... generically with a particular metrical form (4343 beats, rhyming abcb), during the early nineteenth century it was understood more in relation to the easy regularity of its rhythms and its popu- larly accessible narrative quality than with any metrical structure. Richard Green Parker’s Aids to English...

...Tamas Dobozy © 2005 BY THE UNIVERSITY OF OKLAHOMA. 2005 WORKS CITED Coltrane John . `` Interview .'' Down Beat ( 10 March 1966 ): 8 . —. Liner Notes . A Love Supreme: Deluxe Edition . Impulse , 2002 . De Certeau Michel . The Mystic Fable . Trans...

... from the World Wide Web on September 7, 2001 , at http://www.low-life.fsnet.co.uk/copyright/part3.htm . Cutler Chris . “Plunderphonia.” Musicworks 60 ( 1994 ), 6 - 19 . Dailly Patrick . “Portishead: ‘Undenied,’ Go Beat 539 435 2.” Downloaded from the World Wide Web on 29...

... Their experi- ments in sound: recording the magnified mating calls of termites and then looping them to the glitch beat of a damaged CD, for instance, or insane arrhythmic beats, seem to qualify as postmodernist aesthetic practice. They seem in sharp contrast to DJ Shadow's organic coherence...

.... THE SEVEN LEAGUE BOOTS 253 African American heroism. Its optimism, signaled by its up-tempo beat, reflects what he sees as the nation's spirit of democracy, a spirit that transcends even such formidable obstacles as segregation and racism.3 Murray's approach...

... warily add that the results promised in the last are possible only for those who recognize the codes of reference, the key that unlocks those slippage-ridden post- modern discourses of camp and parody. Because of their catchy pop hooks and synthesized beat, the duo's record- ings have often...

...David R. Shumway © COPYRIGHT 2002 BY THE UNIVERSITY OF OKLAHOMA 2002 WORKS CITED Gabbard Krin . “Ken Burns's Jazz: Beautiful Music, but Missing a Beat.” Chronicle of Higher Education ( December 15 , 2000 ). Kodat Katherine Gunther . “From Viewers Like You”: Arts...

... to use in relation to jazz, by improvisation. And the history of jazz is on various lev- els a history of improvisation, an intricate series of forking roads. Jazz was born from old blues music, ragtime, and gospel, played with awkward techniques on beat-up instruments by sometimes untrained...

... School, and the Beat Generation. See also Allen and Warren Tallman, eds., The Poetics of the New American Poetry (New York: Grove, 1973). 4It would be interesting to compare this determinate relation of abjection and affect to the bet- ter known poetic principles of "ostranenie...

... Beat ( August 1987 ): 16 - 19 . —. Liner Notes . Naked Lunch: Original Motion Picture Soundtrack . Los Angeles : Milan America Recordings , 1991 . Coleman Ornette Derrida Jacques . ``La langue de l'autre'' (interview) . Les Inrockuptibles 115 ( 20 août - 2...

...- ties become superimposed, thereby undercutting facile attempts at catharsis via narrative reconstructions of the disintegrated moment. His terse, two- to three- beat lines are imbued with a frenetic energy through breakneck tonal shifts that commingle vernacular phrasings with images...

... district, the music he hears performed by a "thickset, dark man" affects him vis- cerally: It was music of a kind I had never heard before. It was music that demanded physical response, patting of the feet, drumming of the fingers, or nodding of the head in time with the beat...

... than the intellectual control that produces his objectifying distance in the novel. This is in part because the film, as Coixet shoots it — with many tight close-­ups held for long beats — is all about faces, the visual impression that Kingsley makes as Kepesh when the audience watches complex...

... . `` Jazz Prosodies: Orality and Textuality .'' Callaloo 25.1 ( 2002 ): 66 - 91 . Kelley William Melvin . A Drop of Patience . 1965 . Rpt. New York : Ecco , 1996 . Kerouac Jack . '' Essentials of Spontaneous Prose .'' A Casebook on the Beat . Ed. Parkinson Thomas...

... but me" (15) recalling the "Here Comes Everybody" of—it had to show up sooner or later, right?—Joyce's Finnegans Wake,2 The Beat poets appear as Gil receives a message reading, "I'm with you in Rochester" (15), adding the Mayo Clinic's location to a salient line from Allen Ginsberg's Howl...

... of melancholia or depression, a sign that her attempts to cope with her loss are failing. Beating the metaphoric dog represents one such attempt. In its deadpan delivery and barely-submerged energy the image strikes a nervously savage note. What is she keeping at bay? Something buried in her...

... science than an informer's phone calls, a beat cops' reports or the methods of torture resemble a metaphysical discourse. As a general rule, we can distinguish two cases: the professional murder, in which the police know very quickly who is guilty, more or less; and the sexual murder, in which...

... a billboard for, say, a brand of chocolate, placed so that its sudden flash on our retina (yellow and blue) will make an indelible impression on our memory. . . . The pulse of life will beat through the cracks and pores of the silent wall, break through the tin simulacrum...

..., as usual. (45-6) To rehearse one particularly stark incident, one might turn to Miles Davis's autobiography. After escorting "a pretty white girl" from club to curb to catch a cab, Davis is told by a white beat patrolman to "move on." It does no good for Davis to point to his name...

..." until Fari- na (226). And on his second album he had four songs that were "full-tilt rockers deepened by Farina's dense but cogent lyrics" (268). In effect, he beat Dylan to the fusion of folk and rock that led to Dylan's enormous success, or so Hajdu's narrative tells us. While Farina does...