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Journal Article
GLQ (2003) 9 (1-2): 57–77.
Published: 01 April 2003
...Michael Davidson Duke University Press 2003 PHANTOM LIMBS Film Noir and the Disabled Body Michael Davidson In Out of the Past (1947), a deaf boy (Dickie Moore) protects Jeff Bailey (Robert Mitchum) from police and gangsters who, for differing reasons, pursue him for his role...
Journal Article
GLQ (2024) 30 (3): 351–353.
Published: 01 June 2024
... relies on extensive fieldwork within Chicago's Black queer nightlife (Slo ‘Mo, Party Noire, and ENERGY) and interviews with organizers and attendees to unpack how queer Black women come together through dance and nightlife to assert, create, and maintain space within the gentrifying city of Chicago...
Journal Article
GLQ (2005) 11 (1): 23–64.
Published: 01 January 2005
..., thematic, and formal features, I develop a reading of relations of looking in and at Cruising as an illustration of what I term, following Mark Seltzer, the “contagious relations” between mimetic technologies and embodied identities.4 Ghetto Noir A fast-paced thriller (which...
Journal Article
GLQ (2019) 25 (2): 342–351.
Published: 01 April 2019
... Manthia . 1993 . “ Noir by Noirs: Toward a New Realism in Black Cinema .” African American Review 27 , no. 4 : 525 – 37 . Gordon Max S. 2017 . “ Faggot as Footnote .” Medium.com , February 25 . medium.com/@maxgordon19/faggot-as-footnote-on-james-baldwin-i-am-not-your-negro-can-i...
Journal Article
GLQ (2007) 13 (4): 423–454.
Published: 01 October 2007
..., and their plural pronouns bear the mark of gender as a mark of general or serial particularization: “Ils/elles sont vus noirs, par conséquent ils/elles sont noirs; elles sont vues femmes, par consequent elles sont femmes. Mais avant d’être vu(e)s de cette façon, il a bien fallu qu’ils/elles...
Journal Article
GLQ (2013) 19 (3): 341–379.
Published: 01 June 2013
... that prevents me from writing. . . . People no longer know how to see the happiness that is Gdansk because it is of a revolutionary nature and revolutionary thinking has abandoned people.46 The room where Duras goes to write, la chambre noir, is for her an oracular space, a space...
Journal Article
GLQ (2012) 18 (2-3): 325–346.
Published: 01 June 2012
... both historical and contemporary structures of racial violence. For master- 344 GLQ: A JOURNAL OF LESBIAN and GAY STUDIES ful analyses of antiblack racism within French multiculturalist imaginaries, see Pap Ndiaye, “Pour une histoire des populations noires en France...
Journal Article
GLQ (2017) 23 (2): 221–246.
Published: 01 April 2017
... position of kinship in slavery, as mandated in the French 1685 Code Noir, partus sequitur ventrem, women do not signify the mother in her “symbolic order” (Spillers 1987: 75). It is from this point of departure that Séjour offers us a different way to approach what Oedipus in the slave economy...
Journal Article
GLQ (2001) 7 (3): 401–415.
Published: 01 June 2001
... journal Tel Quel, infamous husband of Julia Kristeva, art critic, aesthete, and arbiter of French bon goût. By his own account, Sollers is a man with two bêtes noires: feminism and puritanism, which he treats as two sides of the same coin, minted of course...
Journal Article
GLQ (2025) 31 (2): 257–282.
Published: 01 April 2025
... resonances with the FHAR, plasticity sheds new light on how French racial formations remain grounded in anti-Black conceptions of the (non)human, despite official state narratives of colorblindness and the French aversion to (“American”) “communitarianism.” As the essays in Black France/France Noire...
FIGURES
Journal Article
GLQ (2000) 6 (1): 29–59.
Published: 01 January 2000
... for the exchange of ideas and for artistic expression. A group of artistic elites and middle-class bohemians in the Mont- martre district of Paris founded the first cabaret, the Chat Noir, which staged loosely connected performances that satirized the bourgeoisie. Middle-class artists and intellectuals...
Journal Article
GLQ (2003) 9 (3): 415–428.
Published: 01 June 2003
... novel Les soeurs Papin (Paris: Fleuve Noir, 1994). 4. Jacques Derrida, “Cogito and the History of Madness,” in Writing and Difference, trans. Alan Bass (Chicago: University of Chicago Press, 1978), 43, 35. 5. Thanks to Joan Jastrebski for provoking these reflections...
Journal Article
GLQ (2001) 7 (3): 377–389.
Published: 01 June 2001
... libation].24 In another “secret song” he redraws Sappho’s portrait; no longer the appealing soft butch, she is described as an aging witch: “Elle est vraiment horrible. Grasse et mamelue, les bras bouffis, les jambes rouges, le ventre plissé, la vulve noire et...
Journal Article
GLQ (2013) 19 (3): 301–340.
Published: 01 June 2013
...), 68 – 96. For a historical reading of Stonewall’s epochal significance in France, see Frédéric Martel, Le rose et le noir: Les homosexuels en France depuis 1968 (Paris: Éditions du Seuil, 2008). 12. See, for example, John D’Emilio, “Capitalism and Gay Identity...
Journal Article
GLQ (2006) 12 (2): 197–216.
Published: 01 April 2006
... per- vertis du ‘livre noir,’ ” Mercure de France, July – August 1918, 69 – 80. The Théâtre Esotérique, which Cahun and Moore helped found and where Nadja performed, paid homage to Wilde and his generation of aesthetes, producing what one critic described as “dramatic tableaux...
Journal Article
GLQ (2005) 11 (1): 1–22.
Published: 01 January 2005
... fairy played by Clifton Webb in Otto Preminger’s 1944 classic film noir Laura, Addison wears elegantly tailored clothes; speaks with an upper-crust accent; has a dry, bitchy wit; and is associated with a feminized pro- fession.33 After Addison has taken Margo to task in his review for playing roles...
Journal Article
GLQ (2000) 6 (1): 1–28.
Published: 01 January 2000
... Review, fall 1998. 36. Since then Greenberg has choreographed for Mikhail Baryshnikov’s White Oak Dance Project and premiered This Is What Happened, a “dance-noir trio, set to Hitchcock film music by Bernard Herrmann,” at New York City’s Performance Space 122 in the spring of 1999...
Journal Article
GLQ (2003) 9 (3): 367–391.
Published: 01 June 2003
... thrill of an inherently evil sexuality. Child- loving is the bête noire of this film, though homosexuality, incest, and sado- masochism are, perhaps all too predictably, standing in attendance in case our sexual panic should turn unaccountably flaccid. In all three approaches to the novella and the film...
Journal Article
GLQ (1998) 4 (2): 349–372.
Published: 01 April 1998
... press and became active in the DOB, eventually coming to serve as San Francisco chapter vice president and editor of the chapter newsletter, Sisters. Throughout her involvement with early lesbian fem- inism, Elliot remained a controversial figure, a bête noire or cause célèbre (depend- ing on one’s...
Journal Article
GLQ (2019) 25 (4): 545–567.
Published: 01 October 2019
.... Indeed, forthcoming work will discuss Party Noire, which began after fieldwork for this essay was completed, and which is hosted in the historically African American neighborhood of Hyde Park on the city s South Side. This party centers black femme people, is typically hosted during the day, and, while...