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Volume 37, Issue 2
June 1, 2004
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Issue Editors
Mark Osteen
Mark Osteen
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ISSN 0016-6928
EISSN 2160-0228
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Blue Notes: Toward a New Jazz Discourse

Articles

The Performance of Jazz Autobiography
Daniel Stein
View articletitled, The Performance of Jazz Autobiography
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Jazz and Surrealism in Twentieth-Century Spanish Poetry
Gregory C. Stallings
View articletitled, Jazz and Surrealism in Twentieth-Century Spanish Poetry
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The Cultural Matrix of Ragtime in James Weldon Johnson's The Autobiography of an Ex-Colored Man
A. Timothy Spaulding
View articletitled, The Cultural Matrix of Ragtime in James Weldon Johnson's <em>The Autobiography of an Ex-Colored Man</em>
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The Seven League Boots: Albert Murray's “Swing” Poetics
Roberta S. Maguire
View articletitled, <em>The Seven League Boots</em>: Albert Murray's “Swing” Poetics
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“So Black, So Blue”: Ralph Ellison, Louis Armstrong and the Bebop Aesthetic
Michael Borshuk
View articletitled, “So Black, So Blue”: Ralph Ellison, Louis Armstrong and the Bebop Aesthetic
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The Jazz Harmonies of Connection and Disconnection in “Sonny's Blues”
Susanna Lee
View articletitled, The Jazz Harmonies of Connection and Disconnection in “Sonny's Blues”
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Retuning the Critical Instrument : André Hodeir's The Worlds of Jazz
Ken Husbands
View articletitled, Retuning the Critical Instrument : André Hodeir's <em>The Worlds of Jazz</em>
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The Other's Language: Jacques Derrida Interviews Ornette Coleman, 23 June 1997
Timothy S. Murphy
View articletitled, The Other's Language: Jacques Derrida Interviews Ornette Coleman, 23 June 1997
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Play—The First Name 1 July 1997
Jacques Derrida; Timothy S. Murphy
View articletitled, Play—The First Name 1 July 1997
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Reviews

Jazz Modernism: From Ellington and Armstrong to Matisse and Joyce
Mark Osteen
View articletitled, Jazz Modernism: From Ellington and Armstrong to Matisse and Joyce
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Jazz Noir: Listening to Music from Phantom Lady to The Last Seduction
Krin Gabbard
View articletitled, <em>Jazz Noir: Listening to Music from</em> Phantom Lady <em>to</em> The Last Seduction
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Going for Jazz: Musical Practices and American Ideology
Nicholas M. Evans
View articletitled, Going for Jazz: Musical Practices and American Ideology
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Twelve Bar Blues
Jon Panish
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