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jim

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Journal Article
GLQ (2001) 7 (2): 265–284.
Published: 01 April 2001
...Jim Ellis Duke University Press 2001 GLQ 7.2-03 Ellis 4/20/01 6:01 PM Page 265 CONJURING THE TEMPEST Derek Jarman and the Spectacle of Redemption Jim Ellis In Dancing Ledge Derek Jarman explains his motivations for filming Shake...
Journal Article
GLQ (2001) 7 (1): 183–192.
Published: 01 January 2001
...Jim Hubbard Duke University Press 2001 GLQ 7.1-08 Hubbard 1/11/01 12:26 PM Page 183 The GLQ Gallery FEVER IN THE ARCHIVE Jim Hubbard These eight stills come from videotapes that are part of the Royal S. Marks AIDS...
Journal Article
GLQ (2010) 16 (3): 429–449.
Published: 01 June 2010
...Paul Sendziuk; Roger Hallas; Jim Hubbard; Debra Levine In the age of AIDS, film and video became one of the principal means for grief-stricken activists and artists to bear witness and make sense of the epidemic and the loss of their lovers and friends. This Moving Image Review comprises short...
Journal Article
GLQ (2011) 17 (4): 629–632.
Published: 01 October 2011
...David Oscar Harvey In the following interview, renowned writer and cultural activist Sarah Schulman discusses her role as the cofounder and coordinator (with Jim Hubbard) of the ACT UP Oral History Project. The Oral History project, which is ongoing, creates a vibrant archive of numerous filmed...
Journal Article
GLQ (2023) 29 (1): 13–26.
Published: 01 January 2023
...) Stoller's theory of transsexual etiology emerges alongside essays like Moynihan's reveals the shared genealogy of US sexology and Jim Crow. References Aizura Aren Z. 2018 . Mobile Subjects: Transnational Imaginaries of Gender Reassignment . Durham, NC : Duke University Press . Benjamin...
FIGURES
Journal Article
GLQ (2021) 27 (2): 233–252.
Published: 01 April 2021
... to the problematic nature of Rocky Horror ’s language and dated identity politics. Released in 1975, Richard O’Brien and Jim Sharman’s The Rocky Horror Picture Show has been a touchstone of queer popular culture for more than forty years. Rocky Horror is constructed as a self- conscious pastiche of multiple cultural...
Journal Article
GLQ (2007) 13 (1): 1–31.
Published: 01 January 2007
... Stephen with cold violence. Ireland is the old sow that eats her farrow.  — James Joyce, A Portrait of the Artist as a Young Man “It would be grand to fight with your friend beside you,” Jim said. “We’ll be asked to fight for Ireland, sure I know that.” “But what is Ireland that you...
Journal Article
GLQ (2017) 23 (1): 31–49.
Published: 01 January 2017
... less concerned with factual reportage than he is with the impossibility of documentation, with what he cannot represent” (emphasis original). This is what Rechy makes the central conceit of his sixth novel. The text follows the protagonist, Jim, during a weekend as he has...
Journal Article
GLQ (2006) 12 (2): 319–328.
Published: 01 April 2006
... object. We shot it less than a year before he died of AIDS, and it served as an inadequate surrogate. The tape did not represent Jim — a sometimes go-go dancer, several- year member of Charles Ludlam’s off-Broadway Ridiculous Theatrical Company, and consummate performer — at his best or in his...
Journal Article
GLQ (2017) 23 (3): 437–440.
Published: 01 June 2017
... with the shorthand argument that those against interracial marriage in the Jim Crow era and those against same-­sex marriage now are similarly “on the wrong side of history.” Franke instead looks into the archives of African American marriage in the nineteenth century: Freed- men’s...
Journal Article
GLQ (2018) 24 (4): 421–444.
Published: 01 October 2018
... . Hanhardt Christina B. 2016 . “ Broken Windows at Blue’s: A Queer History of Gentrification and Policing .” In Policing the Planet: Why the Policing Crisis Led to Black Lives Matter , edited by Camp Jordan T. Heatherton Christina , 41 – 61 . New York : Verso . Hubbard Jim , dir...
Journal Article
GLQ (1998) 4 (2): 231–261.
Published: 01 April 1998
... at the level of embodiment. Jim, a postoperative pakeha FTM, seemed to be aware throughout the inter- view that questions of gender involved complexities that he could not articulate easily.45 When asked how he understood the term transsexual, he said doubtfully, “I could say...
Journal Article
GLQ (2020) 26 (3): 608–610.
Published: 01 June 2020
...: The Radical Potential of Queer Politics? ” GLQ 3 , no. 4 : 437 – 65 . Haley Sarah . 2016 . “ ‘Like I Was a Man’: Chain Gangs, Gender, and the Domestic Car-ceral Sphere in Jim Crow Georgia .” Signs: Journal of Women and Culture in Society 39 , no. 1 : 53 – 77 . Spillers Hortense...
Journal Article
GLQ (2011) 17 (4): 619–620.
Published: 01 October 2011
... Preservation; Yvonne Welbon, who speaks to Julia Wal- lace and Alexis Pauline Gumbs about their Queer Black Mobile Homecoming; and David Oscar Harvey, in conversation with Sarah Schulman about the ACT UP Oral History Project, which she creates with Jim Hubbard. They bring to this les- bian archive...
Journal Article
GLQ (2011) 17 (4): 620–623.
Published: 01 October 2011
... Mobile Homecoming; and David Oscar Harvey, in conversation with Sarah Schulman about the ACT UP Oral History Project, which she creates with Jim Hubbard. They bring to this les- bian archive their individual and communal reflections of the will to save and pre- serve via media (this print archive...
Journal Article
GLQ (2011) 17 (4): 624–628.
Published: 01 October 2011
..., in conversation with Sarah Schulman about the ACT UP Oral History Project, which she creates with Jim Hubbard. They bring to this les- bian archive their individual and communal reflections of the will to save and pre- serve via media (this print archive, videos, films, interviews, websites, books, RVs) so...
Journal Article
GLQ (2011) 17 (4): 632–638.
Published: 01 October 2011
... Legacy Project for LGBT Film Preservation; Yvonne Welbon, who speaks to Julia Wal- lace and Alexis Pauline Gumbs about their Queer Black Mobile Homecoming; and David Oscar Harvey, in conversation with Sarah Schulman about the ACT UP Oral History Project, which she creates with Jim Hubbard...
Journal Article
GLQ (2011) 17 (4): 639–647.
Published: 01 October 2011
..., in conversation with Sarah Schulman about the ACT UP Oral History Project, which she creates with Jim Hubbard. They bring to this les- bian archive their individual and communal reflections of the will to save and pre- serve via media (this print archive, videos, films, interviews, websites, books, RVs) so...
Journal Article
GLQ (2019) 25 (4): 569–598.
Published: 01 October 2019
... to a Chicago livestock convention. Beebo nds some degree of space to explore her masculinity as she helps her father and brother Jim with the cattle, handling the steers in their stalls. But the trip takes a hazardous turn when she nds herself compelled to slip away from the two of them, dressed in Jim s...
Journal Article
GLQ (1995) 2 (3): 307–317.
Published: 01 June 1995
... . Cammermeyer , Margarethe . “Taking the High Ground.” Advocate 21 February 1995 : 43 . Holobaugh , Jim , and Keith Hale Torn Allegiances: The Story of a Gay Cadet . Boston: Alyson, 1993 . Humphries , Mary Anne. My Country, My Right to Serve . New York: HarperCollins, 1994 . Laing...