 01 June 2018
... abound, such reflections and the literary canons they produce do not account for racialized readers or literary traditions. This neglect becomes evident when examining women and queer of color anthologies as well as scenes of reading in three texts published from the advent of explicitly LGBTQ2 of color...
Journal Article
Conjugality
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GLQ (2020) 26 (3): 377–403.
Published: 01 June 2020
... occupied within legal, social, and economic terms here, does not (only) refer to the constituted individual who lives or experiences a gendered and sexed position and location but, rather, refers to the ritual process itself that comes to produce a range of positions, scenes, desires, practices intensities...
Journal Article
Queer Political Astrology: Problems and Potentials
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GLQ (2021) 27 (1): 103–120.
Published: 01 January 2021
... astrological politics that is capable of mounting more than a therapeutic alternative to tradition — one that can play an activist role in a political scene that has already donned the kitsch comb-over of that tabloid credential to which tawdry horoscopes once made their claims? QUEER POLITICAL ASTROLOGY...
Journal Article
Queer Time and the Cinematic Pleasures of the Locus Amoenus in Free Fall
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GLQ (2023) 29 (2): 237–260.
Published: 01 April 2023
.... Finally, Marc's parents resent the intrusion. Marc catches them talking to Kay in a scene in which they explicitly ask him to leave Marc alone. Although Kay tells Marc's mother that he loves her son, a confession that repulses her, Marc asks Kay to leave the family and community party. In the context...
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