...Daniel Darvay This article argues that Virginia Woolf's theory and practice of the novel extends key elements of the gothic sublime shared by nineteenth-century sensation fiction and by contemporaneous psychiatric methods of diagnosis. In novels such as Wilkie Collins's The Woman in White and Mary...

...Benjamin Mangrum Virginia Woolf's first novel, The Voyage Out , disputes the manner in which its characters appropriate literary texts for their political interests. Woolf delivers this challenge through Rachel Vinrace's ill-fated voyage, which culminates in a series of disorienting encounters...

...Richard Rankin Russell This essay contends that Virginia Woolf's Mrs. Dalloway explores how a radical novelistic empathy might thaw the frozen paralysis that grips British society. Clarissa Dalloway's empathy is reserved most for the unbalanced, overly emotional character of Septimus Smith, yet...

... und seine Prosa .'' Merkur 1 : 3 ( 1947 ): 414 - 24 . Bensmaïa Réda . The Barthes Effect: The Essay as Reflective Text . Trans. Fedkiew Pat . Minneapolis : U of Minnesota P , 1987 . Bowlby Rachel . Feminist Destinations and Further Essays on Virginia Woolf...

... impregnated by apocalyptic time, it reveals a coinciding of chronos and the eschaton to produce “the time of the now.” Rather than compensate for loss (the dominant reading), Virginia Woolf's novel reflects Agamben's conception of time by situating salvation in the place of deterioration or the unsavable...

...Elizabeth Covington The genre of the circadian or one-day novel, of which James Joyce's Ulysses (1922) and Virginia Woolf's Mrs. Dalloway (1925) are the most famous examples, relies on John Locke's theory of individual identity composed of memories over time. The modernist writer and critic Storm...

...Louise Hornby Cara Lewis , Dynamic Form: How Intermediality Made Modernism , Ithaca, NY : Cornell University Press , 2020 . Copyright © 2021 by University of Oklahoma 2021 Cara Lewis's Dynamic Form: How Intermediality Made Modernism proceeds from Virginia Woolf's ([1925...

... of the Mystery Story: A Collection of Critical Essaysa , edited by Haycroft Howard , 7 – 12 . New York : Simon and Schuster . Gillespie Diane F. 2003 . “Virginia Woolf, the Hogarth Press, and the Detective Novel.” South Carolina Review 35 , no. 2 : 36 – 48 . Gillis Stacey...

... by Wagner Catherine Wolff Rebecca , xiii – xx . Albany, NY : Fence Books . Woolf Virginia . 1929 . A Room of One's Own . New York : Harcourt Brace . Casting a Shadow from Flesh to Canvas: Claudia Rankine’s Plot and the Gendered Textual Body caitlin e. newcomer...

... . Woolf Virginia . (1929) 2015 . A Room of One's Own and Three Guineas . Edited by Snaith Anna . Oxford : Oxford University Press . Citations refer to the 2015 edition . Narrative Form and Facts, Facts, Facts: Elizabeth Gaskell’s Life of Charlotte Brontë sarah allison...

... . Woolf Virginia . (1925) 2005 . Mrs. Dalloway . Edited by Hussey Mark . Boston : Mariner Books . Citations refer to the 2005 edition . Wurtz James F. 2010 . “Elizabeth Bowen, Modernism, and the Spectre of Anglo-Ireland.” Estudios Irlandeses , no. 5 : 119 – 28...

... Anthropology 42 , no. 2 : 105 – 15 . But let's hear Anker out. What do Woolf and Rankine have to tell us? Anker records her surprise that Woolf, an icon of “modernism, queerness, interiority, epistemic dislocation” (267), should praise the virtue of “integrity” in her prose, given that integrity...

... of Wisconsin Press . Woolf Virginia . 1969 . Between the Acts . New York : Harcourt . Auditory Narrative in the Modernist Novel: Prosody, Music, and the Subversion of Vision in Dorothy Richardson’s Pilgrimage a n g e l a f r a t t a r o l a , n a n y a n g t e c h n o l o g i c...

.... Porter Catherine . Cambridge : Harvard University Press , 1993 . Schleifer Ronald , Analogical Thinking: Post-Enlightenment Understanding in Language, Collaboration, and Interpretation . Ann Arbor : University of Michigan Press , 2000 . Woolf Virginia , Mrs. Dalloway . New...

... immigrant novel. Following these connections demonstrates an alternative history of the genre—one that reaches back not to Charles Dickens but to George Eliot and María Amparo Ruiz de Burton and not to James Joyce but to Jovita González, Virginia Woolf, and Zora Neale Hurston. In section 1 of this essay...

..., directionless circling of experience in the mind—in Eliot, Trollope, and Woolf. The essay's patient readings practice the sort of criticism that Moi and Felski call for, considering examples of ruminative thought in order to show the special capacity of novelistic character to depict the “phenomenology...

... of Edgar Allen Poe . Ed. Harrison James A. . Vol 6 . New York : AMS , 1965 . 145 - 54 . —. Marginalia . Charlottesville : UP of Virginia , 1981 . Rousseau Jean-Jacques . Confessions . New York : Random , 1945 . Woolf Virginia . “A Sketch of the Past.” Moments...

... issue, Literature and Medicine 28 : 371 – 93 . Sontag Susan . 1990 . AIDS and Its Metaphors . New York : Anchor . ———. 1990 . Illness as Metaphor . New York : Anchor . Woolf Virginia . 1985 . “A Sketch of the Past.” In Moments of Being , 2nd ed. , edited...

... . 2008 . Smith Craig . “ Across the Widest Gulf: Nonhuman Subjectivity in Virginia Woolf’s Flush .” Twentieth-Century Literature 48.3 ( Fall 2002 ): 348 - 36l . Print . Storey John . Inventing Popular Culture: From Folklore to Globalization . Malden, MA : Blackwell...

... of such approaches, transformations in cognitive structures are mapped in the responses of major modernists as they confront and adjust to the new phenomena of corporate capitalism. Virginia Woolf s infamous claim that human character changed in 1910 is the benchmark here (26), representing a form of palpable...