WORKS CITED
WORKS CITED
Appel, AlfredJr.
Jazz Modernism: From Ellington and Armstrong to Matisse and Joyce
. New York
: Alfred A. Knopf
, 2002
. Albert, Richard N.
An Annotated Bibliography of Jazz Fiction and Jazz Fiction Criticism
. Westport, CT
: Greenwood P
, 1996
. —., ed.
From Blues to Bop: A Collection of Jazz Fiction
. Baton Rouge
: Louisiana State UP
, 1990
. Alexander, Elizabeth. ``
John Col
.'' Venus Hottentot
. Charlottesville
: UP of Virginia
, 1990
. 32
-33
. Baker, Houston A.
Blues, Ideology, and Afro-American Literature: A Vernacular Theory
. Chicago
: U of Chicago P
, 1984
. Bakhtin, Mikhail.
The Dialogic Imagination
. Trans. Emerson, Caryl; Holquist, Michael. Ed. Holquist, Michael. Austin
: U of Texas P
, 1981
. Baldwin, James. ``
Sonny's Blues
.'' Albert, , ed., From Blues to Bop
175
-206
. Baraka, Amiri. ``
AM/TRAK
.'' The Jazz Poetry Anthology
. Eds. Feinstein, Sascha; Kumunyakaa, Yusef. Bloomington
: Indiana UP
, 1991
. 2
-7
Belgrad, Daniel.
The Culture of Spontaneity: Improvisation and the Arts in Postwar America
. Chicago
: U of Chicago P
, 1998
. Benston, Kimberly W.
Performing Blackness: Enactments of African-American Modernism
. London and New York
: Routledge
, 2000
. Berliner, Paul.
Thinking in Jazz: The Infinite Art of Improvisation
. Chicago
: U of Chicago P
, 1994
. Bourjaily, Vance. ``
In and Out of Storyville: Jazz and Fiction
.'' New York Times Book Review
13
Dec.
1987
, 1+
. Boutry, Katherine. ``
Black and Blue: The Female Body of Blues Writing in Jean Toomer, Toni Morrison, and Gayl Jones
.'' Simawe
91
-118
. Buckley, Jerome.
Season of Youth: The Bildungsroman from Dickens to Golding
. Cambridge
: Harvard UP
, 1974
. —.
Muse-echo Blues
. New York
: Ballantine
, 1991
. Chambers, Leland H. ``
Improvising and Mythmaking in Eudora Welty's `Powerhouse.'
'' Gabbard, , ed. Representing Jazz
. 54
-69
. Charters, Samuel.
Jelly Roll Morton's Last Night at the Jungle Inn: An Imaginary Memoir
. New York
: Marion Boyars
, 1984
. Corbett, John. ``
Ephemera Underscored: Writing Around Free Improvisation
.'' Gabbard, , ed. Jazz Among the Discourses
. 217
-40
. Cowley, Julian. ``
The Art of the Improvisers—Jazz and Fiction in the Post-Bebop Age
.'' New Comparison
6
(1988
): 194
-204
. Crouch, Stanley. ``
Blues to be Constitutional: A Long Look at the Wild Wherefores of our Democratic Lives as Symbolized in the Making of Rhythm and Tune
.'' O'Meally
154
-165
. —.
Dupree Blues
. New York
: Knopf
, 1948
. DeVeaux, Scott.
The Birth of Bebop: A Social and Musical History
. Berkeley
: U of California P
, 1997
. —. ``
Constructing the Jazz Tradition
.'' O'Meally
483
-512
. Early, Gerald. ``
Ode to John Coltrane: A Jazz Musician's Influence on African American Culture
.'' Antioch Review
57.3
(1999
): 371
-85
. Edwards, Brent Hayes. ``
Louis Armstrong and the Syntax of Scat
.'' Critical Inquiry
28.3
(Spring
2002
): 618
-49
. —. ``
The Seemingly Eclipsed Window of Form: James Weldon Johnson's Prefaces
.'' O'Meally
580
-601
. Ellison, Mary. ``
Jazz in the Poetry of Amiri Baraka and Roy Fisher
.'' Yearbook of English Studies
24
(1994
): 117
-145
. —.
Shadow and Act
. New York
: Random House, 1964. Rpt. Vintage
, 1972
. Evans, Nicholas M.
Writing Jazz: Race, Nationalism and Modern Culture in the 1920s
. New York
: Garland
, 2000
. Feinstein, Sascha.
A Bibliographic Guide to Jazz Poetry
. Westport, CT
: Greenwood P
, 1998
. —.
Jazz Poetry: From the 1920s to the Present
. Westport, CT
: Praeger
, 1997
. —., and Yusef, Kumunyakaa eds.
