... 10.2 ( 1990 ): 217 - 39 . Print . ---. Infinite Jest: A Novel . Boston : Little , 1996 . Print . ---. A Supposedly Fun Thing I’ll Never Do Again: Essays and Arguments . New York : Little , 1997 . Print . TAMING PARANOIA: UNDERGROUND CINEMA AND THE DOMESTICATION...

... FLOWS AND LOCAL LOYALTIES IN CONTEMPORARY GERMAN CINEMA JAIMEY FISHER, UNIVERSITY OF CALIFORNIA, DAVIS Introduction: Globalization, Locality, and Nation in Contemporary Germany In an article in The New York Times entitled "In a Twist, Germans are Recruited by the Dutch," Edmund...

... reading of the film in relation to his other interventions on cinema, which are scattered throughout his seminars and are more numerous and heterogeneous than generally assumed, drawing especially on cinema of the late 1950s and early 1960s. The article shows how Lacan's analysis of Never on Sunday...

...Ed Cameron This essay focuses on the possibility of articulating a form of nostalgia in film not tied to an opposition to irony. It concentrates on the neo-noir cinema of David Lynch precisely because he is a master of balancing nostalgic sincerity and postclassical irony within the same film...

....” Approaching the films as new media in their historical moment and focusing specifically on exhibition contexts, this article places stag films in a multifaceted rather than a singular ancestry of visual culture, broadens the intertextual field of cinema beyond explicit representations of sex to trace...

... and nonfictive examples of Chinese and British port city representations offering a very different vision of transnational contact—one that emphasizes a nation-building and growth “cleaned” of the human struggles for hybrid identity so vividly dramatized across port city fictions. Much work on cinema and urban...

...-Image: Gilles Deleuze and Contemporary Queer Cinema . Oxford : Oxford University Press . Fiske John . 1992 . “The Cultural Economy of Fandom.” In The Adoring Audience: Fan Culture and Popular Media , edited by Lewis Lisa A. , 30 – 49 . London : Routledge . Freedman Samuel...

... Laura . 1998 . Introduction to Close Up, 1927–1933: Cinema and Modernism , edited by Donald James Friedberg Anne Marcus Laura , 150 – 59 . Princeton, NJ : Princeton University Press . Mulvey Laura . 1975 . “Visual Pleasure and Narrative Cinema.” In Film and Theory...

... only come into its own in his works on cinema: the pow- ers of the false. In chapter six of Cinema 2: The Time-Image, Deleuze identifies the powers of the false as the defining characteristics of postwar cinema and fic- tion: We no longer have an indirect image of time which derives...

... from our own period that illustrates it most clearly” (5). Bewes calls this mode of thought “free indirect.” If cinema and critical writing on films take up so much space in Free Indirect , it is mainly because “Gilles Deleuze's two books on cinema provide the most promising theoretical basis...

... ( December 2006 ): 20 - 24 . Kinder Marsha . “The Children of Franco in the New Spanish Cinema.” Quarterly Review of Film and Video 8 . 2 ( Spring 1983 ): 57 - 76 . Kirkland Bruce . “Del Toro's Labyrinth.” Toronto Sun 19 Dec. 2006 , final ed. : 67 . Knight...

... (The Shock, directed by Robin Davis, 1982). In print Manchette was casually dismissive of these Delon films. On September 31, 1980, Manchette (1997a, 329) wrote in his regular cinema column in Charlie Hebdo that Trois hommes à abattre was “well done in its category” but belonged to a category...

... Press , 1974 . Kawin Bruce . The Mind of the Novel . Princeton, N.J. : Princeton University Press , 1982 . Kelman Steven G. The Self-Begetting Novel. New York : Columbia University Press , 1980 . Metz Christian . Film Language: A Semiotics of the Cinema . Trans...

...: The Journal of Cinema and Media 48 . 2 ( 2007 ): 56 - 65 . Baker Anne . Heartless Immensity: Literature, Culture, and Geography in Antebellum America . Ann Arbor : U of Michigan P , 2006 . Barker-Plummer Bernadette Boaz Cynthia . “War News as Masculinist Discourse.” Feminist...

... , 1999 . Balio Tino . `` `A Major Presence in All of the World Markets': The Globalization of Hollywood in the 1990s '' Contemporary Hollywood Cinema . Eds. Neale Steve Smith Murray . New York : Routledge , 1998 . Buell Frederick . `` Nationalist Postnationalism: Globalist...

... . 1915 . Victory . New York : Modern Library . Denby David . 2008 . “Young Loves: Vicky Cristina Barcelona and Elegy.” New Yorker , August 11 . www.newyorker.com/arts/critics/cinema/2008/08/11/080811crci_cinema_denby . D'hoker Elke . 2006 . “Confession and Atonement...

...-review . Night of the Living Dead . 1968 . Directed by Romero George A. . Pittsburgh : Image Ten . Night of the Living Dead . 1990 . Directed by Savini Tom . Los Angeles : 21st Century Film . Pagano David . 2008 . “The Space of Apocalypse in Zombie Cinema...

... of Foreign Affairs, who gave a copy of Ulysses to Eisenstein in mid- February 1928, with Eisenstein writing in his diary on February 15: On Saturday received Ulysses, the Bible of the new cinema (quoted in Werner and Gunnemark 1990; 505n10). After such a pronouncement, one can only imagine that Eisenstein...

... . Bloomington : Indiana University Press , 1986 . Print . Modernism / modernity 11.2 ( April 2004 ). Special section on mass communication . Print . Modernism / modernity 13.2 ( April 2006 ). Special section on cinema . Print . INTRODUCTION: GENRE POACHING IN CONTEMPORARY...

...: British Travelers to South America, 1818-1828.” Trans. Pratt Mary Louise . Critical Passions: Selected Essays . Ed. Louise Mary Pratt Kathleen Newman . Durham : Duke UP , 1999 . 133 - 46 . Friedberg Anne . Window Shopping: Cinema and the Postmodern . Berkeley : U...