...Mark Franko A Queer History of the Ballet Peter Stoneley London: Routledge , 2007 . x + 206 pp . Duke University Press 2008 Mark Franko is professor of dance and chair of the theater arts department, University of California, Santa Cruz. Books in Brief Queering Exilic...

...Tirza True Latimer Copyright © 1999 by Duke University Press 1999 BALLETOMANIA A Sexual Disorder? Tirza True Latimer For N.V. N.B. Critics witnessing the revolution that transformed ballet in the early twentieth century did not fail to notice the homoerotic...

... Ballet and the Queer Sensibility Mark Franko A Queer History of the Ballet Peter Stoneley London: Routledge, 2007. x + 206 pp. Peter Stoneley’s premise in A Queer History of Ballet is that “ballet provided images, legends, spaces and institutions...

... Ballet and the Queer Sensibility Mark Franko A Queer History of the Ballet Peter Stoneley London: Routledge, 2007. x + 206 pp. Peter Stoneley’s premise in A Queer History of Ballet is that “ballet provided images, legends, spaces and institutions...

... Ballet and the Queer Sensibility Mark Franko A Queer History of the Ballet Peter Stoneley London: Routledge, 2007. x + 206 pp. Peter Stoneley’s premise in A Queer History of Ballet is that “ballet provided images, legends, spaces and institutions...

... Ballet and the Queer Sensibility Mark Franko A Queer History of the Ballet Peter Stoneley London: Routledge, 2007. x + 206 pp. Peter Stoneley’s premise in A Queer History of Ballet is that “ballet provided images, legends, spaces and institutions...

... Ballet and the Queer Sensibility Mark Franko A Queer History of the Ballet Peter Stoneley London: Routledge, 2007. x + 206 pp. Peter Stoneley’s premise in A Queer History of Ballet is that “ballet provided images, legends, spaces and institutions...

... Ballet and the Queer Sensibility Mark Franko A Queer History of the Ballet Peter Stoneley London: Routledge, 2007. x + 206 pp. Peter Stoneley’s premise in A Queer History of Ballet is that “ballet provided images, legends, spaces and institutions...

... Ballet and the Queer Sensibility Mark Franko A Queer History of the Ballet Peter Stoneley London: Routledge, 2007. x + 206 pp. Peter Stoneley’s premise in A Queer History of Ballet is that “ballet provided images, legends, spaces and institutions...

... Ballet and the Queer Sensibility Mark Franko A Queer History of the Ballet Peter Stoneley London: Routledge, 2007. x + 206 pp. Peter Stoneley’s premise in A Queer History of Ballet is that “ballet provided images, legends, spaces and institutions...

... Ballet and the Queer Sensibility Mark Franko A Queer History of the Ballet Peter Stoneley London: Routledge, 2007. x + 206 pp. Peter Stoneley’s premise in A Queer History of Ballet is that “ballet provided images, legends, spaces and institutions...

... focus? 448 GLQ: A JOURNAL OF LESBIAN and GAY STUDIES Alien Inhabitation In Red Nails, Black Skates: Gender, Cash, and Pleasure on and off the Ice, I briefly suggested looking to other movement genres, like ballet, ballroom dance, and cheerleading, that bear...

... in 1909, Lynes graduated from the Berkshire School in Sheffield, Massachu- setts, where he had been a classmate of Lincoln Kirstein (Crump and Pohorilenko 1998: 271). Although Kirstein and Lynes later worked closely together when Lynes became the main photographer for Kirstein’s New York City Ballet...

...: Marta Ballet-bo-Coll, Trebol 2, Barcelona, Spain 08032; FAX 34–3–4561076. Devotion (M. Kaplan, Canada, 1994 ). Distributor: David Mazor, Northern Arts Entertainment, P.O. Box 201, Williamsburg, MA 01096; FAX (413) 268–9309. Fried Green Tomatoes (J. Avnet, U.S., 1991 ). Distributor: Video...

... typists in Grandma’s cast-off fi nery would take the stage, forget lyrics, and fl ee in tears. And stockroom boys would take absolutely dreadful spills during their ballet-tap routines. One [performer] I much enjoyed was a short, middle-aged man who would sing part of it [“Indian...

.... So why did Robbins name names? In his painstaking study Greg Lawrence devotes considerable attention to the dancer’s “demons,” which very likely arose from Robbins’s cowardly, self-serving conduct before HUAC. The ballet Poppa Piece, on which Robbins worked tirelessly before abandoning it near...

.... So why did Robbins name names? In his painstaking study Greg Lawrence devotes considerable attention to the dancer’s “demons,” which very likely arose from Robbins’s cowardly, self-serving conduct before HUAC. The ballet Poppa Piece, on which Robbins worked tirelessly before abandoning it near...

.... The ballet Poppa Piece, on which Robbins worked tirelessly before abandoning it near the end of his life, suggests that he had “developed the story line [using] his father and Jewish upbringing to explain, if not justify, his decision to act as a cooperative witness 652 GLQ: A JOURNAL OF LESBIAN...

.... The ballet Poppa Piece, on which Robbins worked tirelessly before abandoning it near the end of his life, suggests that he had “developed the story line [using] his father and Jewish upbringing to explain, if not justify, his decision to act as a cooperative witness 652 GLQ: A JOURNAL OF LESBIAN...

.... The ballet Poppa Piece, on which Robbins worked tirelessly before abandoning it near the end of his life, suggests that he had “developed the story line [using] his father and Jewish upbringing to explain, if not justify, his decision to act as a cooperative witness 652 GLQ: A JOURNAL OF LESBIAN...