The Difference Queer Aesthetics Make

Hentyle Yapp is associate professor of performance studies in the Department of Theatre and Dance at the University of California, San Diego. His research broadly engages the theoretical and methodological implications of queer, disability, feminist, and critical race studies for questions regarding the state and the transnational. He is the author of Minor China: Method, Materialisms, and the Aesthetic (2021) and a coeditor with C. Riley Snorton of Saturation: Race, Art, and the Circulation of Value (2020).

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GLQ (2024) 30 (4): 547–565.

https://doi.org/10.1215/10642684-11331026

Queer Aesthetics will be a new section for GLQ, and this essay explains its focus and rationale as it replaces the Moving Image Review. This essay outlines the need for queer aesthetics as an analytic as it relates to changes in liberal governance and media representation, subjectless critique, and academic discourse. In addition, it outlines a genealogy of queer aesthetics and form and questions the centrality of representation as a discourse for queer theory and studies.

aesthetics, form, media, law, subjectless critique

2024

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