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Journal Article

Mixed Race in the Seminole Nation

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Kevin Mulroy
Ethnohistory (2011) 58 (1): 113–141.
DOI: https://doi.org/10.1215/00141801-2010-066
Published: 01 January 2011
...Kevin Mulroy This is a story of two hidden identities. It focuses on the family history of Phil Wilkes Fixico (aka Philip Vincent Wilkes and Pompey Bruner Fixico), a contemporary Seminole maroon descendant of mixed race who lives in Los Angeles. Phil is one-eighth Seminole Indian, one-quarter...
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Journal Article

Naming Patterns in Black Seminole Ethnogenesis

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Rebecca B. Bateman
Ethnohistory (2002) 49 (2): 227–257.
DOI: https://doi.org/10.1215/00141801-49-2-227
Published: 01 April 2002
... a number of striking features. African-derived names such as Dembo, Dindy, Cuffee, Mungo, Juba, Quaco, Lotty, Rhina, Classy, Sukey, and Cudjo(e) occur, but even more prevalent are so-called slave names such as Pompey, Scipio...
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Journal Article

Cheval Bonnet: A Crow Calling Card in the Blackfeet Homeland

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James D. Keyser
Ethnohistory (2018) 65 (1): 129–156.
DOI: https://doi.org/10.1215/00141801-4260683
Published: 01 January 2018
... arborglyphs; 8, Hosmer arborglyph; 9, Little Muddy Creek arborglyphs (Taylor 1895 : 123); 10, Painted Woods; 11, DgOw-9/DgOw-51; 12, Eagle Creek; 13, 24GV191; 14, 24ML562; 15, Pictograph Cave; 16, Pompey’s Pillar; 17, Porcupine Lookout; 18, Tipi Rockshelter; 19, La Barge Bluffs. Crow and Blackfoot territory...
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Image
Figure 1. Northern Plains calling card rock art sites, arborglyphs, and other potential rock art calling card sites. 1, Cheval Bonnet; 2, Horned Headgear; 3, Thirty Mile Mesa; 4, Turner Rockshelter; 5, arborglyph site 48PA401; 6, Bierce arborglyph (approximate location); 7, Pumpkin Creek arborglyphs; 8, Hosmer arborglyph; 9, Little Muddy Creek arborglyphs (Taylor 1895: 123); 10, Painted Woods; 11, DgOw-9/DgOw-51; 12, Eagle Creek; 13, 24GV191; 14, 24ML562; 15, Pictograph Cave; 16, Pompey’s Pillar; 17, Porcupine Lookout; 18, Tipi Rockshelter; 19, La Barge Bluffs. Crow and Blackfoot territory drawn for period about AD 1840. Cartography by author

Northern Plains calling card rock art sites, arborglyphs, and other potenti...

Available to Purchase
in Cheval Bonnet: A Crow Calling Card in the Blackfeet Homeland > Ethnohistory
Published: 01 January 2018
arborglyphs; 8, Hosmer arborglyph; 9, Little Muddy Creek arborglyphs (Taylor 1895 : 123); 10, Painted Woods; 11, DgOw-9/DgOw-51; 12, Eagle Creek; 13, 24GV191; 14, 24ML562; 15, Pictograph Cave; 16, Pompey’s Pillar; 17, Porcupine Lookout; 18, Tipi Rockshelter; 19, La Barge Bluffs. Crow and Blackfoot territory More
Journal Article

A Visual Political Economy of Maya Representations in Guatemala, 1931-1944

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Walter E. Little
Ethnohistory (2008) 55 (4): 633–663.
DOI: https://doi.org/10.1215/00141801-2008-016
Published: 01 October 2008
... See R. T. Evans, Romancing the Maya (Austin, TX, 2004). 73 E. Long, “Guatemala Interlude: In the Land of the Queztal; a Modern Capital Contrasts with Primitive Indian Villages and the ‘Pompei of America National Geographic, October 1936, 429–60. Long shows the same photographic trends...
View articletitled, A Visual Political Economy of Maya Representations in Guatemala, 1931-1944 View PDF for article titled, A Visual Political Economy of Maya Representations in Guatemala, 1931-1944