... settler and Indigenous communities. This article uses the work of Homi Bhabha to argue that Carpentaria demonstrates the emergence of a third space wherein negotiation between these two cultures produces knowledge that is “new, neither the one nor the other .” In so doing, Wright shows the resilience...

... to participate “in a critique of familiar US Western and nationalist exceptionalisms . . . radically reorder[ing] geographical commonsenses to map spaces anew through third spaces” (Comer 2011, 162). This challenge is largely harmonious with Lutz’s earlier call for scholarship to read regionalism outside...

...- modation to the hegemony imposed by the prison system, thereby (reconstruct- ing a third space, or border interspace, within the system itself. Baca represents a significant voice from this territory due to both his ethnic- ity and his personal circumstance. Born in 1952 in Santa Fe, New Mexico...

... in 'safer' terms than arson, the prisoner's recourse to the haiku—indicative of another 'Other'—is equally unsettling for the ruling power, encapsulating a hybridity that echoes Postcolonial scholar Homi K. Bhabha's "third space", an interstitial discursive space (Bhabha 13 and passim...

... and becomes a waiter. Wong's " I excise "#3" from Tsiang's letter as a matter of reading convenience: number three concerns the geography of the Soviet Union as the final component to the development of "the new China." Tsiang would later tackle this third space in his unpublished, still not found...

... on a ship never in effect having touched the shores of Jamaica" (Life & Debt). Remi- niscent of the Toussaint/New-Halfway Tree dimensional barrier, the history of Third-World production falls into the shadow-space of non-history (into the Jamaica that is not Jamaica) and helps to achieve in the First...

... of movement and space in previous adaptations of Jane Austen. In the 2005 film Pride & Prejudice , activities as simple as walking through the house or circling on the dance floor constitute a kinesthetic language for making interior spaces visible in temporal and spatial terms. Instead of inferring...

... power increasingly becomes a mere appendage of machinery, to the point where living labor power is displaced to a space relatively outside of the production process. The General Intellect thus seems to do at least three things: first, insofar as it exists as fixed capital, it transfers value...

... knowledge for capital, but not for living labor power. Thus the force of the production of relative surplus value is that living labor power increasingly becomes a mere appendage of machinery, to the point where living labor power is displaced to a space relatively outside of the production process...

... power increasingly becomes a mere appendage of machinery, to the point where living labor power is displaced to a space relatively outside of the production process. The General Intellect thus seems to do at least three things: first, insofar as it exists as fixed capital, it transfers value...

...Katarzyna Bartoszyńska This essay argues for the power of free indirect discourse in the third‐person narrative perspective to serve as a collective voice, encompassing a diversity of perspectives, through a reading of two novels by Olga Tokarczuk, Bieguni ( Flights ) and Księgi Jakubowe ( Books...

...) Finally, we need to consider the significance in the narrative of Harvey's third dimension, relational space. Transportation technologies and diplomatic initiatives are not the only socio-spatial processes affecting distance, location, and space in the novel; there are also the space-folding effects...

... turns to the world of expressive culture (primarily individual poems and essays) to show how artists have imagined what he calls “black worlds.” He uses this term to describe aesthetic imaginaries that situate texts as spaces of encounter that allow personas to navigate racialized vulnerability without...

... of Herbert's poems, including both “Antiphon” poems, Prakas claims that this achievement would be impossible “in any space other than the poetic page” (105). Finally, readings of “Easter” and “A true Hymne” convincingly establish the truth of the third claim. In the former, the poem's reader sees, although...

... Burial" and "The Death of the Hired Man" in its relationship to pas- toral is "Place for a Third" (first published in 1920 and collected in New Hamp- shire), a poem which critics have largely neglected.7 Like the other two poems I have classed it with, "Place for a Third" puts confined spaces...

..., a cemetery that invites people to use it as public space. After a historical overview of the American burial ground, the essay positions the cemetery in the current debate on public space. As the epitaphs of Spoon River and act 3 of Our Town typify, the cemetery is a contested site, open to constant...

...: The German Text with a Revised English Translation third edition ( Oxford : Blackwell Publishing ). Translated by Anscombe G.E.M. . WITTGENSTEIN AND PAIN: SOCIOLOGICAL CONSEQUENCES ANTONIO NEGRI TRANSLATED BY TIMOTHY S. MURPHY1 Editor's Note: The work of Antonio Negri...

... content. In the essays that comprise the first part of Archaeologies , Jameson not only details various features of the utopian genre—most importantly for my purposes, a systems theory of the utopian text that attends to the necessary condition of a differentiated social space in which imaginary enclaves...

... in terms of both the Cold War and the “warm” war in the Gulf. The episode plays out old atomic fear narratives via the Russian military presence on the mission, displaces them onto the galactic threat of the Goa’uld, and then transfers the fight for freedom and peace into a third space, the Arab...

... the domestication of the thriller. This domestication opens space for a sympathetic connectedness incompatible with the paranoid and conspiratorial relations celebrated by the thriller. Longmuir's analysis of 5 122 GENRE the incompatibility of the thriller and the feminine leads to her recognition...