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Journal Article
GLQ (1995) 1 (4): 405–417.
Published: 01 October 1995
...: Commentaire du Dialogue de Placides et Timéo . Geneva: Librairie Droz, 1982 . DON’T ASK, DON’T TELL
MURDEROUS PLOTS AND MEDIEVAL SECRETS
Karma Lochrie
“Instead of the question ‘What does secrecy
cover...
Journal Article
GLQ (2011) 17 (4): 457–481.
Published: 01 October 2011
..., but she contrasts the pointedness of the novel's plot with the looser repetitious structure of the poem's nightly séances. To show that this pointedness is characteristic of Merrill's novelistic writing, Sedgwick also looks at two actual novels that Merrill had published years earlier, The Seraglio (1957...
Journal Article
GLQ (2019) 25 (4): 599–616.
Published: 01 October 2019
...Dana Seitler This essay concentrates on a series of suicide plots in which the risk of one’s undoing does not indicate a refusal of one’s existing life as much as it performs a fantastic desire to live a different one. Willa Cather’s short story “Paul’s Case” (1905), Ridley Scott’s Thelma...
Journal Article
GLQ (2021) 27 (1): 85–102.
Published: 01 January 2021
... various sets of narrative accounts to explain the theological underpinnings of liberal explanations for accommodating queer sexuality in India. First, the article looks at contemporary Bollywood films in which hijras are often inserted into the plot to bring the villains to justice, sometimes...
Journal Article
GLQ (2019) 25 (4): 569–598.
Published: 01 October 2019
... to include other contemporary trans literary genealogies, Bannon’s work becomes integral to understanding the pulp genre’s treatment of transgender themes and the reach of transgender plots and possibilities at midcentury. Copyright © 2019 Duke University Press 2019 transgender studies Ann Bannon...
Journal Article
GLQ (2023) 29 (2): 215–236.
Published: 01 April 2023
... hand, the wandering, nonlinear plots of much of his fiction run counter to the narratives of urban migration, rural stasis, and ex‐urban return that shape most scholarship on sexual geography. On the other, Wescott's tendency to borrow aesthetic practices from a wide range of literary schools...
Journal Article
GLQ (2003) 10 (1): 1–22.
Published: 01 January 2003
... narrative framework.
It is precisely because the tomboy’s plot always threatens to “turn queer”
that it arouses so much anxiety at a certain pubescent point, no matter how “nor-
mal” the girl is perceived at first to be. As a result, strategies for containing the
tomboy’s queer...
Journal Article
GLQ (2023) 29 (2): 277–282.
Published: 01 April 2023
... Ingrid Holmquist ( 2012 ), who asserts that the film “lacked both a hard-hitting plot-line and in-depth character development.” This vagueness and the film's lack of a happy ending are, I would argue, its best features; the vagueness of the ending resists the expected denouement, thereby revealing...
FIGURES
Journal Article
GLQ (2006) 12 (1): 27–59.
Published: 01 January 2006
... to be structured as a romance plot in which the abandonment of
indigenous kinship networks, patterns of residence, and forms of communal iden-
tification appears as a self-evidently desirable exchange of “degraded” traditional
sociality for the marital bliss and private homeownership portrayed as constitutive...
Journal Article
GLQ (1993) 1 (1): 53–78.
Published: 01 November 1993
.... New York: Granada, 1976 . Bersani , Leo . The Freudian Body: Psychoanalysis and Art . New York: Columbia UP, 1986 . Bersani , Leo “Is the Rectum a Grave?” October 43 (Winter 1987 ): 197 -222. Brooks , Peter . Reading for the Plot: Design and Intention in Narrative . New...
Journal Article
GLQ (2006) 12 (3): 491–493.
Published: 01 June 2006
... or physically.
This, after all, was theater. In their performances — loosely structured,
fantastically plotted with no regard for cause and effect or the niceties of plot
or character, concerned only with borrowing from popular culture outrageous,
unheard-of possibilities...
Journal Article
GLQ (2006) 12 (3): 494–504.
Published: 01 June 2006
... or physically.
This, after all, was theater. In their performances — loosely structured,
fantastically plotted with no regard for cause and effect or the niceties of plot
or character, concerned only with borrowing from popular culture outrageous,
unheard-of possibilities...
Journal Article
GLQ (2006) 12 (3): 504–505.
Published: 01 June 2006
... door of sexual partners
for whom no desire was off the map politically or physically.
This, after all, was theater. In their performances — loosely structured,
fantastically plotted with no regard for cause and effect or the niceties of plot
or character, concerned...
Journal Article
GLQ (2006) 12 (3): 506.
Published: 01 June 2006
... or physically.
This, after all, was theater. In their performances — loosely structured,
fantastically plotted with no regard for cause and effect or the niceties of plot
or character, concerned only with borrowing from popular culture outrageous,
unheard-of possibilities...
Journal Article
GLQ (2007) 13 (4): 553–561.
Published: 01 October 2007
...
function in itself. It is difficult for the questioner to protest when faced with the
accumulation of proof. Raucous noises escape from some of the throats, stifled
shrieks, grunting. The beings ignore them and move away in the midst of laughter.
Rebellions are sometimes accompanied by plots...
Journal Article
GLQ (2010) 16 (3): 473–475.
Published: 01 June 2010
... rarely
misses an opportunity to underscore moments of fluidity, ambivalence, and inde-
terminacy in the literature he treats. Thus, in lovely reading after lovely reading,
the study traces the complex dynamics of individual texts and their characters and
plots. While...
Journal Article
GLQ (2010) 16 (3): 476–478.
Published: 01 June 2010
... an opportunity to underscore moments of fluidity, ambivalence, and inde-
terminacy in the literature he treats. Thus, in lovely reading after lovely reading,
the study traces the complex dynamics of individual texts and their characters and
plots. While Bibler’s attention to the “high...
Journal Article
GLQ (2010) 16 (3): 479–481.
Published: 01 June 2010
... and
plots. While Bibler’s attention to the “high canon” of southern literature — Porter’s
The Old Order, Faulkner’s Absalom, Absalom! and Williams’s Cat on a Hot Tin
Roof — ensures that southernists will read this important book, it is his attention to
less-studied texts that sets...
Journal Article
GLQ (2010) 16 (3): 482–484.
Published: 01 June 2010
... an opportunity to underscore moments of fluidity, ambivalence, and inde-
terminacy in the literature he treats. Thus, in lovely reading after lovely reading,
the study traces the complex dynamics of individual texts and their characters and
plots. While Bibler’s attention to the “high...
Journal Article
GLQ (2010) 16 (3): 485–487.
Published: 01 June 2010
... an opportunity to underscore moments of fluidity, ambivalence, and inde-
terminacy in the literature he treats. Thus, in lovely reading after lovely reading,
the study traces the complex dynamics of individual texts and their characters and
plots. While Bibler’s attention to the “high...
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