The Jazz Poetry Anthology
. Bloomington
: Indiana UP
, 1991
. Gabbard, Krin. ``
Introduction: The Jazz Canon and its Consequences
.'' Jazz Among the Discourses
. Ed. Gabbard, . Durham
: Duke UP
, 1995
. 1
-28
. —.
Jammin' at the Margins: Jazz and the American Cinema
. Chicago
: U of Chicago P
, 1996
. —., ed.
Jazz Among the Discourses
. Durham
: Duke UP
, 1995
. —., ed.
Representing Jazz
. Durham
: Duke UP
, 1995
. Garber, Frederick. ``
Fabulating Jazz
.'' Gabbard, , ed. Representing Jazz
. 70
-103
. Gates, Henry LouisJr.
The Signifying Monkey: A Theory of Afro-American Literary Criticism
. New York
: Oxford UP
, 1988
. Gendron, Bernard. ``
`Moldy Figs' and Modernists: Jazz at War (1942-1946)
.'' Gabbard, , ed. Jazz Among the Discourses
. 32
-56
. Gysin, Fritz. ``
From `Liberating Voices' to `Metathetic Ventriloquism': Boundaries in Recent African-American Jazz Fiction
.'' Callaloo
25.1
(2002
): 274
-87
. Harris, William J.
The Poetry and Poetics of Amiri Baraka: The Jazz Aesthetic
. Columbia
: U of Missouri P
, 1985
. Hartman, Charles O.
Jazz Text: Voice and Improvisation in Poetry, Jazz, and Song
. Princeton
: Princeton UP
, 1991
. Hebdige, Dick. ``
Even unto Death: Improvisation, Edging, and Enframement
.'' Critical Inquiry
27.2
(2001
): 333
-53
. Heble, Ajay.
Landing on the Wrong Note: Jazz, Dissonance, and Critical Practice
. London and New York
: Routledge
, 2000
. Henson, Kristin K.
Beyond the Sound Barrier: The Jazz Controversy in Twentieth-Century American Fiction
. New York and London
: Routledge
, 2003
. Hirsch, Marianne. ``
The Novel of Formation as Genre: Between Great Expectations and Lost Illusions
.'' Genre
12
(1979
): 293
-311
. Hokanson, Robert. ``
Jazzing It Up: The Be-Bop Modernism of Langston Hughes
.'' Mosaic
31.4
(1998
): 61
-82
. Hughes, Langston.
Collected Poems
. Eds. Rampersad, Arnold; Roessel, David. New York
: Random House
, 1994
Hyde, Lewis.
The Gift: Imagination and the Erotic Life of Property
. New York
: Random House
, 1983
. Jarrett, Michael. ``
Four Choruses on the Tropes of Jazz Writing
.'' American Literary History
6.2
(Summer
1994
): 336
-53
. Jimoh, A. Yemisi.
Spiritual, Blues and Jazz People in African American Fiction: Living in Paradox
. Knoxville
: U of Tennessee P
, 2002
. Johnson, James Weldon.
The Autobiography of an Ex-Colored Man
. 1912
. New York
: Dover
, 1995
. Jones, Gayl.
Liberating Voices: Oral Tradition in African American Literature
. Cambridge
: Harvard UP
, 1991
Jones, Meta DuEwa. ``
Jazz Prosodies: Orality and Textuality
.'' Callaloo
25.1
(2002
): 66
-91
. Kerouac, Jack. ''
Essentials of Spontaneous Prose
.'' A Casebook on the Beat
. Ed. Parkinson, Thomas. New York
: Crowell
, 1961
. 65
-67
. —.
On the Road
. New York
: Viking
, 1957
. Levine, Lawrence W. ``
Jazz and American Culture
.'' O'Meally
431
-47
. Lhamon, W. T.
Deliberate Speed: The Origins of a Cultural Style in the American 1950s
. Washington, DC
: Smithsonian Institution P
, 1990
. Lott, Eric. ``
Double V, Double-Time: Bebop's Politics of Style
.'' O'Meally
457
-468
. Lowney, John. ``
Langston Hughes and the `Nonsense' of Bebop
.'' American Literature
72
(2000
): 357
-85
. Lutz, Tom. ``
Claude McKay: Music, Sexuality, and Literary Cosmopolitanism
.'' Black Orpheus: Music in African American Fiction from the Harlem Renaissance to Toni Morrison
. Ed. Simawe, Saadi A.. New York
: Garland
, 2000
. 41
-64
. —.
Bedouin Hornbook
. 1986
. Los Angeles
: Sun and Moon
, 1997
. —.
Djbot Baghustus's Run
. Los Angeles
: Sun and Moon
, 1993
. Malcolm, Douglas. ``
Solos and Chorus: Michael Ondaatje's Jazz Politics/Poetics
.'' Mosaic
32.3
(1999
): 131
-49
. Monson, Ingrid.
