...Nell Sullivan The trauma of 9/11 ushered in a new age of male-centered sentimentality. With its focus on a father's sacrificial love for his young son in a postapocalyptic setting, Cormac McCarthy's The Road reflects this shift to male-centered sentimentality. In The Road , McCarthy appropriates...

... overlooked: the colonial settler heroine. Reading beyond King Solomon's Mines (1885), She (1887), and Allan Quatermain (1887), male imperial romances that have almost exclusively been allowed to represent Haggard's vast body of work, we encounter female colonial leadership on the South African frontier...

...Marjorie Worthington Ruth Ozeki's novel A Tale for the Time Being is an autofiction—a novel whose protagonist is a characterized version of its author and thereby straddles the line between memoir and fiction. In an American literary context, autofiction is a genre dominated by white male authors...

... India. The author reads the male protagonists in the novel and the film and the film's implied viewers as improving subjects—characters and spectators that marry a capitalist's desire to turn waste to profit and a New Historical impulse to uncover hidden narratives and make them count. She argues...

... the broader composition of male-dominated viewing traditions, and finally, argues that the genre becomes ultimately concentrated into the familiar gendered, alternative viewing spaces of stags as a function of both the increasing moral restrictions and the industrial reorganization of Hollywood cinema...

... as the nonprofit care regime that has arisen to oppose and ameliorate its effects. Because these structures converge around overt and subterranean investments in settler colonial frontier fantasy, the essay focuses particularly on Lost Children Archive 's engagement with the tradition of the white male road novel...

..., Theodore, and the film he inhabits ambivalently cling to the fantasy that the generic experience of white male alienation can remain unmarked and universal. The film's central relationship rests on Theodore misreading Samantha's genre of being through the codes of his own liberal humanist subjecthood...

...Maaheen Ahmed; Shiamin Kwa In his discussion of the “big, ambitious novel,” James Wood dismisses both male and female authors but singles out Zadie Smith's White Teeth for most of his critique of what he terms “hysterical realism.” For Wood, recent long novels display too much imagination...

... it unmistakably within the familiar formula of the detective story, but then modifies and ultimately subverts that formula as she challenges and subverts the patriarchal assumptions of the men who officially conduct the murder investigation in the story. In other words, Glaspell's chal- lenge to male...

... Genders, Part II: Female-to-Male Transition.” Urologic Nursing 31 , no. 4 : 230 – 35 . Gibson Bethany Catlin Anita J. . 2010 . “Care of the Child with the Desire to Change Genders, Part III: Male-to-female Transition.” Pediatric Nursing 36 , no. 5 : 268 – 72 . ———. 2011...

... . The Intermediate Sex: A Study of Some Transitional Types of Men and Women . Hong Kong : Forgotten Books . Citations refer to the 2012 edition . Chauncey George . 1994 . Gay New York: Gender, Urban Culture, and the Making of the Gay Male World, 1890–1940 . New York : Perseus Books . Cocks H...

... death. The characters in The Unvanquished, both male and female, begin the novel equipped with stable, well-defined identities and a uniform conviction that the old order from which those identities draw their force must be defended against the political and social disruptions poised...

... of what Adorno calls “artistic autonomy.” Night Film not only distances itself from its audience but also identifies this appeal to the audience with what Pessl understands as a gendering of the male-centered horror movie and by imagining its alternative—the horror novel—as in some crucial sense female...

...; discussed more fully below), eagerly built on Bloom’s ideas, but only by ascribing the ugly energies of Bloomian anxiety to male authors, positing that women writers, conversely, experienced an unmixed generosity and gratitude toward their female precursors; as Diane Sadoff remarks of Gilbert...

... the value and emancipatory potential of previously neglected genres written or consumed by women. Likewise, in sociolinguistics, theorists critiqued (male) linguists' failure to take account of gender as a speaker variable (Cazden) and to give appropriate attention to speech genres like 'gos- sip...

... .” The Location of Culture . London : Routledge , 1994 . Chauncey George . Gay New York: Gender, Urban Culture, and the Making of the Gay Male World, 1890-1940 . New York : Basic Books , 1994 . Drinnon Richard . Facing West: The Metaphysics of Indian-Hating and Empire Building...

... in Gaskell's novel into sexualized beings prostituting their musical skills for the benefit of their male counterparts. The discussion of Hardy's works provides the final link in the conceptual trio. His use of music, in contrast to that of both Gaskell and Eliot, serves to highlight what he...

... in Gaskell's novel into sexualized beings prostituting their musical skills for the benefit of their male counterparts. The discussion of Hardy's works provides the final link in the conceptual trio. His use of music, in contrast to that of both Gaskell and Eliot, serves to highlight what he...

... of James Hadley Chase’s brutal novel No Orchids for Miss Blandish (1939). Orwell ([1944] 2008, 244) suggested that the public’s appetite for this fiction of amoral male violence was symptomatic of a broader legitimation of totalitar- ian “success- worship” and “power- worship.” Although...

... to include only male writers, beyond asking, "Does the male author prefer indeed to be thought of as one lone man fighting the world even when he is benefited by networks and coteries?" (14). However, as his book continues it becomes clear that his argument is strongly gendered, and that for Conroy...