Search Results for gospel music

....” This article takes this incident of rumor or accusation as a critical opportunity to think about the archival reality of Black queer sexuality, on one hand, and sexual violence in Black gospel music history on the other. Using the legal documents from Christopher B. Harris v. Irwin Goldring as Special...

... can serve as a way of life (Foucault 1997). As such, the male choir director and male musician, imag- ined as Blackpentecostal, are meant to stand in for a range of queer possibilities in black social life in general (and I think black men singing non- gospel music also have to contend...

... music: “Wyman is tungsinglyun (homosexual). We do not discriminate against homosexuals. We accept them but why would you go for a non- Christian AND a homosexual to write the lyrics for a gospel song?”18 Here Lam also refers to another female pop star, Sammy Cheng, who...

... music: “Wyman is tungsinglyun (homosexual). We do not discriminate against homosexuals. We accept them but why would you go for a non- Christian AND a homosexual to write the lyrics for a gospel song?”18 Here Lam also refers to another female pop star, Sammy Cheng, who...

... forcefully on theories of performativity.1 His broad deployment of the rubric of “performance” to include a plethora of social, cultural, and political texts—from Baraka’s Black Nationalist poetry to gospel music to his grandmother’s oral his- tory—can be read as one of his project’s boldest moves, even...

... and perfor- mance in Gender Trouble and Bodies That Matter by bringing race to bear more forcefully on theories of performativity.1 His broad deployment of the rubric of “performance” to include a plethora of social, cultural, and political texts—from Baraka’s Black Nationalist poetry to gospel music...

... and Bodies That Matter by bringing race to bear more forcefully on theories of performativity.1 His broad deployment of the rubric of “performance” to include a plethora of social, cultural, and political texts—from Baraka’s Black Nationalist poetry to gospel music to his grandmother’s oral his- tory—can...

... by bringing race to bear more forcefully on theories of performativity.1 His broad deployment of the rubric of “performance” to include a plethora of social, cultural, and political texts—from Baraka’s Black Nationalist poetry to gospel music to his grandmother’s oral his- tory—can be read as one of his...

... forcefully on theories of performativity.1 His broad deployment of the rubric of “performance” to include a plethora of social, cultural, and political texts—from Baraka’s Black Nationalist poetry to gospel music to his grandmother’s oral his- tory—can be read as one of his project’s boldest moves, even...

... forcefully on theories of performativity.1 His broad deployment of the rubric of “performance” to include a plethora of social, cultural, and political texts—from Baraka’s Black Nationalist poetry to gospel music to his grandmother’s oral his- tory—can be read as one of his project’s boldest moves, even...

... Trouble and Bodies That Matter by bringing race to bear more forcefully on theories of performativity.1 His broad deployment of the rubric of “performance” to include a plethora of social, cultural, and political texts—from Baraka’s Black Nationalist poetry to gospel music to his grandmother’s oral his...

... forcefully on theories of performativity.1 His broad deployment of the rubric of “performance” to include a plethora of social, cultural, and political texts—from Baraka’s Black Nationalist poetry to gospel music to his grandmother’s oral his- tory—can be read as one of his project’s boldest moves, even...

... by bringing race to bear more forcefully on theories of performativity.1 His broad deployment of the rubric of “performance” to include a plethora of social, cultural, and political texts—from Baraka’s Black Nationalist poetry to gospel music to his grandmother’s oral his- tory—can be read as one of his...

... and Bodies That Matter by bringing race to bear more forcefully on theories of performativity.1 His broad deployment of the rubric of “performance” to include a plethora of social, cultural, and political texts—from Baraka’s Black Nationalist poetry to gospel music to his grandmother’s oral his- tory—can...

... on theories of performativity.1 His broad deployment of the rubric of “performance” to include a plethora of social, cultural, and political texts—from Baraka’s Black Nationalist poetry to gospel music to his grandmother’s oral his- tory—can be read as one of his project’s boldest moves, even if at times...

... depictions of gospel music, biblical allegory, and lesbianism, and for its commentary on and participation in the southern gothic. However, critics repeatedly turn to the autobiographical themes of which Allison has spoken at length in print and interview: what it means to feel ashamed of your people...

... gospel.” He established Universal Triumph, the Dominion of God, Incorporated, named after the first three freighters (the Universal, the Tri- umph, and the Dominion) he saw one day off Belle Isle, an island park in the DETROIT’S PROPHET JONES 275...

... . www.nytimes.com/2012/12/30/arts/television/the-gay-show-mom-and-dads-on-israeli-tv.html?_r=0 . Seroussi Edwin . 2010 . “World Music before World Music: Rereading Israel's Habrera Hativeet (“Natural Gathering”) after Thirty Years.” In The First International Conference on Analytical Approaches...

... (Pentecostal-­Baptist). The charismatic style of preaching, the call and response, the exuberant musical praise, and the 2.5-­hour services all speak to a black church experience that I hitherto had no experience with as an agnostic 644 GLQ: A JOURNAL OF LESBIAN AND GAY STUDIES European...

... has been redefined as any text, image, music, or whatever that someone sometimes regards as somehow aiding critical reflection on the point of life. Or think of the rhetorical shift from a particular tradition to religion in general as a mistaken interpretation...