... Truett . New York : Jeremy P. Tarcher/Putnam , 1995 . 31 - 33 . Eno Brian . A Year with Swollen Appendices . London : Faber , 1996 . Goodman Fred . The Mansion on the Hill: Dylan, Young, Geffen, Springsteen, and the Head-On Collision of Rock and Commerce . New York...

...Walter Everett A TRUE STORY: THE EXPRESSION OF TROUBLING SOCIETAL VALUES IN THE MUSIC OF POSTMODERN ROCK WALTER EVERETT, UNIVERSITY OF MICHIGAN It is very difficult to trace any precise boundaries, but in attempting to character- ize what distinguishes the music of rock from...

... October 2001 at http://www.patrickdailly.f9.co.uk/UNDENIED.htm . Eisen Jonathan , ed. The Age of Rock: Sounds of the American Cultural Revolution . New York : Vintage Books/Random House , 1969 . Fricke David . “Kurt Cobain: The Rolling Stone Interview.” In George-Warren Holly...

... . Sanjek David . “Stomping the Blues on PBS.” Unpublished paper presented at the Modern Language Association Convention , December 30 , 2001 . Shumway David R. “Rock & Roll as a Cultural Practice.” Present Tense: Rock & Roll and Culture . Ed. DeCurtis Anthony . Durham...

... in the '60s: Those Wonderful Shows You Grew Up With . New York : Ballantine , 1985 . Bangs Lester . “Bubblegum.” The Rolling Stone Illustrated History of Rock and Roll: The Most Important Artists and Their Music . Third Edition . Ed. DeCurtis Anthony Henke James George-Warren Holly...

... . Beadle Jeremy J. Will Pop Eat Itself? London : Faber and Faber , 1993 . Belz Carl . The Story of Rock . New York : Harper and Row , 1971 . Connor Steven . Postmodernist Culture: An Introduction to Theories of the Contemporary . Oxford : Basil Blackwell , 1989...

... of research, probably much of what this book has to tell is known already to serious devotees of the 60s folk and rock scene and serious fans of Dylan and Baez. The question of why we need this book is answered with the unstated suggestion of a plot, with Richard Farina as the star. Indeed, a tweak...

... 25 years of research, probably much of what this book has to tell is known already to serious devotees of the 60s folk and rock scene and serious fans of Dylan and Baez. The question of why we need this book is answered with the unstated suggestion of a plot, with Richard Farina as the star...

... to give a reader a moment's pause. (Dylan threw up on John Lennon, for instance, and Joan Baez was self-conscious about her small breast size.) But, despite Hajdu's 25 years of research, probably much of what this book has to tell is known already to serious devotees of the 60s folk and rock scene...

... of the 60s folk and rock scene and serious fans of Dylan and Baez. The question of why we need this book is answered with the unstated suggestion of a plot, with Richard Farina as the star. Indeed, a tweak here and a tuck there, and Hajdu could have given it the subtitle, Richard Farina's Life...

... XXXIII - FALL-WINTER 2000 - 241-246. COPYRIGHT © 2001 BY THE UNIVERSITY OF OKLAHOMA. ALL RIGHTS OF REPRODUCTION IN ANY FORM RESERVED. 242 GENRE zine columns throughout the glory days of pop and rock culture in the late nine- teen-sixties and nineteen-seventies...

... What the Butler Saw,” Genre 33 ( 2001 ): 199 - 224 . —. “‘You Don't Have to Say You Love Me’: The Camp Masquerades of Dusty Springfield.” 105 – 26 . In The Queer Sixties , ed. Smith . London and New York : Routledge , 1999 . Studer Wayne . Rock on the Wild Side: Gay Male...

.... The Citizen Artist: 20 Years of Art in the Public Arena . Gardiner, NY : Critical Press , 1998 . Gracyk Theodore . I Wanna Be Me: Rock Music and the Politics of Identity . Philadelphia : Temple University Press , 2001 . Hassan Ihab , “The Culture of Postmodernism.” Theory Culture...

... are foundational. Ruby is an all-­black town that traces social class through a strict genealogy of “8-­rocks.” The 8-­rock families are “blue-­black people, tall and graceful, whose clear, wide eyes gave no sign of what they really felt about those who weren’t 8-­rock like them,” who protect their lineage...

... . “The Erotic Landscape.” Literature and the Environment: A Reader on Nature and Culture . Ed. Anderson Lorraine Slovic Scott O'Grady John P. . New York : Longman , 1999 . Willis Clint Roberts David , eds. Climb: Stories of Survival from Rock, Snow and Ice . New York...

... and “carnivalesque” (Noys 2002, 310 – 14), toying with glamorizing this past in its representation of Lord Horror as radio DJ and rock star: “chanticleer of rock ’n’ I would like to thank Tim Murphy, John Coulthart, David Britton, and Michael Butterworth for their comments on this article and Coulthart...

... “Rural Architecture” reworks Gilpin’s anecdote by strengthening its account of Cumbrian nature. The wind that finally does not move rocks in Gilpin’s account actually does blow down the stones in Word- sworth’s poem. In “Rural Architecture” Cumbrian nature acquires the agency necessary to resist...

... . Millington Richard . “Where is Cather's Quebec? Anthropological Modernism in Shadows on the Rock.” Cather Studies 4 ( 1999 ): 23 - 44 . Morgan Lewis Henry . Ancient Society . 1877 . New York : Henry Holt , 1907 . O'Brien Sharon . Willa Cather: The Emerging Voice . New York...

..., Ornette Coleman and John Coltrane—battled the more commercially successful soul-jazz (and later jazz-rock) fusions of the era that seemed poised to kill off jazz for good. During the same era, however, at least one prominent voice declared Parker himself, to have been the principal murder suspect...

... details that give the opening scene the immediacy of environmental protest. "One imagines with misgiving the last scene on desolate Eldey. Offshore, the longboat wallows in a surge of seas, then slides forward in the lull, its stem grinding hard on the rock ledge. The hunters hurl the two dead birds...