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GLQ (2012) 18 (2-3): 381–385.
Published: 01 June 2012
... © 2012 by Duke University Press 2012 Image Gallery Figure 1. The Epic Crossings of an Ife Head, video still and performance by Wura- Natasha Ogunji. Courtesy of the artist GLQ 18:2 – 3 DOI 10.1215/10642684- 1472944 © 2012 by Duke University Press 382 GLQ: A JOURNAL...
GLQ (2011) 17 (4): 632–638.
Published: 01 October 2011
... images have historically posed for traditional archives. © 2011 by Duke University Press 2011 Moving Image Review Lesbian Archives For this Moving Image Review we brought together lesbian and queer artists, academics, activists, and archivists who look to and save media objects and prac...
in Queering “The Children's Movement”: A Sideways Look at Political Infantilization in the (Post-)2014 Global Imaginary of Hong Kong Protesters > GLQ: A Journal of Lesbian and Gay Studies
Published: 01 October 2021
Figure 3. EJ Insight 's news report on the “chalk girl” features images of her 2014 arrest by the police and the drawings that caused her to be investigated, January 2015. Figure 3. EJ Insight's news report on the “chalk girl” features images of her 2014 arrest by the police and the drawings More
GLQ (2019) 25 (4): 513–543.
Published: 01 October 2019
...Duygu Ula Focusing on photographs by Nilbar Güreş, a visual and performance artist, this article analyzes how her images deconstruct and reimagine the various identities of the Turkish nation and Western discourses of homosexuality at once. By depicting seemingly conventional women in traditional...
GLQ (2017) 23 (3): 289–326.
Published: 01 June 2017
... through an analysis of his male nudes and the sexual history for which they are a visual record. In this article, I show how both Lynes's fashion images and his male nudes emerged from a market-imbricated queer kinship network to produce a discourse of interwar glamour that accommodated both dominant...
GLQ (2013) 19 (4): 465–485.
Published: 01 October 2013
..., her multiyear Amber Doll Project (2006 – 8) in which she daily collaborated with a life-size sex doll (a RealDoll) made in her own image. Hawk Swanson often stages her work for social media, and she has an online presence that has received millions of viewers. With this practice, she exposes herself...
GLQ (2008) 14 (4): 623–637.
Published: 01 October 2008
... of sexual images in cinema. Duke University Press 2008 Moving Image Review The View from the Shortbus, or All Those Fucking Movies Nick Davis Can sexual representations warrant the term queer if their only evident claim to antinormativity is their unusual frankness within a popular...
GLQ (2010) 16 (3): 429–449.
Published: 01 June 2010
...Paul Sendziuk; Roger Hallas; Jim Hubbard; Debra Levine In the age of AIDS, film and video became one of the principal means for grief-stricken activists and artists to bear witness and make sense of the epidemic and the loss of their lovers and friends. This Moving Image Review comprises short...
GLQ (2010) 16 (4): 611–621.
Published: 01 October 2010
... the unique temporal collision of these two historical moments, prominent tensions of the current conflict are made visible in the haunting utopian images of the early Zionist movement. By filtering the Israeli-Palestinian conflict through the lens of sexuality, Flanders's film deconstructs certain...
GLQ (2013) 19 (1): 1–29.
Published: 01 January 2013
... Islam and a progressively more tolerant West. This dynamic of identification and differentiation was powerfully articulated through expressions of love, fear, and disgust. Furthermore, the Internet, which facilitated the rapid circulation of images of, stories about, and reactions to the case, also...
GLQ (2017) 23 (1): 1–29.
Published: 01 January 2017
... as it aspires to write over celebrity spectacle with the intimate and sustained gaze of contemplation and witness. This process of writing over is not just spatial but temporal, anchored in moments of rupture, suture, and recursivity, as well as in strategies through which the apparently static image aspires...
GLQ (2019) 25 (2): 273–296.
Published: 01 April 2019
... illuminated by the phenomenon of gay twinning, in which gay men pursue sexual relations with what appear to be their mirror images made flesh. Grounded in notions of sameness and self-duplication, twinning dramatizes the abnegation of homosexuality’s suicidal erotics and demonstrates the relations...
GLQ (2020) 26 (4): 701–722.
Published: 01 October 2020
...Fintan Walsh This article examines the role of pugilistic gesture and form in queer performance, focusing on Franko B’s Milk & Blood (2015) and Cassils’s Becoming an Image (2012). Walsh considers how pugilism functions as a mode for “working out” queer fights—personal and cultural—that offers...
GLQ (2020) 26 (4): 673–700.
Published: 01 October 2020
... visibility, given widespread media cynicism and disbelief in the authenticity of images as evidence; and (3) what role the (discursive and physical) elimination of queers plays in relation to spectacular performances of nationhood. Taken together, the authors’ findings contribute to a more multifaceted...
in Queering Tupac Amaru II: Travestismo as Methodology and the Re-imagination of Andean Cosmology > GLQ: A Journal of Lesbian and Gay Studies
Published: 01 January 2022
Figures 2a–d. La Falsificación de las Túpac , by Javi Vargas, 100 cm ×75 cm. Javi Vargas Digital Prints. Images reproduced with permission of the artist. (a) Marilyn, (b) Farrah, (c) Dina, (d) Frida. La Falsificación de las Túpac, by Javi Vargas, 100 cm ×75 cm. Javi Vargas Digital Prints More
in Deferral and the Dream: Visualizing the Life and Loves of Lorraine Hansberry > GLQ: A Journal of Lesbian and Gay Studies
Published: 01 June 2021
Figure 9. Tracy Heather Strain. Sighted Eyes | Feeling Heart , 2017, film still. Superimposed image of a close up of Hansberry looking up into the camera's lens with an excerpt from one of Hansberry's diary entries. Figure 9. Tracy Heather Strain. Sighted Eyes | Feeling Heart, 2017, film still More
GLQ (2021) 27 (1): 121–140.
Published: 01 January 2021
... carousels of 35 mm slides with an accompanying audio cassette soundtrack. The progression of the slide images could be activated by hand or set to advance at a pace controlled by the cassette. Tape- slide s precarious form made it susceptible to disassembly, its material components easily scattered and lost...
GLQ (2016) 22 (1): 55–80.
Published: 01 January 2016
... offer. The Promise and Peril of Femme Invisibility Since part of the calendar’s activist work is queering the pinups’ desires, we are told from the outset that the models are queer women, but the images themselves remain illegible. While sexual identity is visible...
GLQ (2022) 28 (1): 87–114.
Published: 01 January 2022
...Figures 2a–d. La Falsificación de las Túpac , by Javi Vargas, 100 cm ×75 cm. Javi Vargas Digital Prints. Images reproduced with permission of the artist. (a) Marilyn, (b) Farrah, (c) Dina, (d) Frida. La Falsificación de las Túpac, by Javi Vargas, 100 cm ×75 cm. Javi Vargas Digital Prints...
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GLQ (1995) 2 (4): 379–398.
Published: 01 October 1995
... the luminous space of the filmic image, Joslin and the spectator engage in a transferencelcounter-transference dynamic that transforms the film from a documentary into a new manifesto for a politically motivated talking cure. Joslin’s insistence on finding an image, creating a record, chronicling his...