... Fiction Studies 55 . 1 ( Spring 2009 ): 92 - 118 . — “The Kingdom of Culture: Culture, Ethnology and “the Feeling of Empire” in The Song of the Lark.” Willa Cather's The Song of the Lark . Ed. Cumberland Debra . New York : Rodopi , forthcoming . Bashkow Ira Bunzel Matti...

...R. Michelle Lee Angelic Airs, Subversive Songs: Music as Social Discourse in the Victorian Novel , Clapp-Itnyre Alisa , Ohio University Press , Athens , 2002 . COPYRIGHT © 2003 BY THE UNIVERSITY OF OKLAHOMA 2003 Angelic Airs, Subversive Songs: Music as Social Discourse...

.... On the pages of these anthologies, long, explicitly political poems by Shelley and Byron were excerpted, retitled, and transformed into entirely new poems, usually short, beautiful bits of natural description. In his hugely successful Golden Treasury of the Best Songs and Lyrical Poems in the English Language...

...Fiona Green This essay considers the aubade as a special case of that threshold condition to which all lyric utterance is subject. Drawing on recent work by Mutlu Konuk Blasing, it argues that the dawn songs in Jorie Graham's The Errancy (1997) instantiate and figure the interference of linguistic...

... . Bloomington : Indiana UP , 1994 . Han Hsiao-min . “ Roots and Buds: The Literature of Chinese Americans .” Ph.D. diss. , Brigham Young University , 1980 . Hom Marlon K. “ An Introduction to Cantonese Vernacular Rhymes from San Francisco Chinatown .” Songs of Gold Mountain...

... a deeper, more abstract sort of trouble that interests many of today's rock musicians. The pre-adolescent or critically slum- bering listener may accept as an appropriate topic for a song the portrayal of a devastating setback in love that is to be overcome one way or another by a long- ingly...

...: Intertextuality in the Late Songs of The Beatles.” Paper presented at Drake University Conference on Popular Music and Culture , Des Moines, IA , March 29 , 1996 . Tagg Philip . “Analysing Popular Music: Theory, Method, and Practice.” Popular Music 2 ( 1982 ), 37 - 67 . —. Introductory...

... of onlookers gathers to ask him for his auto- graph, whereupon he awakens and realizes that the Royals' words apply to his own disintegrating relationship. To be sure, this a unique twist of the conventions of the love-has-died song, a subgenre which has comprised a significant proportion...

..., several overwhelming ques- tions. Are numerous television sets the key to lasting happiness? What can we infer from the fact that those offering this comment are themselves products of television? Could there be irony in the song's interpretation and its perfor- mance? Clearly, the sentiment...

... in the Tang Dynasty (6 8-907), and prevailing in the Song Dynasty (960- 279). Originally, it described lyric poetry, but then it solely designated poems with certain metric patterns. 244 GENRE cannot be counted as slogans for paradoxes. The insufficient comprehension...

...Scott Duguid Grundmann Roy . Andy Warhol's Blow Job . Culture and the Moving Image Series , ed. Sklar Robert . Philadelphia : Temple University Press , 2003 228 COPYRIGHT © 2003 BY THE UNIVERSITY OF OKLAHOMA 2003 Angelic Airs, Subversive Songs: Music as Social Discourse...

... songwriting is "floundering," while Farina composed a number of songs for his dulcimer, songs that were "all highly singable, with memorable, lilting melodies surprisingly adept tuneful, harmonically sug- gestive .. . and in several cases intensely rhythmic. Farina was finally writing the 'boogie...

... a number of songs for his dulcimer, songs that were "all highly singable, with memorable, lilting melodies surprisingly adept tuneful, harmonically sug- gestive .. . and in several cases intensely rhythmic. Farina was finally writing the 'boogie poetry' he had talked about with Dylan" (195-6...

... a number of songs for his dulcimer, songs that were "all highly singable, with memorable, lilting melodies surprisingly adept tuneful, harmonically sug- gestive .. . and in several cases intensely rhythmic. Farina was finally writing the 'boogie poetry' he had talked about with Dylan" (195-6...

... influenced him. In 1962, Hajdu notes, Dylan's songwriting is "floundering," while Farina composed a number of songs for his dulcimer, songs that were "all highly singable, with memorable, lilting melodies surprisingly adept tuneful, harmonically sug- gestive .. . and in several cases intensely...

... . Cambridge, MA : Harvard University Press . Richards Eliza . 2004 . Gender and the Poetics of Reception in Poe's Circle . Cambridge : Cambridge University Press . Rubin Joan Shelley . 2007 . Songs of Ourselves: The Uses of Poetry in America . Cambridge, MA : Belknap Press...

...: A Social and Musical History . Berkeley : U of California P , 1997 . Eliot T. S. `` Tradition and the Individual Talent .'' 1919 . Selected Essays of T. S. Eliot . New York : Harcourt Brace , 1964 . 3 - 11 . Fidelman Geoffrey Mark . First Lady of Song: Ella Fitzgerald...

... child, unhappy in her adolescent romance with the up-­and-­coming Nazi, Rolf. Rolf has 3. In case this sounds like an arbitrary connection, please internalize the HBO special The Sound of Mumbai (2011) about the inexplicable project of finding impoverished Mumbai children to sing songs...

..., Princess of Wales. Later released to the public to raise funds for the Princess of Wales Memorial Fund, the song has sold more recorded copies than has any other.1 My example may appear too trivial to bear the weight of serious discussion. But then we might recall that the seminal text...

... (and asocial) conception of the "artist," perceived through a collec- tion of texts (songs, images, performative gestures) as existing in a continual pre- sent. Tributism challenges the methods we habitually use to locate and validate music, whether through generic, historical, or qualitative means...