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Journal Article
GLQ (2017) 23 (3): 289–326.
Published: 01 June 2017
... photographers, including Baron de Meyer, Cecil Beaton, George Hoyningen-Huene, and Horst P. Horst, who defined a queer aesthetics of fashion photography in New York, Paris, London, and Hollywood in the years before World War II. I historicize what Lynes called the “amorous regard” of his fashion photography...
Journal Article
GLQ (2006) 12 (2): 237–258.
Published: 01 April 2006
...Jason Goldman Duke University Press 2006 “THE GOLDEN AGE OF GAY PORN”
Nostalgia and the Photography of Wilhelm von Gloeden
Jason Goldman
My memoirs are not for historians. They can be of interest only to
voluptuaries and artists.
— Roger Peyrefitte,Les amours singuliers
When...
Journal Article
GLQ (2019) 25 (4): 513–543.
Published: 01 October 2019
... of gender and sexuality in the contemporary Turkish context and Western-centric discourses of queerness. TOWARD A LOCAL QUEER AESTHETICS Nilbar Güre s Photography and Female Homoerotic Intimacy Duygu Ula In her stand- alone photographic work Ays¸e Fatma y Seviyor (Ays¸e Loves Fatma), Nilbar Güres¸ focuses...
Journal Article
GLQ (2020) 26 (3): 405–438.
Published: 01 June 2020
... presents herself, the girls, and District Six more broadly, this article proposes an alternative reading of the Kewpie Photographic Collection, as it is now known. Privileging the creative as opposed to the documentary function of photography and oral testimony, Ramsden-Karelse proposes that Kewpie uses...
Journal Article
GLQ (2023) 29 (2): 183–214.
Published: 01 April 2023
... abstraction and drawing, both practices of representation that resist the realisms of documentary media such as film and photography, to enact a queer politics of visibility. Figure 6. Nancy Brooks Brody, “Many women's symbols interlocked in a square pattern.” Image courtesy Herstory Inventory , 2012...
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Journal Article
GLQ (2006) 12 (2): 347–348.
Published: 01 April 2006
... 2006 About the Contributors
Deborah Bright has been a professor in the photography and art history depart-
ments at the Rhode Island School of Design since 1989. Bright’s groundbreaking
collection of images and writings on photography and sexuality, The Passionate
Camera...
Journal Article
GLQ (2017) 23 (1): 1–29.
Published: 01 January 2017
... photography to provide
comfort to bereaved parents (Burns and Burns 2002: 180). As mourning by the
end of the twentieth century was increasingly understood as a series of psycho-
logically necessary and ineluctable stages, bereavement specialists stepped in to
supplement the work of other death...
Journal Article
GLQ (2017) 23 (3): 445–446.
Published: 01 June 2017
... 2017 About the Contributors
Elspeth H. Brown is associate professor of history at the University of Toronto. She
is the author of Work! A Queer History of Modeling (forthcoming) and the award-
winning The Corporate Eye: Photography and the Rationalization of American
Commercial...
Journal Article
GLQ (2000) 6 (3): 489–490.
Published: 01 June 2000
... is a Ph.D. candidate in the joint program in English and women’s
studies at the University of Michigan.
Deborah Bright is professor of photography and art history at the Rhode Island
School of Design, where she heads the graduate photography program. Her photo...
Journal Article
GLQ (2002) 8 (1-2): 241–249.
Published: 01 April 2002
... lesbian experience or sensibility, Slip-
pery When Wet considered the unpredictable effects of lesbian desire as it inter-
sects with the visual practices of photography, painting, mixed-media art, and
digital art.
The idea for the show came out of my dissertation, “Slippery When Wet:
Visibility...
Journal Article
GLQ (2022) 28 (2): 321–323.
Published: 01 April 2022
... Lorenzo Triburgo is a Brooklyn-based artist employing performance, photography, video, and audio to elevate transqueer subjectivity and cast a critical lens on notions of the “natural.” Triburgo has exhibited and lectured in cities throughout the United States, Europe, and Asia and has...
Journal Article
GLQ (2014) 20 (3): 241–275.
Published: 01 June 2014
... and relatives. These photographs from Topaz
brought the reality of Onuma’s queer wartime existence into the realm of visibility
and legibility. This type of revelation, as Roland Barthes suggests, is simulta-
neously “evidential and exclamative,” and its impact is unique to photography.
Unlike other...
Journal Article
GLQ (1995) 2 (4): 379–398.
Published: 01 October 1995
... . Paris: Nathan and Labor, 1983 . Jackson Jr Earl . “Death Drives Across Pornotopia: Dennis Cooper on the Extremities of Being.” GLQ 1 ( 1994 ): 143 –61. Metz , Christian . “Photography and Fetish,” October 34 ( 1985 ): 81 –90. Michelson , Annette . “The Man with a Movie...
Journal Article
GLQ (2023) 29 (2): 301–303.
Published: 01 April 2023
... has published widely on gender, sexuality, and queer diasporic visual art and culture in anthologies and journals such as Journal of Middle East Women's Studies , GLQ , and Social Text , as well as in art publications such as PIX: A Journal of Contemporary Indian Photography ; Tribe: Photography...
Journal Article
GLQ (2009) 15 (3): 441–468.
Published: 01 June 2009
... rather than continuity in kinship. These discontinuities and uncertainties
are mediated through the material and formal properties of photography, video,
home movies, oral histories — and through the narrative device of the telling (fam-
ily) secret.
Like My Mother’s Place, To Catch a Glimpse...
Journal Article
GLQ (2023) 29 (2): 269–276.
Published: 01 April 2023
... University Press 2023 gg866@nyu.edu References Berlant Lauren . 2011 . Cruel Optimism . Durham, NC : Duke University Press . Cruz Jorge . 2022 . “ Traversing Intimate Spaces: The Photography of Fabian Guerrero .” Latinx Project , June 30 . https...
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Journal Article
GLQ (2021) 27 (1): 121–140.
Published: 01 January 2021
... in an interview (Cott 2014: 57), Photography comes in the form of fragments. The nature of the still photograph is that it has the mental status of a fragment. Of course, it s a thing complete in itself. But in relation to the passage of time, it becomes that telling fragment of what is left to us of the past...
Journal Article
GLQ (2003) 9 (1-2): 149–179.
Published: 01 April 2003
... of the brutalities of war. Medical photography, and portrait
photography more broadly, helped transform the popular image of soldiering and
military culture in general. The material evidence of physical wounds blurred with
tacit forms of democratic participation and sacrifice.29 Throughout the nineteenth
and well...
Journal Article
GLQ (2006) 12 (2): 319–328.
Published: 01 April 2006
... in the Dark Room, Jay Prosser insists on photography’s melan-
cholic structure of feeling in that it always contains a realization of loss. He writes:
“Photographs are not signs of presence but evidence of absence. Photographs con-
queer archive...
Journal Article
GLQ (2006) 12 (2): 217–236.
Published: 01 April 2006
..., even earlier formats; but
he disrupts his position within this tradition, given that Alabama Souvenirs can-
not be encapsulated in visual codes stereotypically thought to signify gay desire.
Trained in photography and painting at SUNY Albany and well versed in West-
ern (white) homoerotic art...
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