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Journal Article
GLQ (2001) 7 (2): 265–284.
Published: 01 April 2001
...
(Ithaca: Cornell University Press, 1994), 262–92. For an account of postcolonialist
productions of the play see Bennett, Performing Nostalgia, 119–50.
14. Colin MacCabe, “A Post-National European Cinema: A Consideration of Derek Jar-
man’s...
Journal Article
GLQ (2012) 18 (1): 161–178.
Published: 01 January 2012
... of “world cinema.” As Thomas Elsaesser notes, these films in
many cases, and certainly in the Israeli one, rely on a modification of the way
European national cinemas of the 1970s and 1980s were financed by state- funded
support schemes and cultural subsidies. In contemporary world...
Journal Article
GLQ (2012) 18 (1): 159–160.
Published: 01 January 2012
... consider queer Israeli films within
the phenomenon of “world cinema.” As Thomas Elsaesser notes, these films in
many cases, and certainly in the Israeli one, rely on a modification of the way
European national cinemas of the 1970s and 1980s were financed by state- funded
support...
Journal Article
GLQ (2023) 29 (2): 237–260.
Published: 01 April 2023
... queer futures. As this article demonstrates, the locus amoenus advances a queer presentism that compromises liberatory potentials. [email protected] Copyright © 2023 by Duke University Press 2023 German cinema European cinema queer cinema chrononormativity locus amoenus...
FIGURES
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Journal Article
GLQ (1999) 5 (1): 73–93.
Published: 01 January 1999
... consumption (queer films directed by mainly white and
male cine-literates offering a new version of the kinky sexuality that first recom-
mended postwar European cinema to U.S. audiences). Short films and videos, doc-
umentaries, transnational works—often produced by women, youth, people of
color—did not fit...
Journal Article
GLQ (2006) 12 (2): 338–340.
Published: 01 April 2006
... of beauty, was a result of Iranian anxieties
about European perceptions of sexual relations between men as a sign of Iranian
backwardness. The explicit disgust reflected in travel writings by Europeans such
as Sir William Ouseley were couched in terms of the effeminacy...
Journal Article
GLQ (2006) 12 (2): 329–331.
Published: 01 April 2006
... that the increasing disavowal of homosexual
practices, signaled in the feminization of beauty, was a result of Iranian anxieties
about European perceptions of sexual relations between men as a sign of Iranian
backwardness. The explicit disgust reflected in travel writings by Europeans...
Journal Article
GLQ (2006) 12 (2): 332–334.
Published: 01 April 2006
...
practices, signaled in the feminization of beauty, was a result of Iranian anxieties
about European perceptions of sexual relations between men as a sign of Iranian
backwardness. The explicit disgust reflected in travel writings by Europeans such
as Sir William Ouseley were...
Journal Article
GLQ (2006) 12 (2): 335–337.
Published: 01 April 2006
... of beauty, was a result of Iranian anxieties
about European perceptions of sexual relations between men as a sign of Iranian
backwardness. The explicit disgust reflected in travel writings by Europeans such
as Sir William Ouseley were couched in terms of the effeminacy...
Journal Article
GLQ (2006) 12 (2): 341–344.
Published: 01 April 2006
... that the increasing disavowal of homosexual
practices, signaled in the feminization of beauty, was a result of Iranian anxieties
about European perceptions of sexual relations between men as a sign of Iranian
backwardness. The explicit disgust reflected in travel writings by Europeans...
Journal Article
GLQ (2006) 12 (2): 344–346.
Published: 01 April 2006
... of beauty, was a result of Iranian anxieties
about European perceptions of sexual relations between men as a sign of Iranian
backwardness. The explicit disgust reflected in travel writings by Europeans such
as Sir William Ouseley were couched in terms of the effeminacy...
Journal Article
GLQ (2002) 8 (4): 553–579.
Published: 01 October 2002
... the writings of Jewish scientists and medical
doctors, including Freud. In this context we should understand the desire of the
Zionist movement to transform the very nature of European Jewish masculinity as
it had existed in the Diaspora. Thinkers such as Theodor Herzl and Max Nordau
were convinced...
Journal Article
GLQ (2008) 14 (4): 623–637.
Published: 01 October 2008
... are foreign films.” Even for those rare people
who demonstrated a clear or, even more rarely, a fond memory of Vincent Gallo’s
The Brown Bunny (USA; 2003), the implication persisted that European and par-
ticularly French movies were somehow destined to showcase all manner of car...
Journal Article
GLQ (2006) 12 (1): 165–166.
Published: 01 January 2006
... Traces and Other Writings: European Pedigrees/African Con-
tagions (2003). Her essays on media and culture have appeared in the Black
Scholar, Qui Parle, and other publications. She is completing a book manuscript
tentatively titled The Witch’s Flight: The Cinematic, the Black...
Journal Article
GLQ (2006) 12 (4): 600–602.
Published: 01 October 2006
...,
1992) or Todd Haynes’s Poison (United States, 1991), with their antecedents in clas-
sic Hollywood and European art cinema.
3. Frameline’s choice to open the Twenty-Fourth San Francisco International Lesbian
and Gay Film Festival with African American director Patrik-Ian Polk’s black male...
Journal Article
GLQ (2006) 12 (4): 605–607.
Published: 01 October 2006
...,
1992) or Todd Haynes’s Poison (United States, 1991), with their antecedents in clas-
sic Hollywood and European art cinema.
3. Frameline’s choice to open the Twenty-Fourth San Francisco International Lesbian
and Gay Film Festival with African American director Patrik-Ian Polk’s black male...
Journal Article
GLQ (2006) 12 (4): 612–614.
Published: 01 October 2006
...,
1992) or Todd Haynes’s Poison (United States, 1991), with their antecedents in clas-
sic Hollywood and European art cinema.
3. Frameline’s choice to open the Twenty-Fourth San Francisco International Lesbian
and Gay Film Festival with African American director Patrik-Ian Polk’s black male...
Journal Article
GLQ (2006) 12 (4): 614–617.
Published: 01 October 2006
...,
1992) or Todd Haynes’s Poison (United States, 1991), with their antecedents in clas-
sic Hollywood and European art cinema.
3. Frameline’s choice to open the Twenty-Fourth San Francisco International Lesbian
and Gay Film Festival with African American director Patrik-Ian Polk’s black male...
Journal Article
GLQ (2006) 12 (4): 617–619.
Published: 01 October 2006
...,
1992) or Todd Haynes’s Poison (United States, 1991), with their antecedents in clas-
sic Hollywood and European art cinema.
3. Frameline’s choice to open the Twenty-Fourth San Francisco International Lesbian
and Gay Film Festival with African American director Patrik-Ian Polk’s black male...
Journal Article
GLQ (2006) 12 (4): 599.
Published: 01 October 2006
...,
1992) or Todd Haynes’s Poison (United States, 1991), with their antecedents in clas-
sic Hollywood and European art cinema.
3. Frameline’s choice to open the Twenty-Fourth San Francisco International Lesbian
and Gay Film Festival with African American director Patrik-Ian Polk’s black male...
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