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Journal Article
GLQ: A Journal of Lesbian and Gay Studies (1 January 2019) 25 (1): 188–193.
Published: 01 January 2019
... Press . Rose Tricia . 2008 . The Hip Hop Wars: What We Talk about When We Talk about Hip Hop — and Why It Matters . New York : Civitas . Stallings L. H. 2015 . Funk the Erotic: Transaesthetics and Black Sexual Cultures . Urbana : University of Illinois Press . ...
Journal Article
GLQ: A Journal of Lesbian and Gay Studies (1 January 2017) 23 (1): 160–162.
Published: 01 January 2017
... blackness as servility and the possibilities for these stars to find agency in their depictions of racist stereotypes. Finally, in “Ho Theory,” Miller-­Young traces the BOOKS IN BRIEF 161 mutual embrace between hip-­hop and pornography as a...
Journal Article
GLQ: A Journal of Lesbian and Gay Studies (1 April 2016) 22 (2): 307–309.
Published: 01 April 2016
...). Stout’s third household is exemplary of queer black Caribbean women operating outside the privileges of whiteness, hetero-­ and homonormativity, and the boundaries of “decent labor.” Prizing elements of African American hip-­hop culture, the women running the show in this...
Journal Article
GLQ: A Journal of Lesbian and Gay Studies (1 January 2008) 14 (1): 165–167.
Published: 01 January 2008
..., and queer festivals around the world, her films range from Dyketactics (1974) to Lover/Other: Claude Cahun and Marcel Moore (2006). She lives and works in New York City. Katie Hindmarch-Watson will be commencing her PhD in history at Johns Hop- kins University in...
Journal Article
GLQ: A Journal of Lesbian and Gay Studies (1 April 2017) 23 (2): 276–278.
Published: 01 April 2017
... to the hip-­hop video screen. His theories of agency cluster around his use of the terms objecthood and avatar (7). Considering black women performers from the nineteenth, twentieth, and twenty-­first centuries, McMillan shows how these per- formers play with, thwart, and...
Journal Article
GLQ: A Journal of Lesbian and Gay Studies (1 October 2013) 19 (4): 435–463.
Published: 01 October 2013
... often involved black-­coded forms like hip-­hop.40 I want to pursue this pos- sibility further here, locating it in a broader concept of inhabitation. Especially but not only as they appear in popular representations, outside influences characterized by difference figure...
Journal Article
GLQ: A Journal of Lesbian and Gay Studies (1 June 2006) 12 (3): 425–440.
Published: 01 June 2006
.... Filling in the negative space within and around Haring’s bodies, LA2 added a new dimension to Haring’s art. Also, LA2’s authentic ties, both geographically and racially, to the street reinforced Haring’s own status as an artist intimately engaged with the hip-hop culture of New York City. In...
Journal Article
GLQ: A Journal of Lesbian and Gay Studies (1 October 2009) 15 (4): 643–645.
Published: 01 October 2009
... late artist whose meteoric rise to fame converged with the emergent hip-hop scene of the 1980s — stands as one of many flashpoints for casting light on a historical moment in which Latino (espe­ cially Puerto Rican) gay men such as Rivera simultaneously grappled with pov­...
Journal Article
GLQ: A Journal of Lesbian and Gay Studies (1 October 2009) 15 (4): 646–648.
Published: 01 October 2009
... late artist whose meteoric rise to fame converged with the emergent hip-hop scene of the 1980s — stands as one of many flashpoints for casting light on a historical moment in which Latino (espe­ cially Puerto Rican) gay men such as Rivera simultaneously grappled with pov­...
Journal Article
GLQ: A Journal of Lesbian and Gay Studies (1 October 2009) 15 (4): 649–651.
Published: 01 October 2009
... late artist whose meteoric rise to fame converged with the emergent hip-hop scene of the 1980s — stands as one of many flashpoints for casting light on a historical moment in which Latino (espe­ cially Puerto Rican) gay men such as Rivera simultaneously grappled with pov­...
