...Kim Emery B o o k s i n B r i e f WE ARE IMPLICATED : QUEER STUDIES UNINTERROGATED ELITISM Kim Emery Poor Queer Studies: Confronting Elitism in the University Matt Brim Durham, NC: Duke University Press, 2020. xi + 247 pp. Poor Queer Studies confronts readers with an uncomfortable reality...

...Nicholas Boggs James Baldwin and the Queer Imagination . Brim Matt . Ann Arbor : University of Michigan Press , 2014 . 214 pp. © 2017 by Duke University Press 2017 References Elam Michele , ed. 2015 . The Cambridge Companion to James Baldwin . New York...

...- read for anyone interested in queer theory or the recent turn to various forms of postcritique. It is fair to say, however, that the text offers quite a lot more. Along with the critical acumen Bradway brings to the table, his writing is delicate and enchanting. Each chapter brims with exciting...

... desire, not only between performer and audience but also between the living and the dead. By sacred I do not mean religious but rather those moments and move- ments that brim with synchronicity and a sense of some force that, while beyond our human capacity, we might interact...

... insights about his paradoxical legacy as one of the most important writers, queer or otherwise, of the twentieth century. The utility of Brim’s study is that it helps us get there. Nicholas Boggs is clinical assistant professor of English at New York University...

... a pate, I have of course the Fred Segal black knit, or perhaps it is actually the darkest of navies, as well as a floppy-brimmed can- vas white, the Uncle Jer’s black knit, a gray blue watch cap, a dusky sage green knitted affair that looks to my mind a little too self-deprecating, almost Smith...

... of deviance can be repurposed for more innocent or even progressive ends or whether such methods inevitably perpetuate the hierarchical, violent, and racist epistemological frameworks from which they emerged (Love 2015 ; Ghaziani and Brim 2019 ). We might locate the contemporary queer, trans, and asexual...

... sentence, full to the brim with evocative turns of phrase. Their shared love of craft also bridges any apparent discrepancies between Eve’s affection for gay male poets such as James Merrill and Mitchell’s affection for lesbian feminism. Further reflecting a deep lez...

... alert and open to these period-­specific customs and sensibilities, and his reading of such works as Harte’s story “Tennessee’s Partner,” Winthrop’s largely unknown novel Cecil Dreeme, Taylor’s Joseph and His Friend, and best- ­selling Confederate author Augusta Jane Evans’s St. Elmo brims...

... alert and open to these period-­specific customs and sensibilities, and his reading of such works as Harte’s story “Tennessee’s Partner,” Winthrop’s largely unknown novel Cecil Dreeme, Taylor’s Joseph and His Friend, and best- ­selling Confederate author Augusta Jane Evans’s St. Elmo brims...

... customs and sensibilities, and his reading of such works as Harte’s story “Tennessee’s Partner,” Winthrop’s largely unknown novel Cecil Dreeme, Taylor’s Joseph and His Friend, and best- ­selling Confederate author Augusta Jane Evans’s St. Elmo brims with insights into the different ways that Gilded...

..., in tatters yet brimming with pride. For this short and noble moment . . . [the play] is finally a celebration of gay resistance and pride, pure and simple” (xvi). Garcia articulates the need to look beyond a monolithic construction of community. “The urgency of forming a community that embraces...

..., it is chaotic, dirty, dim, narrow, and claustro- phobic — brimming with history’s detritus. I would argue that this spatial and temporal colonization works to bring to audiences a neoliberal story of gay love. This neoliberal portrait is based on a privileged form of market-generated individualism...

..., it is chaotic, dirty, dim, narrow, and claustro- phobic — brimming with history’s detritus. I would argue that this spatial and temporal colonization works to bring to audiences a neoliberal story of gay love. This neoliberal portrait is based on a privileged form of market-generated individualism...

..., it is chaotic, dirty, dim, narrow, and claustro- phobic — brimming with history’s detritus. I would argue that this spatial and temporal colonization works to bring to audiences a neoliberal story of gay love. This neoliberal portrait is based on a privileged form of market-generated individualism...

..., it is chaotic, dirty, dim, narrow, and claustro- phobic — brimming with history’s detritus. I would argue that this spatial and temporal colonization works to bring to audiences a neoliberal story of gay love. This neoliberal portrait is based on a privileged form of market-generated individualism...

..., it is chaotic, dirty, dim, narrow, and claustro- phobic — brimming with history’s detritus. I would argue that this spatial and temporal colonization works to bring to audiences a neoliberal story of gay love. This neoliberal portrait is based on a privileged form of market-generated individualism...

..., it is chaotic, dirty, dim, narrow, and claustro- phobic — brimming with history’s detritus. I would argue that this spatial and temporal colonization works to bring to audiences a neoliberal story of gay love. This neoliberal portrait is based on a privileged form of market-generated individualism...

..., it is chaotic, dirty, dim, narrow, and claustro- phobic — brimming with history’s detritus. I would argue that this spatial and temporal colonization works to bring to audiences a neoliberal story of gay love. This neoliberal portrait is based on a privileged form of market-generated individualism...

... of the lived and sensed. And while Butler’s engagement with fantasy remains on the level of the abstract, the sexual fantasies I am trying to index are soiled, messy encounters brimming with social and psychic abjection, domination, and pain, even as they open a space for ecstasy and possibility...