...Sean Grattan Copyright © 2020 Duke University Press 2020 Reference Sedgwick Eve Kosofsky . 1993 . “ Queer and Now .” In Tendencies , 1 – 22 . Durham, NC : Duke University Press . B o o k s i n B r i e f NEITHER PARANOID NOR REPARATIVE Bad Reading and Literary Succor Sean...

... are suturing up global governance, East Asia's liberal states, and conservative NGOs into a new power bloc that fosters antiqueer and antisex climates in the region. Duke University Press 2008 Is Global Governance Bad for East Asian Queers? Josephine Ho The rise of transnational systems...

... No Future (2008). © 2011 by Duke University Press 2011 Queer Texts, Bad Habits, and the Issue of a Future Teresa de Lauretis Heterotopias are disturbing, probably because they secretly under- mine language, because they make it impossible to name this and that, because they shatter...

... on love, and love for love's sake/love conditioned on coupledom. © 2015 by Duke University Press 2015 gay press homonormativity love Sweden BAD SEX, GOOD LOVE Homonormativity in the Swedish Gay Press, 1969 – 86 Hanna Bertilsdotter Rosqvist and Catrine Andersson Good Sex and Bad Sex...

...Todd R. Ramlow Duke University Press 2003 BAD BOYS Abstractions of Difference and the Politics of Youth “Deviance” Todd R. Ramlow As in common homophobic discourse, the object of devaluation and intolerance in discourses of disability is seemingly erased in the phobic utterance...

...Teagan Bradway This essay argues that queer experimental literature provides a hermeneutic mode to resist the gentrification of LGBTQ literature in the aftermath of the AIDS crisis. Queer experimental literature elicits “bad reading,” affective relations of reading that disrupt the corporeal norms...

... in Dorothy Allison's Bastard Out of Carolina to (1) understand the ways in which poor whiteness solidifies through queer moments of “bad” sex; and (2) reveal the ways in which “bad sex” retards white subjectivity/progressivity. The racialization of whiteness was, in this context, a queer process in which...

...Ben Nichols What is so bad about the “reductive”? In queer and other scholarship, reductionism signals simplistic homogeneity, fixity, and limitation, which are ideas often taken to be self-evidently problematic. Addressing a range of theoretical material, especially the work of Leo Bersani...

... and instead developed notions of “good” and “bad” practices, positioning surrogacy in California as ethically regulated, while surrogacy in India was framed as fraught with ethical issues and exploitative. The article concludes that the two cases point to how specific formations of gay surrogacy work...

... relationality. Indeed, the Left’s attachment to love as the revolutionary affect persist, yet here I center organizing where a desire for struggle collects around bad attitudes. To this end, how might queer hate delineate the ways the traffic in good feelings accelerates racial capitalism’s motors...

...Lee Mandelo [email protected] Bad Gays: A Homosexual History . Huw Lemmey and Ben Miller . New York : Verso , 2022 . 368 pp. Copyright © 2023 by Duke University Press 2023 In Bad Gays: A Homosexual History , Huw Lemmey and Ben Miller investigate...

... of jouissance. When it comes to health and welfare, a bit of slippage is not a bad thing, because Edelman is in the mood to do damage: he is looking to throw out as many babies as possible with his bathwater. Edelman is reacting not only to the long-standing exclusion of queers from...

..., particularly “the bad boy,” was a necessary part of 1950s popular culture as a corollary and corrective to the man in the gray flannel suit. In its new identity as the “leader of the Free World,” the United States “required figures who could represent America’s emancipatory...

... Medovoi’s Rebels, I was not expecting much in the way of new analysis. I was, however, mistaken. Medo- voi’s thesis is both simple and elegant: that the rebel, particularly “the bad boy,” was a necessary part of 1950s popular culture as a corollary and corrective...

... Medovoi’s Rebels, I was not expecting much in the way of new analysis. I was, however, mistaken. Medo- voi’s thesis is both simple and elegant: that the rebel, particularly “the bad boy,” was a necessary part of 1950s popular culture as a corollary and corrective...

.... I was, however, mistaken. Medo- voi’s thesis is both simple and elegant: that the rebel, particularly “the bad boy,” was a necessary part of 1950s popular culture as a corollary and corrective to the man in the gray flannel suit. In its new identity as the “leader...

.... I was, however, mistaken. Medo- voi’s thesis is both simple and elegant: that the rebel, particularly “the bad boy,” was a necessary part of 1950s popular culture as a corollary and corrective to the man in the gray flannel suit. In its new identity as the “leader...

... Medovoi’s Rebels, I was not expecting much in the way of new analysis. I was, however, mistaken. Medo- voi’s thesis is both simple and elegant: that the rebel, particularly “the bad boy,” was a necessary part of 1950s popular culture as a corollary and corrective...

.... I was, however, mistaken. Medo- voi’s thesis is both simple and elegant: that the rebel, particularly “the bad boy,” was a necessary part of 1950s popular culture as a corollary and corrective to the man in the gray flannel suit. In its new identity as the “leader...

.... I was, however, mistaken. Medo- voi’s thesis is both simple and elegant: that the rebel, particularly “the bad boy,” was a necessary part of 1950s popular culture as a corollary and corrective to the man in the gray flannel suit. In its new identity as the “leader...