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Published: 01 June 2022
Figure 2. Undated photograph advertising Nabor Feliz's sideshow act. Braun Library Collection, Autry Museum, Los Angeles; P. 7452. More
Image
Published: 01 October 2022
Figure 2. “God Help Us,” advertisement in the NSL newsletter N.S. Mobilizer , vol. 3, nos. 35–37 (1977). Source: ONE National Gay and Lesbian Archives at the USC Libraries. More
Journal Article
GLQ (2023) 29 (3): 353–385.
Published: 01 June 2023
... by conducting a content analysis of five newspapers, two magazines, a cartoon, an invitation to the ball, a video advertisement, and three oral history interviews. The Ball of La Laguna reveals that the class, race, and gender inequalities that have structured Peruvian society since colonial times also...
FIGURES | View All (6)
Journal Article
GLQ (2016) 22 (3): 381–408.
Published: 01 June 2016
...Emmanuel David This article examines state and corporate discourses that portray outsourced call center workers as bagong bayani , or “new national heroes” of the Philippines. Through a queer reading of state narratives and corporate advertisements that deploy these rhetorical devices, I argue...
Journal Article
GLQ (2003) 9 (3): 331–365.
Published: 01 June 2003
... advertising. Antonio Gramsci and others have written about how “commonsense” beliefs become naturalized, taken for granted as “the way things are,” and thereby obscure their own ideological foundations.1 “Sex sells” precludes further analysis: “Well, what can you say? We all know that sex sells...
Journal Article
GLQ (2006) 12 (1): 147–149.
Published: 01 January 2006
... shows, advertisers and corporations have long felt ambivalent about lesbians and gay men as potential customers. One of this book’s strengths is Sender’s in-depth interviews with queer people in advertising and pub- lic relations who have often taken as their life’s work the expansion of gay...
Journal Article
GLQ (2006) 12 (1): 150–152.
Published: 01 January 2006
... shows, advertisers and corporations have long felt ambivalent about lesbians and gay men as potential customers. One of this book’s strengths is Sender’s in-depth interviews with queer people in advertising and pub- lic relations who have often taken as their life’s work the expansion of gay...
Journal Article
GLQ (2006) 12 (1): 153–155.
Published: 01 January 2006
... shows, advertisers and corporations have long felt ambivalent about lesbians and gay men as potential customers. One of this book’s strengths is Sender’s in-depth interviews with queer people in advertising and pub- lic relations who have often taken as their life’s work the expansion of gay...
Journal Article
GLQ (2006) 12 (1): 155–157.
Published: 01 January 2006
... shows, advertisers and corporations have long felt ambivalent about lesbians and gay men as potential customers. One of this book’s strengths is Sender’s in-depth interviews with queer people in advertising and pub- lic relations who have often taken as their life’s work the expansion of gay...
Journal Article
GLQ (2006) 12 (1): 158–160.
Published: 01 January 2006
... shows, advertisers and corporations have long felt ambivalent about lesbians and gay men as potential customers. One of this book’s strengths is Sender’s in-depth interviews with queer people in advertising and pub- lic relations who have often taken as their life’s work the expansion of gay...
Journal Article
GLQ (2006) 12 (1): 161–163.
Published: 01 January 2006
... shows, advertisers and corporations have long felt ambivalent about lesbians and gay men as potential customers. One of this book’s strengths is Sender’s in-depth interviews with queer people in advertising and pub- lic relations who have often taken as their life’s work the expansion of gay...
Journal Article
GLQ (2005) 11 (1): 95.
Published: 01 January 2005
... of the sitcom, the networks increasingly invest in reality TV because the absence of writers, directors, and actors allows them to bypass the powerful labor guilds, minimizing up-front investment while maximizing short- term revenues from advertising. If It’s All Relative and Queer...
Journal Article
GLQ (2005) 11 (1): 95–97.
Published: 01 January 2005
..., and actors allows them to bypass the powerful labor guilds, minimizing up-front investment while maximizing short- term revenues from advertising. If It’s All Relative and Queer Eye are products of residual and emergent moments in the political economy of cultural production...
Journal Article
GLQ (2005) 11 (1): 97–101.
Published: 01 January 2005
... the powerful labor guilds, minimizing up-front investment while maximizing short- term revenues from advertising. If It’s All Relative and Queer Eye are products of residual and emergent moments in the political economy of cultural production, they also represent dif- ferent ways...
Journal Article
GLQ (2005) 11 (1): 101–102.
Published: 01 January 2005
... the powerful labor guilds, minimizing up-front investment while maximizing short- term revenues from advertising. If It’s All Relative and Queer Eye are products of residual and emergent moments in the political economy of cultural production, they also represent dif- ferent ways...
Journal Article
GLQ (2005) 11 (1): 103–105.
Published: 01 January 2005
... the powerful labor guilds, minimizing up-front investment while maximizing short- term revenues from advertising. If It’s All Relative and Queer Eye are products of residual and emergent moments in the political economy of cultural production, they also represent dif- ferent ways...
Journal Article
GLQ (2005) 11 (1): 106–109.
Published: 01 January 2005
... the powerful labor guilds, minimizing up-front investment while maximizing short- term revenues from advertising. If It’s All Relative and Queer Eye are products of residual and emergent moments in the political economy of cultural production, they also represent dif- ferent ways...
Journal Article
GLQ (2005) 11 (1): 109–111.
Published: 01 January 2005
... the powerful labor guilds, minimizing up-front investment while maximizing short- term revenues from advertising. If It’s All Relative and Queer Eye are products of residual and emergent moments in the political economy of cultural production, they also represent dif- ferent ways...
Journal Article
GLQ (2005) 11 (1): 112–117.
Published: 01 January 2005
... the absence of writers, directors, and actors allows them to bypass the powerful labor guilds, minimizing up-front investment while maximizing short- term revenues from advertising. If It’s All Relative and Queer Eye are products of residual and emergent moments in the political...
Journal Article
GLQ (2006) 12 (3): 507–510.
Published: 01 June 2006
..., manipulation (no coincidence that the paradigmatic organization man was in advertising), teamwork, domestication. There was, Riesman declared, a cri- sis of masculinity, in which the necessary differences between women and men were being eroded, as women, in their roles as homemakers...