... : Verso , 1999 . "THE ONLY WAY OUT IS THROUGH": SPACE, NARRATIVE, AND UTOPIA IN NALO HOPKINSON'S MIDNIGHT ROBBER ERIC D. SMITH, UNIVERSITY OF ALABAMA, HUNTSVILLE What might a visionary fiction become when there are visions of the best possible worlds coming from...

... of the Modern Identity . Cambridge : Harvard UP , 1989 . Wahrman Dror . Imagining the Middle Class: The Political Representation of Class in Britain, c. 1780-1840 . Cambridge : Cambridge UP , 1995 . ENGLAND'S "GLORIOUS 'MIDDLE WAY SELF- DISCIPLINARY SELF-MAKING AND JANE AUSTEN'S SENSE...

.... Therefore, the essay argues that the films of David Lynch present the viewer with a way out of the postmodern deadlock where nostalgia remains less radical than irony. To make this argument, the essay utilizes Giambattista Vico's notion of the ricorso from book 5 of The New Science in order to situate...

...James Arnett; Angela Wright This essay takes a close look at the way Alain Mabanckou positions himself vis-à-vis discipline and market by way of his negotiations of a range of terms—French, francophone, postcolonial, and world literature—and the ways that such disciplinarity and appeal might...

... . The article risks the claim that in Mailer's conflicted attempts to write the collective form we can not only locate stark evidence of the retreat of class-based models in the American political imaginary but also map the ways in which the novel genre adapts to political change. The paper also attends...

... to the ballad form and to ways ballads were read in the early nineteenth century illuminates both what is most extraordinary in Dickinson's verse and ways that it participates in the widespread development of popular forms. Her greatness emerges from her pleasure in, and experimentation with, her era's most...

... metaphor as shorthand for them. Metaphors and narratives can suggest reductive or stereotypical ways of imagining illness, disability, and other experiences of embodiment. However, rather than attempting to limit the metaphoric framing of illness, we should work to confer the agency to make metaphors...

... drew on the tradition of Western representational art and invoked its greatest authorities to connect with the past rather than break with it. In this way Moore conveyed knowledge that was not exclusively her own—even as she offered unique ways of seeing to both expose the flaws of contemporary culture...

.... Drawing upon a key metaphor in biomedicine, the body as machine, I consider its canonical uses but also its limits and the way it is contested, refuted, and even “poached” by one family in its battle with clinicians. I also explore the relationship between metaphor and narrative as I consider...

... that inform the depiction of slavery in the last few centuries of American writing as a way of historicizing and critiquing the way The Wire takes up slavery as its subject in the twenty-first century. This reading reveals the deep-rooted and persistent cultural anxieties regarding race, ethnicity, and sex...

...John Limon This essay attempts to define into existence the supergeneric category of “escapism” by way of analyzing Richard Rodgers and Oscar Hammerstein's The Sound of Music. The essay (following the genre-defining procedures of Tzvetan Todorov) argues that there are three rules of escapism: all...

...Caroline Levine This essay contends that the most canonical realist novelists refused both close and distant reading. The realist novel seems to go out of its way to avoid statistics, but at the same time it insists that we must move beyond attending to a few exceptional examples. The problem...

...John Clement Ball Satire, with its objectifying, disparaging gaze and deliberate misrepresentations, is a form of othering—of representational violence. Sometimes its mocking and critical ways make satire so explosive that the symbolic violence of its distortions motivates actual violence...

... of sensory input, and modifies it, using ideas that belong to comic theory and to seventeenth-century philosophies of the passions. His literary criticism thus reveals the way the self depicted in Jonsonian comedy, driven historically by the humors, gives way to a new, imitative model of the self driven more...

... of potential rhetorical consequences of satire, which include not only blame for the target but also blame for the satirist, polarization of the audience, and more satire in the way of imitation and response. It then shows that these potential rhetorical consequences are consistent across time by analyzing...

... identifies three distinct modalities of the new opioid novel, paying particular attention to the ways these texts think through the causality of the opioid epidemic. First, some texts (novels from Julie Bunton, Brian Allen Carr, Cheryl Reed, and Jennifer Weiner), which read like detective fiction, take...

...‐confessional feints with strident denials and abrupt volte‐faces in ways that elude any straightforward interpretation. Yet this very tangle of contradiction may itself be his way of “telling it like it is”: of exploring the massive contradictions of US history and American identity that, for Ellison, must...

... his identity in the rapidly modernizing world of twentieth‐century India. Ananthamurthy's bildungsroman, while retaining some structural similarities, departs from European models in fundamental ways. The motif of the hero's journey, for instance, is flipped. The novel tracks the hero's growing...

...” that—like prosody, music, and silence—allows her to experience a multivalent way of remembering, knowing, and being. © 2011 by University of Oklahoma 2011 Works Cited Bluemel Kristin . 1997 . Experimenting on the Borders of Modernism: Dorothy Richardson's “Pilgrimage.” Athens...

...C. J. Gordon This article challenges the secularization thesis, which envisions a bewildered medieval subjectivity that stands in stark contrast to our rational modernity, by way of an analysis of bleeding Eucharists. These artifacts throw into relief the complex skein of problems woven together...