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frameline

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Journal Article
GLQ (2009) 15 (1): 131–151.
Published: 01 January 2009
... San Francisco's Frameline Film Festival, the longest running festival of its kind. The censorship of the film due to community pressure, and the transphobic storyline Crouch created raises central questions of community and identity/post identity politics – personal experience versus group...
Journal Article
GLQ (2019) 25 (1): 140–144.
Published: 01 January 2019
... Speeches . Berkeley, CA : Crossing Press . Parker Pat . 1978 . Movement in Black: The Collected Poetry of Pat Parker, 1961 – 1978 . Berkeley, CA : Crossing Press . Riggs Marlon T. dir. 1989 . Tongues Untied: Black Men Loving Black Men . San Francisco, CA : Frameline...
Journal Article
GLQ (1994) 1 (2): 209–219.
Published: 01 April 1994
... the U.S. by Women Make Movies. 1992. 85 min. 
 
 Last Call at Maud's . Dir. Paris Poirier. Prod. Paris Poirier and Karen Kiss. Dist. by The Maud's Project. 1993. 75 min. Works Cited Before Stonewall . Dir. Robert Rosenberg, John Scagliotti, Greta Schiller, and Andrea Weiss. Frameline, 1986...
Journal Article
GLQ (2008) 14 (1): 121–122.
Published: 01 January 2008
... elsewhere — since Frameline first bowed in San Francisco in 1977 (and almost all of the essayists pay tribute to this grandparent of queer festivals). We asked for responses to questions about the upside and downside of participating in queer festivals; about the differ- ences between queer and...
Journal Article
GLQ (2008) 14 (1): 122–124.
Published: 01 January 2008
... — since Frameline first bowed in San Francisco in 1977 (and almost all of the essayists pay tribute to this grandparent of queer festivals). We asked for responses to questions about the upside and downside of participating in queer festivals; about the differ- ences between queer and nonqueer...
Journal Article
GLQ (2008) 14 (1): 124–126.
Published: 01 January 2008
... — since Frameline first bowed in San Francisco in 1977 (and almost all of the essayists pay tribute to this grandparent of queer festivals). We asked for responses to questions about the upside and downside of participating in queer festivals; about the differ- ences between queer and nonqueer...
Journal Article
GLQ (2008) 14 (1): 127–128.
Published: 01 January 2008
... contributors follow the voices of curators and critics in the previous two installments.1 Not surprisingly, they are very distinctive in their take on the phenomenon that has so profoundly marked LGBT cultures in the global North — and increasingly elsewhere — since Frameline first bowed in San...
Journal Article
GLQ (2008) 14 (1): 128–130.
Published: 01 January 2008
... contributors follow the voices of curators and critics in the previous two installments.1 Not surprisingly, they are very distinctive in their take on the phenomenon that has so profoundly marked LGBT cultures in the global North — and increasingly elsewhere — since Frameline first bowed in San...
Journal Article
GLQ (2008) 14 (1): 130–132.
Published: 01 January 2008
... contributors follow the voices of curators and critics in the previous two installments.1 Not surprisingly, they are very distinctive in their take on the phenomenon that has so profoundly marked LGBT cultures in the global North — and increasingly elsewhere — since Frameline first bowed in San...
Journal Article
GLQ (2008) 14 (1): 133–134.
Published: 01 January 2008
... Frameline first bowed in San Francisco in 1977 (and almost all of the essayists pay tribute to this grandparent of queer festivals). We asked for responses to questions about the upside and downside of participating in queer festivals; about the differ- ences between queer and nonqueer, American and...
Journal Article
GLQ (2008) 14 (1): 135–137.
Published: 01 January 2008
... — since Frameline first bowed in San Francisco in 1977 (and almost all of the essayists pay tribute to this grandparent of queer festivals). We asked for responses to questions about the upside and downside of participating in queer festivals; about the differ- ences between queer and nonqueer...
Journal Article
GLQ (2006) 12 (4): 599.
Published: 01 October 2006
... European art cinema. 3. Frameline’s choice to open the Twenty-Fourth San Francisco International Lesbian and Gay Film Festival with African American director Patrik-Ian Polk’s black male- centered Punks (2000) was a landmark event in this respect. 4. Ken Ludden, “LGBT Tobacco Education...
Journal Article
GLQ (2006) 12 (4): 600–602.
Published: 01 October 2006
... European art cinema. 3. Frameline’s choice to open the Twenty-Fourth San Francisco International Lesbian and Gay Film Festival with African American director Patrik-Ian Polk’s black male- centered Punks (2000) was a landmark event in this respect. 4. Ken Ludden, “LGBT Tobacco Education...
Journal Article
GLQ (2006) 12 (4): 603–605.
Published: 01 October 2006
...), with their antecedents in clas- sic Hollywood and European art cinema. 3. Frameline’s choice to open the Twenty-Fourth San Francisco International Lesbian and Gay Film Festival with African American director Patrik-Ian Polk’s black male- centered Punks (2000) was a landmark event in...
Journal Article
GLQ (2006) 12 (4): 605–607.
Published: 01 October 2006
... European art cinema. 3. Frameline’s choice to open the Twenty-Fourth San Francisco International Lesbian and Gay Film Festival with African American director Patrik-Ian Polk’s black male- centered Punks (2000) was a landmark event in this respect. 4. Ken Ludden, “LGBT Tobacco Education...
Journal Article
GLQ (2006) 12 (4): 607–611.
Published: 01 October 2006
... European art cinema. 3. Frameline’s choice to open the Twenty-Fourth San Francisco International Lesbian and Gay Film Festival with African American director Patrik-Ian Polk’s black male- centered Punks (2000) was a landmark event in this respect. 4. Ken Ludden, “LGBT Tobacco Education...
Journal Article
GLQ (2006) 12 (4): 612–614.
Published: 01 October 2006
... European art cinema. 3. Frameline’s choice to open the Twenty-Fourth San Francisco International Lesbian and Gay Film Festival with African American director Patrik-Ian Polk’s black male- centered Punks (2000) was a landmark event in this respect. 4. Ken Ludden, “LGBT Tobacco Education...
Journal Article
GLQ (2006) 12 (4): 614–617.
Published: 01 October 2006
... European art cinema. 3. Frameline’s choice to open the Twenty-Fourth San Francisco International Lesbian and Gay Film Festival with African American director Patrik-Ian Polk’s black male- centered Punks (2000) was a landmark event in this respect. 4. Ken Ludden, “LGBT Tobacco Education...
Journal Article
GLQ (2006) 12 (4): 617–619.
Published: 01 October 2006
... European art cinema. 3. Frameline’s choice to open the Twenty-Fourth San Francisco International Lesbian and Gay Film Festival with African American director Patrik-Ian Polk’s black male- centered Punks (2000) was a landmark event in this respect. 4. Ken Ludden, “LGBT Tobacco Education...
Journal Article
GLQ (2006) 12 (4): 620–625.
Published: 01 October 2006
... European art cinema. 3. Frameline’s choice to open the Twenty-Fourth San Francisco International Lesbian and Gay Film Festival with African American director Patrik-Ian Polk’s black male- centered Punks (2000) was a landmark event in this respect. 4. Ken Ludden, “LGBT Tobacco Education...