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Journal Article
Genre (2019) 52 (1): 51–75.
Published: 01 April 2019
Journal Article
Genre (2021) 54 (1): 67–87.
Published: 01 April 2021
...Katarzyna Bartoszyńska This essay argues for the power of free indirect discourse in the third‐person narrative perspective to serve as a collective voice, encompassing a diversity of perspectives, through a reading of two novels by Olga Tokarczuk, Bieguni ( Flights ) and Księgi Jakubowe ( Books...
Journal Article
Genre (2012) 45 (2): 299–327.
Published: 01 June 2012
...Martha C. Carpentier Biographical readings have sequestered Mansfield's satiric voice as dark other, but the relationship between satire and sentiment in her fiction is dialogic, meaning that both are double-voiced, not binaristically opposed. Countering gendered discussions of satire...
Journal Article
Genre (2015) 48 (1): 1–33.
Published: 01 April 2015
... nonconformity confirms the normativity of the mass of “normal” masculine homosexuals. Carpenter's disavowal voices both an orientalist distaste for the “mincing effeminacy” of British colonial subjects and an affirmation of the “somewhat masculine” women who are pursuing their rights in “civilized nations...
Journal Article
Genre (2019) 52 (1): 25–50.
Published: 01 April 2019
.... Marginalized by the military and denied a voice in official war narratives, women reenter the culture of war writing as intelligence heroes, in possession of a war narrative that has been hidden from public view. The article examines both the continuities between Homeland and earlier secret histories of war...
Journal Article
Genre (2021) 54 (2): 167–193.
Published: 01 July 2021
..., Lost Children Archive highlights the absences of refugee voices, attends to the histories of violence that have led to their disappearance, and refuses to posit an answer to how the story of the crisis ends. This analysis reroutes theories of the big, ambitious novel through discussions of archival...
Journal Article
Genre (2011) 44 (1): 5–27.
Published: 01 March 2011
... to the subjective stream of consciousness, Richardson brings music and voice to the forefront of her narrative to subvert the dominance of vision and language, which she associates with masculinity. Ultimately, Miriam Henderson's pilgrimage to become a writer is fulfilled with her discovery of an “inner eye...
Journal Article
Genre (2021) 54 (1): 17–42.
Published: 01 April 2021
... Ferris's book is unaffected by negative reactions to this transgressiveness, championing transgression and ignored voices as the mode of expression best suited to the big, ambitious novel of our times. The book's heroine and purported author of the book touches readers and moves them through the monstrous...
Journal Article
Genre (2008) 41 (1-2): 95–123.
Published: 01 March 2008
... OF CALIFORNIA, IRVINE Stylistic Imitation and the Fictional World One of the more curious moments in the Ulysses episode of "The Oxen of the Sun" occurs when the imitation of the seventeenth century diarists obliges the narrative voice to give the date: "So Thursday sixteenth June Patk. Dignam...
Journal Article
Genre (2004) 37 (2): 301–318.
Published: 01 June 2004
... signals of transition. Although Hodeir does not explicitly indicate how the different segments relate to each other, readers may distinguish six distinct voices, recognizable both by their content and their style. The voice of each of the narratives relays the perspective of each participant...
Journal Article
Genre (2001) 34 (1-2): 33–62.
Published: 01 March 2001
... on a rhetorical level is neither the struggle for freedom nor the struggle to be heard, but a struggle for dissociation—dissociation from ihe voice speaking, from the incidents related, from the subject posed, and, yes, from Jacobs herself. Harriet Jacobs wrote Incidents in the Life of a Slave Girl...
Journal Article
Genre (2012) 45 (1): 215–238.
Published: 01 March 2012
... traced might seem in part to explain this broad respect. She brings to her work many of the traditional virtues of the lyric: a memorable voice, an intensity of expression, a perceptual vitality that at times touches the visionary, a distinctive way of sounding the old themes of love, loss...
Journal Article
Genre (2002) 35 (1): 143–165.
Published: 01 March 2002
...," the hero of her well-known police procedural series. The "more feminine," unprofessional Barbara writes letters and sews. "For a long time," the letter continues, I have wanted Barbara to have a voice as well as Ruth. It would be a softer voice speaking at a slower pace, more sensitive...
Journal Article
Genre (2014) 47 (1): 79–102.
Published: 01 April 2014
... in Contemporary Fiction: J. M. Coetzee, John Banville, and Ian McEwan.” Critique 48 . 1 : 31 – 43 . Doane Mary Ann . (1980) 1999 . “The Voice in the Cinema: The Articulation of Body and Space.” In Film Theory and Criticism: Introductory Readings , 5th ed. , edited by Braudy Leo Cohen...
Journal Article
Genre (2001) 34 (3-4): 179–204.
Published: 01 September 2001
... . New York : Random House , 1992 . 452 - 54 . —. “Protopunk: The Garage Bands.” The Rolling Stone Illustrated History . 357 - 61 . Barthes Roland . “The Grain of the Voice” (267-77) and “Music, Voice, Language” (278-285) , The Responsibility of Forms: Critical Essays on Music, Art...
Journal Article
Genre (2016) 49 (3): 303–329.
Published: 01 December 2016
... : State University of New York Press . ———. 2006 . “Armgart's Voice Problems.” Victorian Literature and Culture 34 , no. 1 : 147 – 66 . King Jeannette . 1980 . Tragedy in the Victorian Novel: Theory and Practice in the Novels of George Eliot, Thomas Hardy, and Henry James...
Journal Article
Genre (2002) 35 (2): 383–387.
Published: 01 June 2002
... read (special-ordered through a mall chain, since no store in my Midwestern town would carry someone so idiosyncratic as Ellison on its shelves) was An Edge In My Voice, a collection of newspaper columns that variously offered film, tele- vision and print criticism, passionate observations...
Journal Article
Genre (2004) 37 (2): 331–340.
Published: 01 June 2004
... singular, present indicative of that verb. In the absence of a specifying pronoun, the title is undecidable between first person ("I play," suggesting the voice of Derrida the author/speaker) and third ("he plays," suggesting Coleman, the privileged addressee). 2Derrida's text was originally...
Journal Article
Genre (2014) 47 (2): 111–140.
Published: 01 July 2014
... that can further inform our reading of the program’s interrogation of early twenty-­first-­century American life, cultures, and literary traditions. Throughout history, a culture’s representation of the experience and voice of the slave can be read as a lens through which we can examine the larger...
Journal Article
Genre (2006) 39 (1): 1–18.
Published: 01 March 2006
... performance literally is artificial (inauthentic), since she has no control, let alone awareness, of her own voice; as the servant Gecko remarks, "when you heard her sing. . .you heard Svengali singing with her voice" (Du Maurier 352); and while critics remarked on the conversational tone...