...Tyler Bradway This essay argues that queer experimental literature provides a hermeneutic mode to resist the gentrification of LGBTQ literature in the aftermath of the AIDS crisis. Queer experimental literature elicits “bad reading,” affective relations of reading that disrupt the corporeal norms...

... and videos and the people and the activist movement that they depict. Roger Hallas provides a counterpoint to this examination by acknowledging the importance of the film “archive” created by less recognizable independent and experimental queer filmmakers. Jim Hubbard, seeking to articulate the different...

...Yvonne Welbon While considering the French historian Pierre Nora's statement that “modern memory is, above all, archival,” this essay introduces an experimental archive project focused on gathering social-organizing stories of nonconforming black women who began their work in and prior to the 1980s...

... selves of post-structuralism and Buddhism. I map Sedgwick's ethics through her experimental memoir, A Dialogue on Love (1999), to demonstrate that its form locates subjectivity within a network of contingent, nonlinguistic, and reciprocal affective relations. By doing so, Dialogue models a permeable...

... (in reverse pedophilia). Is there any antidote to these strange dynamics? How does experimental literary form in the novel Push , and something Stockton calls “lyrical fat” in the film Precious , work against this fray? Stockton finds answers among depictions of children's passion for signification—children's...

... regulation of gender and sexuality by analyzing how race has been used to justify medical experimentation and management as a starting point for an intersectional perspective on hacking. Further, by building on José Muñoz's and micha cárdenas's readings of queer and racial futurity in relation to communalism...

... Grattan Queer Experimental Literature: The Affective Politics of Bad Reading Tyler Bradway New York: Palgrave Macmillan, 2017. v + 268 pp. Looming over Queer Experimental Literature by Tyler Bradway is a brief moment in Eve Sedgwick s Queer and Now. She writes, I think for many of us in childhood...

... to ranting and raving, drama and vendettas, militaristic metaphors, and the occasional flirting with totalitarianism? Queer experimental filmmaker Jerry Tartaglia posted the manifesto above, under the subject heading “Queer Disclaimer” on the Frameworks Mailing List on October 29...

... exploration, experimentation, and the challenging of identitarian fixity” (6). The order of the chapters is a nice progression that goes from locating the temporal origins of the movement as foundational queer—Piñero and Algarín, Jaime notes, “both had relationships, romantic and sexual, with men...

... ranged from French director Sébastien Lifshitz to Miriam Makeba and Jeff Stryker. Liza Johnson, 2004 artistic director, MIX-NY Queer Experimental Media Festival, New York: Sarah Schulman and Jim Hubbard founded what was originally called the New York Lesbian and Gay...

.... It’s an integral part of my filmmaking process to talk to people about choices and mistakes that I’ve made along the way. One of the exciting things about showing a film at Sundance (Range, my 2005 experimental documentary on family relationships and farming) was that I felt as if the audiences...

.... It’s an integral part of my filmmaking process to talk to people about choices and mistakes that I’ve made along the way. One of the exciting things about showing a film at Sundance (Range, my 2005 experimental documentary on family relationships and farming) was that I felt as if the audiences...

.... It’s an integral part of my filmmaking process to talk to people about choices and mistakes that I’ve made along the way. One of the exciting things about showing a film at Sundance (Range, my 2005 experimental documentary on family relationships and farming) was that I felt as if the audiences...

... to people about choices and mistakes that I’ve made along the way. One of the exciting things about showing a film at Sundance (Range, my 2005 experimental documentary on family relationships and farming) was that I felt as if the audiences were really there for the films. One positive...

... to people about choices and mistakes that I’ve made along the way. One of the exciting things about showing a film at Sundance (Range, my 2005 experimental documentary on family relationships and farming) was that I felt as if the audiences were really there for the films. One positive...

... to people about choices and mistakes that I’ve made along the way. One of the exciting things about showing a film at Sundance (Range, my 2005 experimental documentary on family relationships and farming) was that I felt as if the audiences were really there for the films. One positive...

... part of my filmmaking process to talk to people about choices and mistakes that I’ve made along the way. One of the exciting things about showing a film at Sundance (Range, my 2005 experimental documentary on family relationships and farming) was that I felt as if the audiences were really...

.... It’s an integral part of my filmmaking process to talk to people about choices and mistakes that I’ve made along the way. One of the exciting things about showing a film at Sundance (Range, my 2005 experimental documentary on family relationships and farming) was that I felt as if the audiences...

...- ties who often uncritically want empowering images to validate their self-­image? Or should NQC be thought of first and foremost as a cinema movement, committed to aesthetic experimentation and innovation without regard for “community stan- dards”? New Queer Cinema: The Director’s Cut navigates...

..., at the Women of the World Festival in Lon- don in March 2013. Yvonne Rainer, cofounding member of the Judson Dance Theater, made a transi- tion to filmmaking following a fifteen-year career as a choreographer and dancer (1960–75). After making seven experimental feature...