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monsters

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Journal Article
Genre (2021) 54 (2): 307–310.
Published: 01 July 2021
...Julianne Werlin Samuel Fallon , Paper Monsters: Persona and Literary Culture in Elizabethan England , Philadelphia : University of Pennsylvania Press , 2019 . Copyright © 2021 by University of Oklahoma 2021 In the final decade of the sixteenth century, Samuel Fallon argues...
Journal Article
Genre (2021) 54 (1): 17–42.
Published: 01 April 2021
... but not enough substance and depth of character; the new novel has become “a picture of life.” With its deliberate foregrounding of inhumanness and spectacularity, Emil Ferris's My Favorite Thing Is Monsters commits many of Wood's list of transgressions against the traditional novel. This article examines how...
FIGURES
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Published: 01 April 2021
Figure 2. “Sam ‘Hotstep’ Silverberg.” Emil Ferris, My Favorite Thing Is Monsters , book 1 . © 2012 Emil Ferris. Courtesy of Emil Ferris and Fantagraphics Books. More
Image
Published: 01 April 2021
Figure 3. “The Vesica Piscis.” Emil Ferris, My Favorite Thing Is Monsters , book 1 . © 2012 Emil Ferris. Courtesy of Emil Ferris and Fantagraphics Books. More
Image
Published: 01 April 2021
Figure 1. “So thanks for holding my hand.” Emil Ferris, My Favorite Thing Is Monsters , book 1 . © 2012 Emil Ferris. Courtesy of Emil Ferris and Fantagraphics Books. More
Journal Article
Genre (2014) 47 (3): 255–283.
Published: 01 December 2014
... with the cultural meanings of the evil sea monster in romanticism and the ancient Leviathan tradition. With origins tracing back to early Christian retellings of the ancient Greek Physiologus nautical myth, the legacy of that tradition of maligning the whale is immediately visible in contemporary writers...
Journal Article
Genre (2016) 49 (2): 199–211.
Published: 01 July 2016
... : Pluto . ———. 2009b . “Weird Fiction.” In The Routledge Companion to Science Fiction , edited by Bould Mark , 510 – 16 . London : Routledge . ———. 2012 . “On Monsters; or, Nine or More (Monstrous) Not Cannies.” Journal of the Fantastic in the Arts 23 , no. 3 : 377 – 92...
Journal Article
Genre (2000) 33 (1): 115–119.
Published: 01 March 2000
... be reconsidered before such resolution can be sought. To this end, Punter emphasizes the complexity of memory and self-identification in Gothic literature. The monster and the terrorist, integral figures in Punter's view of the Gothic genre, stand as two responses to the conflict between the law...
Journal Article
Genre (2000) 33 (1): 120–122.
Published: 01 March 2000
... be reconsidered before such resolution can be sought. To this end, Punter emphasizes the complexity of memory and self-identification in Gothic literature. The monster and the terrorist, integral figures in Punter's view of the Gothic genre, stand as two responses to the conflict between the law...
Journal Article
Genre (2000) 33 (1): 123–124.
Published: 01 March 2000
... the complexity of memory and self-identification in Gothic literature. The monster and the terrorist, integral figures in Punter's view of the Gothic genre, stand as two responses to the conflict between the law and the body. Using Frankenstein's monster as the paradigmatic example, Punter asserts...
Journal Article
Genre (2000) 33 (1): 125–126.
Published: 01 March 2000
... the complexity of memory and self-identification in Gothic literature. The monster and the terrorist, integral figures in Punter's view of the Gothic genre, stand as two responses to the conflict between the law and the body. Using Frankenstein's monster as the paradigmatic example, Punter asserts...
Journal Article
Genre (2010) 43 (1-2): 27–59.
Published: 01 March 2010
... in Joseph Conrad's Heart of Darkness and Jules Verne's Voyage au centre de la terre.” The Conradian 14 . 1 ( Dec. 1989 ): 19 - 46 . Hutchinson H. N. Extinct Monsters and Creatures of Other Days: A Popular Account of Some of the Larger Forms of Ancient Animal Life . 1892 . Rev. Ed...
Journal Article
Genre (2009) 42 (1-2): 61–82.
Published: 01 March 2009
... and Melville .” The Southern Review 25 : 3 ( Summer 1989 ): 549 - 562 . Williamson Allan . Pity the Monsters: The Political Vision of Robert Lowell . New Haven : Yale University Press , 1974 . ADAPTATION LIBERAL AND CONSERVATIVE: BENITO CERENO AND ROBERT LOWELL'S LITERARY...
Journal Article
Genre (2019) 52 (3): 207–228.
Published: 01 December 2019
..., or is it still about the oil? Jim Jarmusch, Only Lovers Left Alive Introduction: Love Your Monsters! Over the last decade art house filmmakers have contributed lustily to the vam- pire genre: Tomas Alfredson s Let the Right One In (Sweden, 2008), Chan- Wook Park s Thirst (South Korea, 2009), Tim Burton s Dark...
Journal Article
Genre (2023) 56 (3): 265–281.
Published: 01 December 2023
.... They clutched me. Its skin was smooth, like my own. There it lay, pressed close up against me, solid as stone,—and yet utterly invisible!” (201). O'Brien's peculiar choice of monster shows not only how “in the mid- to late nineteenth century ghosts and materialist science were mutually possessed, each haunted...
Journal Article
Genre (2014) 47 (3): 379–405.
Published: 01 December 2014
... the monsters. Zombies are frequently referred to by other terms: ghouls, the dead, walkers, or simply those things. Characters in zombie narratives have no language with which to talk about zombies and often resort to vague, imprecise terms or slangy neologisms — for example, “Zach...
Journal Article
Genre (2010) 43 (1-2): 137–162.
Published: 01 March 2010
... Representation and Traumatic History in The Devil's Backbone.” JAC 24 . 2 ( 2004 ): 291 - 312 . Burr Ty . “A Man and His Monsters.” Boston Globe 7 Jan. 2007 , first ed. : N9 . Büssing Sabine . “Appendix I: The Child in the Horror Film.” Aliens in the Home: The Child...
Journal Article
Genre (2012) 45 (1): 143–166.
Published: 01 March 2012
... of an almost empty mind / Colliding with the lush, Rousseau- like foliage of its desire to communicate” (1977, 45 – 46). “I” Enters: Getting Personal with a Monster of Art In the notes for the essay, Ashbery places Stein’s Stanzas in a transhistorical, idiosyncratic canon of masterpieces...
Journal Article
Genre (2000) 33 (3-4): 353–359.
Published: 01 September 2000
... to do here. But even supposing these transformations work—and in different ways all these stories hint at parties of one sort or anoth- er (including Leitch's hybrid monster of a postmodern party)—we're still left with Peter's question in Mrs. Dalloway. "yes, yes, but your party—what's...
Journal Article
Genre (2013) 46 (3): 367–392.
Published: 01 December 2013
... and sixteenth centuries “imagined themselves as monsters” and that, faced with the crushing vicissitudes of global capitalism, we now need “new giants and new monsters.” In Multitude monstrosity is a quick side note, but in Commonwealth Hardt and Negri (2009) extend their discussion of the excessiveness...