...Heather Cass White Cope Karin , Passionate Collaborations: Learning to Live With Gertrude Stein . ELS Editions , 2005 . COPYRIGHT © 2007 BY THE UNIVERSITY OF OKLAHOMA 2007 WORKS CITED Leitch Thomas . Crime Films . Cambridge, UK : Cambridge UP , 2002...

...Emily Setina In 1957, a young John Ashbery reviewed Gertrude Stein's Stanzas in Meditation for Poetry magazine. Titled “The Impossible,” the essay explores difficulty as a means of readerly intimacy and participation. Ashbery's later “G.M.P.” describes the pathos of the writer's impossible desire...

...Janice L. Doane; Devon Hodges © COPYRIGHT 2010 BY THE UNIVERSITY OF OKLAHOMA 2010 WORKS CITED Berry Ellen E. Curved Thought and Textual Wandering: Gertrude Stein's Postmodernism . Ann Arbor : University of Michigan Press , 1992 . Print . Bridgman Richard . Gertrude...

... of memoirs by modernist writers is between the celebrated or elevated subject matter and the ordinary or everyday approaches of the modernist aesthetic. In some memoirs, particularly those authored by celebrity modernists themselves, including Gertrude Stein, Ford Madox Ford, and Wyndham Lewis, the high-art...

...Daniel Stein COPYRIGHT © 2005 BY THE UNIVERSITY OF OKLAHOMA 2005 This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved. WORKS CITED Armstrong Louis . Louis Armstrong, in His Own Words: Selected Writings . Ed...

...Ana Schwartz [email protected] Jordan Alexander Stein , When Novels Were Books , Cambridge, MA : Harvard University Press , 2020 . Copyright © 2024 by University of Oklahoma 2024 Much of Jordan Stein's book When Novels Were Books takes place during the period we...

... to the things of which it wrote, but were registering the presence of new possibilities of experience that were most in evidence—phenomeno- logically, formally and technologically—in the experience of film. According to McCabe's thesis, the four modernist poets discussed in her book—Gertrude Stein...

... . . . the language plays for both sides.” Gertrude Stein is now familiar to her readers as a poet of erotic desire, and particularly as a poet of erotic domesticity, recurrently embedding, for example, love notes to Alice B. Toklas as she wrote. We are less familiar with the poet of “Stanzas in Meditation...

... to the work and 230 GEN RE critical reception of Gertrude Stein, Jackson Mac Low, Frank O Hara, Amiri Baraka, and Allen Ginsberg. He argues that the electrification of American verse cultures has energized the rhetoric that distinguishes poetic thought from rational knowledge or what he more handily terms...

... and the agency of the state. The disavowed presence of an insuring agency appears in Gertrude Stein in the trope of "organization," which for Stein means the gover- nance and administrative planning that were challenging the laissez-faire models of individual freedom and the autonomy of art that she so...

... for security of which they were unaware. The argument becomes tendentious when Szalay presumes that this highly figurative notion of security is inextricable from the discourse of insurance and the agency of the state. The disavowed presence of an insuring agency appears in Gertrude Stein...

... for security of which they were unaware. The argument becomes tendentious when Szalay presumes that this highly figurative notion of security is inextricable from the discourse of insurance and the agency of the state. The disavowed presence of an insuring agency appears in Gertrude Stein...

...Marjorie Perloff © COPYRIGHT 2001 BY THE UNIVERSITY OF OKLAHOMA 2001 WORKS CITED Perloff Marjorie . Wittgenstein's Ladder: Poetic Language and the Strangeness of the Ordinary . Chicago and London : University of Chicago Press , 1996 . Stein Gertrude...

... . Lehmann Rosamond . 1982 . The Swan in the Evening: Fragments of an Inner Life . London : Virago . Levay Matthew . 2013 . “Remaining a Mystery: Gertrude Stein, Crime Fiction, and Popular Modernism.” Journal of Modern Literature 36 , no. 4 : 1 – 22 . Linklater Andro . 1992...

... in the Age of Cinematics,” worries over the stakes of formal dissolution (formlessness) after film formalizes ephemerality and dynamism, and the final chapter, “Surface Forms: Photography and Gertrude Stein's Contact History of Modernism,” considers photography's superficiality another “bad form” that undoes...

... of the Lark and The Professor’s House Eric Aronoff 61 The Gothic Mystery and Blood on the Dining Room Floor: How Gertrude Stein Cured Her Writing Block Janice L. Doane and Devon L. Hodges 91 “‘Plasticity’s Central...

... via Martin Heidegger) to care- fully craft her definition of both scripts and things, the ways the literary and the material interact through the performances of individuals. According to Bern- stein, the act of “enscription” refers to the “interpellation through a scriptive thing that combines...

... 1957 ). Rpt. in Critical Essays on Gertrude Stein. Ed. Michael J. Hoffman. Boston: G. K. Hall, 1986 . 104 - 107 . —, `` Introduction to a Reading Given by James Schuyler .'' Denver Quarterly . Ed. Revell Donald . ( Spring 1990 ): 10 - 12 . —, Selected Poems . New York : Penguin...

... not know if one can follow Kripke in his interpretation of Hume's thought; I doubt it. I will come back to this below; for the moment this is a secondary issue. What is decisive, on the contrary, is what Kripke maintains regarding Wittgen- stein: in Parts I and II of the Philosophical Investigations...

... . New York : Vintage . Laimbach Marti . 2006 . Daniel Isn't Talking . New York : Doubleday . Levin Amy Davis Phoebe Stein . 2010 . “ ‘Good Readers Make Good Doctors’: Community Readings and the Health of the Community.” PMLA 125 : 426 – 37 . O'Rourke Meghan...