... century, but this essay argues that Against the Day deals more broadly with the history of emergent media that come to shape reality according to capitalist interests. Merle Rideout, a character linked to camera technologies, and Lew Basnight, who represents print media, remain strangers for the first...

... map motif in particular, see Susan Jones, especially 420. 6 Lew Basnight, hitherto a detective of a different type, ironically enumerates some of the genre's motifs: "anxious husbands and missing necklaces and exotic poisons" (693). On Edwardian detec- tive fiction, see Kestner. 7 Two...

... . `` Introduction .'' In Recovered Legacies , 1 - 23 . Lee Kyhan . `` Younghill Kang and the Genesis of Korean-American Literature .'' Korea Journal 31.4 ( Winter 1991 ): 63 - 76 . Lew Walter K. `` Grafts, Transplants, Translation: The Americanizing of Younghill Kang .'' In Modernism...

... the “particu- lar incidents” recorded in the fictions. While contemporary readers of Jane Eyre were extremely interested in the story behind its authorship and its heroine, it bears reiterating that Jane Eyre comes to us as an intimate depiction of a living, suffering mind. George Henry Lewes’s...

... and 4. For other examples of the nineteenth-­century physiology of routine, see Johnson (1856) 1968; Lewes (1859) 1860. 8 GENRE replicable form, one that can be a model for the machine and vice versa. “The nervous system and the automatic machine are fundamentally alike...

... plot that would have contradicted the norm of arranged marriages in China—Wong offers his readers a Chinese version of the historical romance, a genre characterized by immensely popular works such as Lew Wal- lace's Ben Hur (1880) and Richard Harding Davis's Soldiers of Fortune (1897...

... to George Henry Lewes for his encouragement in writing The Spanish Gypsy some five years prior to Armgart, thanking him for “urging me to produce a poem rather than anything in a worldly sense more profitable. I expect a good deal of disgust to be felt towards me in many quarters for doing what...

... Jewish characteristics, a notion he further supports by citing famous Jewish artists: “You see it all the way from Lew Fields to Sarah Bernhardt; from Mendelssohn to Irving Berlin; from Mischa Elman to Charlie Chaplin” (190). Though Clarence appeals to Fanny’s growing sense of identifica- tion...