... “strangers,” “outsiders,” and “others,” the notion of stigma best describes how these characters fit into Shakespeare’s dramatic vision. As such this essay combines the sociologist Erving Goffman’s theory of stigma with the literary historian Erich Auerbach’s account of “figural realism” to establish...

... for physical or mental problems are not, reducing in particular the stigma associated with coming forward for mental health issues (Taylor 2010). As one report states: Talking about “health” moves respondents into a familiar discourse about illness  and hospitals that does little...

... bearing stigmatized traits have been peeled away. I would argue that this definition, which underlies Garland- Thomson s notion of the normate identity that exists in opposition to disability, does not go far enough: as Erving Goffman ([1963] 1986: 4) himself makes clear, stigma itself is a symbolic...

... the obstacles which they faced in the Central Valley, Pizarro's Marshal Diego de Almagro had fled from Chile with all of his men. As a result, Valdivia explained that the region had acquired a stigma in the eyes of the Spaniards: Your Majesty shall know that when the Marquis D. Francisco Pizarro...

... engaged in the racist practice of linking African-American music to sexuality and crime. Butler cites the work of post-colonial theorists Robert Stam, Ella Shohat, and Lola Young who trace this pattern back to a Christian imperialism that stigma- tized rhythm for appealing not to the mind...

... engaged in the racist practice of linking African-American music to sexuality and crime. Butler cites the work of post-colonial theorists Robert Stam, Ella Shohat, and Lola Young who trace this pattern back to a Christian imperialism that stigma- tized rhythm for appealing not to the mind...

... and crime. Butler cites the work of post-colonial theorists Robert Stam, Ella Shohat, and Lola Young who trace this pattern back to a Christian imperialism that stigma- tized rhythm for appealing not to the mind but to the body, specifically the body of a dark-browed Other in need of enslavement...

... to pay and groceries to buy, seems not to have had the predict- ed deleterious effect. At the same time, the stigma of commercialism has sometimes had an equal- ly inspiring and invigorating effect. As the album's cover photo suggests, the artistic experimentation of Sgt. Pepper's Lonely Hearts...

... engaged in the racist practice of linking African-American music to sexuality and crime. Butler cites the work of post-colonial theorists Robert Stam, Ella Shohat, and Lola Young who trace this pattern back to a Christian imperialism that stigma- tized rhythm for appealing not to the mind...

... a choice, as discussed earlier, but McNulty’s escapades reveal the lingering, outdated notion of normative sexuality that men are subject to such undeniable sexual desires that they must find an outlet no matter the cost. When the cost is cash, men are largely relieved of the stigma...

... very young.” However, the review includes no hint of recognition that the added value of her identity for his argument is to ease a stigma of femininity onto a whole category of novels, as if that were a conscionable strategy for dictating taste. The students were wise to this dynamic too...

... as “a two- edged sword”: one capable of informing patients and lightening the load of their illness, but also capable of communicating “myth, fear and stigma” (1994). We are quite familiar with the claims of doctors and psychotherapists about the value of assisting clients to recast unproductive...

... is obviously to pathologize her many "inventions," as when Elizabeth accuses her of "juggl[ing] with truth" (HS 213, 231). But given another name—fiction—her tale-spinning might bear less of a stigma. In fact, Elizabeth's list of "things [she] likedabout Bell" constitutes a brief restatement...

... the stigma that the literary establishment of the time attached to fiction set outside urban locations, which it frequently diminished with the des- ignation “regionalist.” In the autumn of her long career, however, this expedient came to seem false to Glasgow. Dorinda experiences urges strikingly...

... image of generalized abjec- tion in which all individuals seem to bear the "same" crippling stigma in their 12 That this experience of truth also has ramifications for how art is experienced in the context of its commodification may be appreciated in light of T. W. Adorno's reflections...