Saying Something: Jazz Improvisation and Interaction
. Chicago
: U of Chicago P
, 1996
. Munton, Alan. ``
Misreading Morrison, Mishearing Jazz: A Response to Toni Morrison's Jazz Critics
.'' Journal of American Studies
31.2
(August
1997
): 235
-51
. Murray, Albert. ``
Improvisation and the Creative Process
.'' O'Meally
110
-113
. —.
The Omni-Americans: New Perspectives on Black Experience and American Culture
. New York Outerbridge & Dienstfrey
, 1970
. —.
The Seven League Boots
. New York
: Pantheon
, 1995
. —.
Stomping the Blues
. New York
: Da Capo
, 1976
. Ogren, Kathy.
The Jazz Revolution: Twenties America and the Meaning of Jazz
. New York
: Oxford UP
, 1989
. Oliphant, Dave, ed.
The Bebop Revolution in Word and Music
. Intro. Lawn, Richard. Austin, TX
: Harry Ransom Humanities Research Center
, 1994
. O'Meally, Robert G., ed.
The Jazz Cadence of American Culture
. New York
: Columbia UP
, 1998
. Ostendorf, Berndt. ``
Ralph Waldo Ellison: Anthropology, Modernism, and Jazz
.'' New Essays on Invisible Man
. Ed. O'Meally, Robert. Cambridge
: Cambridge UP
, 1988
. 95
-121
. Panish, Jon.
The Color of Jazz: Race and Representation in Postwar American Culture
. Jackson
: UP of Mississippi
, 1997
. Parker, Douglass. ``
`Donna Lee' and the Ironies of Bebop
.'' Oliphant
161
-201
. Powers, J. F. ``
He Don't Plant Cotton
.'' Albert, , ed., From Blues to Bop
93
-102
. Randle, Gloria T. ``
Lady Sings the Blues: Toni Morrison and the Jazz/Blues Aesthetic
.'' African American Jazz and Rap: Social and Philosophical Examination of Black Expressive Behavior
. Ed. Conyers, James L.Jr. Jefferson, NC
: McFarland
, 2001
. 131
-44
. Rice, Alan J. ``
Finger-Snapping to Train-Dancing and Back Again: The Development of a Jazz Style in African American Prose
.'' Yearbook of English Studies
24
(1994
): 105
-16
. Sanchez, Sonia. ``
a / coltrane / poem
.'' The Jazz Poetry Anthology
. Ed. Feinstein, Sascha; Kumunyakaa, Yusef. Bloomington
: Indiana UP
, 1991
. 183
-86
. Saul, Scott.
Freedom Is, Freedom Ain't: Jazz and the Making of the Sixties
. Cambridge
: Harvard UP
, 2003
. Scanlon, Larry. ``
News From Heaven: Vernacular Time in Langston Hughes's Ask Your Mama
.'' Callaloo
25.1
(2002
): 45
-65
. Scher, Steven Paul. ``
Literature and Music
.'' Interrelations of Literature
. Ed Barricelli, Jean-Pierre; Gibaldi, Joseph. New York
: MLA
, 1982
. 225
-50
. Simawe, Saadi A., ed.
Black Orpheus: Music in African American Fiction from the Harlem Renaissance to Toni Morrison
. New York
: Garland
, 2000
. Smith, Hugh L.Jr. ``
Jazz in the American Novel
.'' English Journal
47.8
(November
1958
): 467
-78
. Stephenson, Gregory.
The Daybreak Boys: Essays on the Literature of the Beat Generation
. Carbondale
: Southern Illinois UP
, 1990
. Thomas, Gregory V. ``
The Canonization of Jazz and Afro-American Literature
.'' Callaloo
25.1
(2002
): 288
-308
. Thomas, Lorenzo. ``
The Bop Aesthetic and the Black Intellectual Tradition
.'' Oliphant
105
-117
. Titlestad, Michael. ``
Contesting Maps: Musical Improvisation and Narrative
.'' Pretexts: Literary and Cultural Studies
10.1
(2001
): 21
-36
. Washington, Salim. ``
Of Black Bards, Known and Unknown: Music as Racial Metaphor in James Weldon Johnson's The Autobiography of an Ex-Colored Man
.'' Callaloo
25.1
(2002
): 233
-56
. Welty, Eudora. ``
Powerhouse
.'' Albert, ed., From Blues to Bop
33
-44
. Werner, Craig Hansen.
Playing the Changes: From Afro-Modernism to the Jazz Impulse
. Urbana and Chicago
: U of Illinois P
, 1994
. —.
The Wild Faun
. New York
: Greenberg
, 1945
. —.
Little Boy Blues
. New York
: Dutton
, 1948
.
This content is only available as a PDF.
© 2005 BY THE UNIVERSITY OF OKLAHOMA.
2005
This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved.
Issue Section:
Articles
