... inform any individual or collective effort to make sense of “our orphan's loneliness.” sgp31@case.edu Copyright © 2022 by University of Oklahoma 2022 ambivalence T. S. Eliot Black Arts movement Invisible Man essay genre “I too have become acquainted with ambivalence,” I said...

...Josh Lukin; Joe Moffett COPYRIGHT © 2009 BY THE UNIVERSITY OF OKLAHOMA 2009 This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved. WORKS CITED Chinitz David E. T. S. Eliot and the Cultural Divide . Chicago...

...: A Social and Musical History . Berkeley : U of California P , 1997 . Eliot T. S. `` Tradition and the Individual Talent .'' 1919 . Selected Essays of T. S. Eliot . New York : Harcourt Brace , 1964 . 3 - 11 . Fidelman Geoffrey Mark . First Lady of Song: Ella Fitzgerald...

... for a woman. Works Cited Berry Wendell . 1984 . “Manifesto: The Mad Farmer Liberation Front.” In Selected Poems of Wendell Berry 1957 – 1982 . San Francisco : North Point Press . Eliot T. S. 1971 . “Burnt Norton,” from Four Quartets . In Eliot T. S. , The Complete Poems...

... and Postmodernism,” New Left Review vol. 152 , 1985 , pp. 60 - 73 . In Postmodernism: A Reader, ed. Patricia Waugh. 152-59 . Eliot T. S. from “The Music of Poetry.” 1947 . Selected Prose of T. S. Eliot . Edited and introduced by Kermode Frank . London : Faber , 1975 . 107 - 14...

... followers’ profound psychic investments in the (deluded) idea of charisma as inherently anti-institutional. In like manner, the chapter on the New Critics, and especially the near-allegorical analysis of T. S. Eliot, refers repeatedly to structures of fantasy, wish-fulfillment, inhibition, and defensiveness...

... . Print . Butler Robert Olen . Tabloid Dreams . New York : Henry Holt , 1996 . Print . Chinitz David E. T. S. Eliot and the Cultural Divide . Chicago : University of Chicago Press , 2003 . Print . Doležel Lubomír . Heterocosmica: Fiction and Possible Worlds...

... as we know it. Poets who became professional critics, a career path famously exemplified by T. S. Eliot, were trying to do more than found or reform an academic discipline, Kindley writes (142). Between the 1930s and the 1950s, modernism witnessed the death and rebirth of the little mag- azine...

... about modernism that is not bound to a restrictive canon of white, male writers. But Glaser does more than carry forward a salutary trend or offer scholars one more alternative modernism. Instead, his knowledgeable readings of Robert Frost, T. S. Eliot, and Pound set the stage for—and are almost...

... literary criticism of the twentieth century by tracing the critical fortunes of Romantic poetry. T. S. Eliot mostly disdained the Romantics, along with their predecessor Milton, as did many of the New Critics. In each case, the baroque stylings and ironies of the Metaphysicals were a better fit...

... extended the hierarchizing effects of classical education into an emergent civil society without requiring the knowledge of Latin and Greek that remained the privilege of the aristocracy and clergy. The second case study, “Ideology and Canonical Form: The New Critical Canon,” turns to T. S. Eliot...

... Félix . 1988 . A Thousand Plateaus . Translated by Massumi Brian . London : Athlone . Derrida Jacques . 1992 . Acts of Literature . Edited by Attridge Derek . New York : Routledge . Eliot T. S. 1999 . The Waste Land . Read by Proby P. J. . Manchester, UK...

..., that close reading requires “an exclusive and intensive focus, a bracketing of knowledge” that holds aesthetic experience well apart from its social context, but, Clark contends, “In the critics whose close reading I most admire (and my preferences are not eccentric; I have in mind T. S. Eliot or F...

... argument is closer to T. S. Eliot's position than it is to Leavis's. 2 Eliot's radical revision of criticism circa 1920 begins by insisting that literary criticism proper should proceed from a poet's perspective. As Eliot ( 2021 , 2:204) put it, “The critic of poetry needs the same professional...

... that it was much more than just the sound track for modernism’s moment. Musicians, he argues, worked through all these issues in their compositions and performances and can therefore reveal as much about twentieth-­century intel- lectual currents as any poet or novelist. If T. S. Eliot’s The Waste Land (1922...

...- lectual currents as any poet or novelist. If T. S. Eliot’s The Waste Land (1922) is significant because it captures something distinctive about life between the world wars, so too is George Gershwin’s “I Got Rhythm” (1930). The first half of the book takes a broad view of modernism, defining some...

... and making distinctions, acquiring language involves bring- 2. Bonnie Costello rightly calls The Errancy “Graham’s most allusive and echoic volume” and notices, among other echoes, those of T. S. Eliot and Wallace Stevens (1997, 49). 124 GENRE ing sense units out from...

... for Life . Oxford : Lion . Daily Express . 1923 . Review of The Dark Tide , by Brittain Vera . July 16 . Eliot T. S. 1927 . “Books of the Quarter.” New Criterion 5 , no. 1 : 139 – 43 . Freeman R. Austin . 1946 . “The Art of the Detective Story.” In The Art...

... and image, it contributed to the sense that conventions of expression had become overused and commercially debased.2 Modernists such as T. S. Eliot and Ezra Pound and the New Critics who followed them associated the clichéd expression with a worn- out romanticism, perpetuated by nineteenth...

..., elaborated by Roland Barthes in S/Z , has only sharpened since the literary humanities' digital turn. Eliot's famous surprise ending restarts the world-historical clock and seems to come from nowhere; yet it also seems slowly and inevitably to have been building all along. The novel's famous flood event...