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in Pedro de Alvarado, Tonatiuh: Reconsidering Apotheosis in Nahua and Highland Maya Narratives of the Spanish Invasion
> Ethnohistory
Published: 01 January 2022
Figure 2. Illustration of the Toxcatl massacre in Codex Aubin, f. 41v. A musician playing a huehuetl drum confronts an armed Spaniard in the Great Precinct of Mexico. Courtesy of Bibliothèque Nationale de France.
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Journal Article
Ethnohistory (2016) 63 (2): 454–456.
Published: 01 April 2016
... considers how and why the music of indigenous Bolivians is meaningful for mestizo Bolivian musicians who tour Japan and for the Japanese consumers and producers to whom they market their redeployment of “someone else’s music” (2). A project that grew out of several years of fieldwork in Japan and Bolivia...
Journal Article
Ethnohistory (2023) 70 (1): 121–122.
Published: 01 January 2023
... Dylan Robinson’s Hungry Listening is a treatise on how to approach, engage with, and listen to/with Indigenous ways of knowing. One major premise is simple: musical undertakings that involve Indigenous musics and/or musicians have reified and continue to reify colonizing power structures. Nevertheless...
Journal Article
Ethnohistory (2017) 64 (4): 531–532.
Published: 01 October 2017
..., to give a demonstration. At the same time, Hawaiian musicians continued to promote their music internationally from London to Kolkata to Tokyo and, perhaps most astonishingly, in Nazi Germany, where the Moe family both performed for an admiring Adolf Hitler and helped to smuggle refugees out...
Journal Article
Ethnohistory (2022) 69 (1): 53–79.
Published: 01 January 2022
...Figure 2. Illustration of the Toxcatl massacre in Codex Aubin, f. 41v. A musician playing a huehuetl drum confronts an armed Spaniard in the Great Precinct of Mexico. Courtesy of Bibliothèque Nationale de France. ...
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Journal Article
Ethnohistory (2006) 53 (4): 633–655.
Published: 01 October 2006
... Performance 635
The musicians and their audiences inhabit multiple, seemingly contra-
dictory spaces simultaneously, though not without tensions. The perfor-
mances and their contexts express critical moral consciousness and mem-
ory but also struggles over how to represent a changing...
Journal Article
Ethnohistory (2012) 59 (3): 631–633.
Published: 01 July 2012
... of anthropology, comparing and connecting ethnographic methods
to torture and pornography. Neil in many senses has left his most indelible
imprint with his edited collections and collaborations with other scholars,
musicians, and cultural actors, often opening up new avenues for research
and provocative...
Journal Article
Ethnohistory (2001) 48 (1-2): 293–299.
Published: 01 April 2001
... showing Kung Fu films to large young audiences, or in the interna-
tional selling on the market of world music, or the production of small
groups of local musicians. The question, however, is whether this intensifi-
cation has led...
Journal Article
Ethnohistory (2009) 56 (2): 309–311.
Published: 01 April 2009
... to position Cuzco’s cathedral
and its musicians within the context of other institutions, such as confra-
ternities, urban parishes, and rural doctrinas. Ultimately, Baker found that
Cuzco’s musical life was uniquely decentralized, both in terms of the rela-
tive autonomy of parishes...
Journal Article
Ethnohistory (2009) 56 (2): 311–313.
Published: 01 April 2009
... to position Cuzco’s cathedral
and its musicians within the context of other institutions, such as confra-
ternities, urban parishes, and rural doctrinas. Ultimately, Baker found that
Cuzco’s musical life was uniquely decentralized, both in terms of the rela-
tive autonomy of parishes...
Journal Article
Ethnohistory (2009) 56 (2): 313–315.
Published: 01 April 2009
... to position Cuzco’s cathedral
and its musicians within the context of other institutions, such as confra-
ternities, urban parishes, and rural doctrinas. Ultimately, Baker found that
Cuzco’s musical life was uniquely decentralized, both in terms of the rela-
tive autonomy of parishes...
Journal Article
Ethnohistory (2009) 56 (2): 315–317.
Published: 01 April 2009
... the practices and social functions of reli-
gious music, from a perspective that included, but was not centered on,
the cathedral. This approach allowed him to position Cuzco’s cathedral
and its musicians within the context of other institutions, such as confra-
ternities, urban parishes...
Journal Article
Ethnohistory (2009) 56 (2): 317–318.
Published: 01 April 2009
... to position Cuzco’s cathedral
and its musicians within the context of other institutions, such as confra-
ternities, urban parishes, and rural doctrinas. Ultimately, Baker found that
Cuzco’s musical life was uniquely decentralized, both in terms of the rela-
tive autonomy of parishes...
Journal Article
Ethnohistory (2009) 56 (2): 318–320.
Published: 01 April 2009
... to position Cuzco’s cathedral
and its musicians within the context of other institutions, such as confra-
ternities, urban parishes, and rural doctrinas. Ultimately, Baker found that
Cuzco’s musical life was uniquely decentralized, both in terms of the rela-
tive autonomy of parishes...
Journal Article
Ethnohistory (2009) 56 (2): 320–321.
Published: 01 April 2009
... the practices and social functions of reli-
gious music, from a perspective that included, but was not centered on,
the cathedral. This approach allowed him to position Cuzco’s cathedral
and its musicians within the context of other institutions, such as confra-
ternities, urban parishes...
Journal Article
Ethnohistory (2009) 56 (2): 321–323.
Published: 01 April 2009
... to position Cuzco’s cathedral
and its musicians within the context of other institutions, such as confra-
ternities, urban parishes, and rural doctrinas. Ultimately, Baker found that
Cuzco’s musical life was uniquely decentralized, both in terms of the rela-
tive autonomy of parishes...
Journal Article
Ethnohistory (2009) 56 (2): 323–324.
Published: 01 April 2009
... the practices and social functions of reli-
gious music, from a perspective that included, but was not centered on,
the cathedral. This approach allowed him to position Cuzco’s cathedral
and its musicians within the context of other institutions, such as confra-
ternities, urban parishes...
Journal Article
Ethnohistory (2009) 56 (2): 324–326.
Published: 01 April 2009
... the practices and social functions of reli-
gious music, from a perspective that included, but was not centered on,
the cathedral. This approach allowed him to position Cuzco’s cathedral
and its musicians within the context of other institutions, such as confra-
ternities, urban parishes...
Journal Article
Ethnohistory (2009) 56 (2): 326–328.
Published: 01 April 2009
... to position Cuzco’s cathedral
and its musicians within the context of other institutions, such as confra-
ternities, urban parishes, and rural doctrinas. Ultimately, Baker found that
Cuzco’s musical life was uniquely decentralized, both in terms of the rela-
tive autonomy of parishes...
Journal Article
Ethnohistory (2009) 56 (2): 328–329.
Published: 01 April 2009
... the practices and social functions of reli-
gious music, from a perspective that included, but was not centered on,
the cathedral. This approach allowed him to position Cuzco’s cathedral
and its musicians within the context of other institutions, such as confra-
ternities, urban parishes...
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