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Journal Article
GLQ (2006) 12 (3): 351–376.
Published: 01 June 2006
...Stacy Wolf Duke University Press 2006 “We’ll Always
Be Bosom Buddies”
Female Duets and the Queering
of Broadway Musical Theater
Stacy Wolf
In the middle of the second act of Mame (1966), the title character and her best
friend, Vera, sing a hilarious duet of competition...
Journal Article
GLQ (2000) 6 (3): 389–412.
Published: 01 June 2000
...Nadine Hubbs Duke University Press 2000 1045-03.Hubbs 5/31/00 3:08 PM Page 389
A FRENCH CONNECTION
Modernist Codes in the Musical Closet
Nadine Hubbs
In 1919, in a Pennsylvania town, a nine-year-old boy summoned his courage...
Journal Article
GLQ (2001) 7 (1): 131–151.
Published: 01 January 2001
...Ann Cvetkovich; Selena Wahng Duke University Press 2001 GLQ 7.1-06 Cvet/Wahng 1/11/01 12:14 PM Page 131
The GLQ Archive
DON’T STOP THE MUSIC
Roundtable Discussion with Workers from the Michigan
Womyn’s Music Festival...
Journal Article
GLQ (2003) 9 (4): 433–470.
Published: 01 October 2003
...Judith A. Peraino Duke University Press 2003 LISTENING TO THE SIRENS
Music As Queer Ethical Practice
Judith A. Peraino
The history of Western music is, among other things, a history of sexual anxiety,
ambivalence, and negotiation. This article examines four moments in this musical...
Journal Article
GLQ (2019) 25 (2): 369–371.
Published: 01 April 2019
Journal Article
GLQ (2022) 28 (1): 115–143.
Published: 01 January 2022
....” This article takes this incident of rumor or accusation as a critical opportunity to think about the archival reality of Black queer sexuality, on one hand, and sexual violence in Black gospel music history on the other. Using the legal documents from Christopher B. Harris v. Irwin Goldring as Special...
FIGURES
Journal Article
GLQ (2014) 20 (3): 319–352.
Published: 01 June 2014
.... Via an analysis of the musical sitcom Glee , the essay tracks how an insistence on parental acceptance displaces the knowledge, experience, and instruction of other gay people, as well as the cultural practices and traditions that have long sustained queer lives. Focusing on the coming out of gay boy...
Journal Article
GLQ (2015) 21 (1): 33–63.
Published: 01 January 2015
...Sianne Ngai This essay reads a series of social or capitalist abstractions: the iconic smiley face; Karl Marx's notoriously tricky concept of abstract, value-constituting labor; and the “soldier's body” qua allegory of value in contemporary American poet Rob Halpern's book Music for Porn (2012...
Journal Article
GLQ (2010) 16 (4): 577–597.
Published: 01 October 2010
...Gil Z. Hochberg In his seven-minute film Chic Point: Fashion for Israeli Checkpoints (2003), Palestinian artist Sharif Waked introduces a slew of beautiful young men striding down a catwalk to the sound of heavy beat music, wearing “the latest in checkpoint fashion”: a tight mini black jacket...
Journal Article
GLQ (2014) 20 (3): 215–239.
Published: 01 June 2014
... in particular. Structured as a dialogue between a gay bareback porn producer and a media studies scholar, it explores the sexual politics of barebacking, the notion of risk in gay sex, the mediation of intensity and sensation within pornography, the role of online porn distribution, and the uses of music...
Journal Article
GLQ (2018) 24 (1): 85–111.
Published: 01 January 2018
... gold, platinum, and multiplatinum records. The excesses one witnesses in Juan Gabriel’s commercial success are analogous to the stylistic excesses one observes in his vocality and the performance of his musical persona. This article focuses on these excesses and examines them in relation to mainstream...
Journal Article
GLQ (2019) 25 (4): 545–567.
Published: 01 October 2019
... to slow jams, examining how they use slowness to theorize and take pleasure in the party as black queer women. As the party gets more popular, however, the music gets faster, the crowd gets whiter, and black queer women’s deployments of slowness shift as they see the party capitulating to a model...
Journal Article
GLQ (2024) 30 (2): 181–203.
Published: 01 April 2024
...Joseph Pizza This article explores John Cage's “62 Mesostics re Merce Cunningham,” a love poem dedicated to the poet's longtime partner. Though scholars of Cage's writing and music tend to ignore the queer context in which his work was created, this study attempts to reconcile the poet's art...
Journal Article
GLQ (2017) 23 (3): 434–436.
Published: 01 June 2017
...J. Basiliere Rednecks, Queers, and Country Music . Hubbs Nadine . Berkeley : University of California Press , 2014 . ix + 225 pp. © 2017 by Duke University Press 2017 References Bourdieu Pierre . 1984 . Distinction: A Social Critique of the Judgement of Taste...
Journal Article
GLQ (1996) 3 (1): 53–69.
Published: 01 January 1996
...Kevin Kopelson Copyright © 1996 by Katie Gilmartin 1996 Works Cited Ackerley , J. R , My Dog Tulip . 1965. New York: Poseidon, 1987 . Ackerley , J. R , My Father and Myself . New York: Coward-McCann, 1969 . Adorno , Theodor W , Mahler: A Musical Physiognomy . Trans...
Journal Article
GLQ (1999) 5 (2): 231–252.
Published: 01 April 1999
... of their subsequent work.
Although they had been involved with one another for nearly four years, Credo in
Us, born of their new independent life together, marked the public emergence of
the relationship as muse.
Tellingly, the music Cage composed prior to his acquaintance...
Journal Article
GLQ (2021) 27 (1): 11–38.
Published: 01 January 2021
... Sexuality and Identity in Gospel Performance .” In Issues in African American Music: Power, Gender, Race, Representation , edited by Maultsby Portia K. Burnim Mellonee V. , 216 – 35 . New York : Routledge . Lyles music . 2012 . “ Lawrence Lyles .” YouTube video, 6:35 , June 10...
Journal Article
GLQ (2018) 24 (1): 49–51.
Published: 01 January 2018
... the shooting began. I was drawn to viewing these videos
over and over was because of the familiar musical soundscape that forms the space
of “Latin Night” that registers for so many of us. One video I watched over and over
was taken by Brenda McCool on her smartphone. McCool was one of those killed...
Journal Article
GLQ (1994) 1 (2): 221–236.
Published: 01 April 1994
... that someone would only (lo one thing. I find it
kery Iiizarrc that someone would sing in a musical-altliough I shouldn’t say that
Iwcause that’s the one thing I can’t do, I can’t sing and I can’t dance-I find it very
strange that someone should perform in a show without knowing what...
Journal Article
GLQ (2003) 9 (4): 565.
Published: 01 October 2003
....
Judith A. Peraino is assistant professor of music at Cornell University. She has pub-
lished articles on medieval music, music and sexuality, and gender and rock
music. Her book Listening to the Sirens: Musical Technologies of Queer Identity is
forthcoming.
...
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