...Allison Stedman A GALLERY OF AUTHORS: THE POLITICS OF INNOVATION AND SUBVERSION IN MONTPENSIER'S DIVERS PORTRAITS ALLISON STEDMAN, UNIVERSITY OF PENNSYLVANIA When Anne Louise d'Orleans, Duchesse de Montpensier published the Divers Portraits [ Various Portraits], her first...

... of an Aboriginal Girl , Sydney : Alternative Publishing Cooperative Limited , 1978 . Croft B. L. Indigenous Art: Art Gallery of Western Australia , Perth : Art Gallery of Western Australia , 2001 . Crowley V. “Rea, My bLAK (h)ART,” in Remanence (ed.), Palmer M. , 1998 , pp...

...Timothy Gray © COPYRIGHT 2001 BY THE UNIVERSITY OF OKLAHOMA 2001 WORKS CITED Alpers Paul . What is Pastoral? Chicago : U Chicago P , 1996 . Ashbery John . “Introduction.” Jane Freilicher . New York : Fischbach Gallery , 1995 . n.p. —. “Introduction...

...-regulation that limits the individual's physical mobility, so that the imperial subject is tied to a series of domestic spaces that signify a proper metropolitan location. From home (or the homey "bed and breakfast") to the British Museum (or St. Paul's, the National Gallery, etc.) and back...

... . New York : Basic , 2001 . Britton John . Union of Architecture, Sculpture, and Painting: Exemplified by a Series of Illustrations, with Descriptive accounts of the House and Galleries of John Soane . London : Privately printed 1827 . Calè Luisa . Henry Fuseli’s Milton Gallery...

... . Monet & Japan . Canberra : Natl. Gallery of Australia , 2001 . Casey Edward S. Representing Place: Landscape Painting and Maps . Minneapolis : U of Minnesota P , 2002 . Collins Daniel L. “Anamorphosis and the Eccentric Observer: History, Technique and Current Practice...

...-makers who've taken or re-invent- ed its concepts. Another might be found when "serious" gallery artists describe visual references as if they've been lifted from an anonymous Zeitgeist rather than from fellow laborers. Such blatant hypocrisy has a way of creating resent- ment among subalterns...

... to notice a strange phenomenon. Art lovers, deprived of physical access to local galleries, were reproducing their favorite portraits by staging digital photographs of themselves in the guise of famous subjects: Frida Kahlo, Napoleon, the Girl with a Pearl Earring. In these playful re-creations, household...

..., as the actual turning of the body that allows one to see one’s surrounding in all its physical dimensions. Wright seems to be visualizing this when he turns a picture gallery at Pemberley in the novel into a sculpture gallery in the film. As Elizabeth stares at a bust of Darcy, the camera moves from...

... blows up the slides to fill posters that engross entire gallery walls, while Chang manipulates photographs by digitally processing them, thereby generating end- less clones of human faces, suburban homes etc. While both Erkmen and Chang have avoided adding text to the images, the New York musician...

... permitting the movement of traffic and hence progress, development, economic production); instead, the shovel’s “work” is that of the pun in the suspended space of the art gallery or museum, its move- ment aesthetic, ironic, and nonreproductive of dominant moral and cultural con- ventions. Duchamp’s...

... . Gerard Sekoto: Unsevered Ties . Exh. cat. Johannesburg : Johannesburg Art Gallery , 1989 . DISCIPLINES OF THE VISUAL: ART HISTORY, VISUAL STUDIES, AND GLOBALIZATION* KEITH MOXEY, BARNARD COLLEGE, COLUMBIA UNIVERSITY One of the well-known ironies of our time is that the use...

... UP , 1997 . Harman Thomas . A Caveat for Common Cursitors. Rogues, Vagabonds, and Sturdy Beggars: A New Gallery of Tudor and Early Stuart Rogue Literature . Ed. Kinney Arthur . Amhearst : Mass. UP , 1990 . 103 - 154 . James I. . Damonologie . Edinburgh , 1597...

... of Cancer . 1996 . Available: http://www2.dom.de/acircle/tcancer.htm . Hyde Ralph . Panoramania! The Art and Entertainment of the ‘All-Embracing’ View . London : Barbican Art Gallery , 1988 . Johannsen Robert Walter . To the Halls of the Montezumas: The Mexican War in the American...

...: the Detective Camera and the Documentary Impulse .'' Collecting Visible Evidence . Eds. Gaines Jane Renov Michael . Minneapolis : University of Minnesota Press , 1999 . Hoy C.D. First Son: Portraits by C.D. Hoy . Ed., Monsang Faith . Vancouver : Presentation House Gallery...

... known as a musician, when I worked in a big department store, one day, during my lunch break, I came across a gallery where someone had painted a very rich white woman who had absolutely everything that you could desire in life, and she had the most solitary expression in the world. I had never...

... Collec- tion that she recounted, but a visit to the Stieglitz gallery at 291 Fifth Avenue.2 1. Moore to John Warner Moore, Paris, August 13, 1911, in M. Moore 1997, 93. 2. Moore to John Warner Moore, December 12, 1915, and December 19, 1915, in M. Moore 1997, 103 – 12. Genre, Vol. 45...

... : Schocken , 1969 . 217 - 52 . Biggs Lewis . “Brave New World.” Andreas Gursky. Images . Ed. Liverpool Tate Gallery . New York : Blackwell , 1995 . 58 - 61 . Bolton Richard , ed. The Content of Meaning. Critical Histories of Photography . Cambridge : MIT P , 1989...

... of the politicians who were cleverly exposed as the butt of a not-so-obvious joke (see “Gospoda klassiki I sovremenniki Yet the finished picture was perceived quite differently. After its initial exhibition in the Zurab Tseretelli Gallery in Moscow, the painting was displayed...

... as boxes outlined in black — visual representations of Liv’s canvases — take over the center of the page. These boxes are filled with floating words functioning as strokes of language. Below each box are other lines of text similar to the artist’s statement one would encounter in a gallery space...