... © 2012 by Duke University Press 2012 Image Gallery Figure 1. The Epic Crossings of an Ife Head, video still and performance by Wura- Natasha Ogunji. Courtesy of the artist GLQ 18:2 – 3 DOI 10.1215/10642684- 1472944 © 2012 by Duke University Press 382 GLQ: A JOURNAL...

... images have historically posed for traditional archives. © 2011 by Duke University Press 2011 Moving Image Review Lesbian Archives For this Moving Image Review we brought together lesbian and queer artists, academics, activists, and archivists who look to and save media objects and prac...

...Duygu Ula Focusing on photographs by Nilbar Güreş, a visual and performance artist, this article analyzes how her images deconstruct and reimagine the various identities of the Turkish nation and Western discourses of homosexuality at once. By depicting seemingly conventional women in traditional...

... illuminated by the phenomenon of gay twinning, in which gay men pursue sexual relations with what appear to be their mirror images made flesh. Grounded in notions of sameness and self-duplication, twinning dramatizes the abnegation of homosexuality’s suicidal erotics and demonstrates the relations...

...Fintan Walsh This article examines the role of pugilistic gesture and form in queer performance, focusing on Franko B’s Milk & Blood (2015) and Cassils’s Becoming an Image (2012). Walsh considers how pugilism functions as a mode for “working out” queer fights—personal and cultural—that offers...

... visibility, given widespread media cynicism and disbelief in the authenticity of images as evidence; and (3) what role the (discursive and physical) elimination of queers plays in relation to spectacular performances of nationhood. Taken together, the authors’ findings contribute to a more multifaceted...

... as it aspires to write over celebrity spectacle with the intimate and sustained gaze of contemplation and witness. This process of writing over is not just spatial but temporal, anchored in moments of rupture, suture, and recursivity, as well as in strategies through which the apparently static image aspires...

...Paul Sendziuk; Roger Hallas; Jim Hubbard; Debra Levine In the age of AIDS, film and video became one of the principal means for grief-stricken activists and artists to bear witness and make sense of the epidemic and the loss of their lovers and friends. This Moving Image Review comprises short...

... the unique temporal collision of these two historical moments, prominent tensions of the current conflict are made visible in the haunting utopian images of the early Zionist movement. By filtering the Israeli-Palestinian conflict through the lens of sexuality, Flanders's film deconstructs certain...

... Islam and a progressively more tolerant West. This dynamic of identification and differentiation was powerfully articulated through expressions of love, fear, and disgust. Furthermore, the Internet, which facilitated the rapid circulation of images of, stories about, and reactions to the case, also...

..., her multiyear Amber Doll Project (2006 – 8) in which she daily collaborated with a life-size sex doll (a RealDoll) made in her own image. Hawk Swanson often stages her work for social media, and she has an online presence that has received millions of viewers. With this practice, she exposes herself...

... of sexual images in cinema. Duke University Press 2008 Moving Image Review The View from the Shortbus, or All Those Fucking Movies Nick Davis Can sexual representations warrant the term queer if their only evident claim to antinormativity is their unusual frankness within a popular...

... through an analysis of his male nudes and the sexual history for which they are a visual record. In this article, I show how both Lynes's fashion images and his male nudes emerged from a market-imbricated queer kinship network to produce a discourse of interwar glamour that accommodated both dominant...