Journal Article
GLQ: A Journal of Lesbian and Gay Studies (1 October 2009) 15 (4): 652–653.
Published: 01 October 2009
... the former lover of Haring — the late artist whose meteoric rise to fame converged with the emergent hip-hop scene of the 1980s — stands as one of many flashpoints for casting light on a historical moment in which Latino (espe­ cially Puerto Rican) gay men such as Rivera...
Journal Article
GLQ: A Journal of Lesbian and Gay Studies (1 October 2009) 15 (4): 654–656.
Published: 01 October 2009
... holds sway in the case of Keith Haring and Juan Rivera, Cruz-Malavé’s intent does not rest on proving Rivera’s comparable greatness. Indeed, his rec­ ognition as the former lover of Haring — the late artist whose meteoric rise to fame converged with the emergent hip-hop scene...
Journal Article
GLQ: A Journal of Lesbian and Gay Studies (1 October 2012) 18 (4): 615–617.
Published: 01 October 2012
... students, heterosexual couples, queer women involved with the activist group Oremi (Yoruba for “close friend lesbiana hip-­hop artists, and AIDS patients. He is thus not concerned with exclusively same-­sex desire, but his theoretical framework — founded as it is on queer of color critique — lends...
Journal Article
GLQ: A Journal of Lesbian and Gay Studies (1 October 2012) 18 (4): 618–620.
Published: 01 October 2012
... friend lesbiana hip-­hop artists, and AIDS patients. He is thus not concerned with exclusively same-­sex desire, but his theoretical framework — founded as it is on queer of color critique — lends his readings of heterosexual intimacies a decidedly queer sensibility. Furthermore, 622 GLQ: A...
Journal Article
GLQ: A Journal of Lesbian and Gay Studies (1 October 2012) 18 (4): 621–623.
Published: 01 October 2012
... students, heterosexual couples, queer women involved with the activist group Oremi (Yoruba for “close friend lesbiana hip-­hop artists, and AIDS patients. He is thus not concerned with exclusively same-­sex desire, but his theoretical framework — founded as it is on queer of color critique — lends...
Journal Article
GLQ: A Journal of Lesbian and Gay Studies (1 October 2012) 18 (4): 624–626.
Published: 01 October 2012
... students, heterosexual couples, queer women involved with the activist group Oremi (Yoruba for “close friend lesbiana hip-­hop artists, and AIDS patients. He is thus not concerned with exclusively same-­sex desire, but his theoretical framework — founded as it is on queer of color critique — lends...
Journal Article
GLQ: A Journal of Lesbian and Gay Studies (1 January 1999) 5 (1): 25–39.
Published: 01 January 1999
... or motivation, though because sexuality is structured like a narrative, with crux, climax, and denouement, we are always hop- ing to unknot its beginning” (The Queen’s Throat: Opera, Homosexuality, and the Mys- tery of Desire [Harmondsworth: Penguin, 1993], 54...
Journal Article
GLQ: A Journal of Lesbian and Gay Studies (1 October 2007) 13 (4): 563–575.
Published: 01 October 2007
... of Native American berdaches (Will Roscoe) and extensions of traditional teaching on Tibetan contemplative practice (Jeffrey Hop- kins). Ethnographic studies cover south Indian theologies of sexual physiology (Nicholas J. Bradford) and Burmese transgender possession (Eli...
Journal Article
GLQ: A Journal of Lesbian and Gay Studies (1 October 2014) 20 (4): 491–520.
Published: 01 October 2014
... and Koreans, Notorious C.H.O. — whose title plays off the hip-­hop artist Biggie Smalls known as “The Notorious B.I.G.” — was overtly crafted as an homage to the African American stand-­up comedian Richard Pryor, an experiment in whether a “Korean American fag hag, shit...
Journal Article
GLQ: A Journal of Lesbian and Gay Studies (1 October 2004) 10 (4): 631–633.
Published: 01 October 2004