This essay poses a series of stories, drawn from Renee Gladman's Ravicka novels and accounts of social amoebas/slime molds in feminist science studies and science fiction. The author aims to respond to Sylvia Wynter's call for a new science from a queer vantage. Given Wynter's understanding of the centrality of stories to human autopoeisis, the author considers how queer stories take new forms, beyond the norms of narrative closure as detailed in Peter Brooks's reading of the death drive in Beyond the Pleasure Principle. Returning to Freud, the author discerns how the life drive (which he identifies with “animalcules”) inspires queer narrative modes. The author argues that Gladman's queer experimental novels exemplify the life drive as a narrative form that aims for divergence and proliferation rather than closure. The article compares the epistemic challenges and opportunities that social amoebas have presented to the science of Man with Gladman's life-drive innovations; the author turns Freud's description of the animalcules as narcissistic in a queer direction, via Bersani, whose idea of small n narcissism resonates with social amoebas’ being. The article concludes that Gladman's series demonstrates—through form and language but also its imagined spaces and relations—how Wynter's new science manifests in queer stories.
Amoebic Narrative: Renee Gladman's Stories beyond Beyond the Pleasure Principle Available to Purchase
E. L. McCallum, professor of English and film studies at Michigan State University and faculty fellow at the Center for Gender in a Global Context, wrote Object Lessons: How to Do Things with Fetishism (1999) and Unmaking “The Making of Americans”: Toward an Aesthetic Ontology (2018). She coedited three collections: The Cambridge History of Gay and Lesbian Literature (2014) and Queer Times, Queer Becomings (2011), both with Mikko Tuhkanen, and After Queer Studies: Literature, Theory, and Sexuality in the Twenty-First Century (2019), coedited with Teagan Bradway. Recent essays are in Quarterly Review of Film and Video, Postmodern Culture, and Camera Obscura. Her most recent essay, on queer narrative forms in Renee Gladman and Ben Marcus, appeared in Narrative and won the James Phelan prize for best essay. Her current project reexamines familiar concepts in classical film theory in light of recent insights from feminist new materialism, with particular attention to the queer aspects of these theories.
E. L. McCallum; Amoebic Narrative: Renee Gladman's Stories beyond Beyond the Pleasure Principle. GLQ 1 April 2025; 31 (2): 231–256. doi: https://doi.org/10.1215/10642684-11636347
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