The first time I watched Mosquita y Mari (2012), I felt overjoyed by Aurora Guerrero's success. I first met her in the nineties, when she was a student in an undergraduate course in Chicano studies at the University of California, Berkeley, where I worked as the teaching assistant. Aurora was a vibrant, intelligent, and inquisitive undergraduate student. I was a lost graduate student trying to navigate the maze of graduate courses and requirements. It was refreshing to be around someone so confident and outspoken. Over twenty years later, I have now taught Mosquita y Mari for over six years to undergraduate students at the University of California, Riverside (UCR) who appreciate the many ways the film resonates with their lived experiences. Because the students at UCR are predominantly Latinx, first-generation undergraduate students from working-class and immigrant households in segregated communities in Southern California, Mosquita y Mari is often the...
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April 01 2023
Overjoyed Homegirl
Amalia L. Cabezas
Amalia L. Cabezas is associate professor of media and cultural studies at the University of California, Riverside. Her publications include Economies of Desire: Sex and Tourism in Cuba and the Dominican Republic (2009), multiple peer-reviewed journal articles, and two coedited books: Una ventana a Cuba y los estudios cubanos (2010) and The Wages of Empire: Neoliberal Politics, Repression, and Women's Poverty (2007). She is completing a book on the sex worker movement in Latin America and the Caribbean.
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GLQ (2023) 29 (2): 283–284.
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Amalia L. Cabezas; Overjoyed Homegirl. GLQ 1 April 2023; 29 (2): 283–284. doi: https://doi.org/10.1215/10642684-10308591
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