1-20 of 395 Search Results for

music

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
×Close Modal
Sort by
Journal Article
Ethnohistory (1 April 2008) 55 (2): 355–357.
Published: 01 April 2008
Journal Article
Ethnohistory (1 April 2009) 56 (2): 351–353.
Published: 01 April 2009
... well drenched” (201). On another occasion, the missionaries lured a large number of Senecas into the schoolhouse with a small organ called a melodeon. The Senecas enjoyed the music it made, but the missionaries knew that if they spoke “one word about the ‘Jesus Way’” they would be “obliged to...
Journal Article
Ethnohistory (1 April 2016) 63 (2): 431–432.
Published: 01 April 2016
...John Troutman To Win the Indian Heart: Music at Chemawa Indian School . By Parkhurst Melissa D. . ( Corvallis : Oregon State University Press , 2014 . 236 pp., acknowledgments, introduction, illustrations, bibliography, notes, index . $22.95 paper.) Copyright 2016 by American Society for...
Journal Article
Ethnohistory (1 April 2016) 63 (2): 454–456.
Published: 01 April 2016
...Shanna Lorenz Intimate Distance: Andean Music in Japan . By Bigenho Michelle . ( Durham, NC : Duke University Press , 2012 . xii + 248 pp., acknowledgments, black-and-white figures, bibliography, index . $79.95 cloth, $22.95 paper.) Copyright 2016 by American Society for Ethnohistory...
Journal Article
Ethnohistory (1 January 2016) 63 (1): 171–172.
Published: 01 January 2016
...Grant Arndt Recording Culture: Powwow Music and the Aboriginal Recording Industry on the Northern Plains . By Scales Christopher A. . ( Durham, NC : Duke University Press , 2012 . xi + 368 pp., acknowledgments, introduction, illustrations, bibliography, index, CD . $24.95 paper...
Journal Article
Ethnohistory (1 October 2017) 64 (4): 531–532.
Published: 01 October 2017
...Patrick Burke Kīkā Kila: How the Hawaiian Steel Guitar Changed the Sound of Modern Music . By Troutman John W. . ( Chapel Hill : University of North Carolina Press , 2016 . 392 pp., color plates, halftones, notes, bibliography, index . $35.00 cloth.) Copyright 2017 by American Society for...
Journal Article
Ethnohistory (1 October 2006) 53 (4): 633–655.
Published: 01 October 2006
...Susan Rasmussen This essay examines the origins and directions of ichumar (also called tichumaren in some regions), a genre of guitar music popular among young Tuaregs in Mali and Niger. Initially composed and performed by Tuareg nationalist/separatist rebels, it is now composed and performed by...
Journal Article
Ethnohistory (1 April 2016) 63 (2): 327–350.
Published: 01 April 2016
..., landscapes, historiographies, monuments, and music. In a political climate defined by ethnoracial and political tensions, colonial elites saw in the rebellion the republican ideology and racial violence of the Haitian Revolution. Fearing the persistence of social divisions and political resentment...
Journal Article
Ethnohistory (1 January 2004) 51 (1): 189–190.
Published: 01 January 2004
... Rath’s chapter, ‘‘Drums and Power: Ways of Creolizing Music in Coastal South Carolina and Georgia, 1730–90 The title of this chapter does not do it justice. It opens with a long, impressive discussion of the basic issues involved in interpreting creolization. Its first seven pages discuss the evo...
Journal Article
Ethnohistory (1 January 2016) 63 (1): 207–208.
Published: 01 January 2016
... religion, art, history, daily life, politics, and music. The entries are enriched by a total of ninety- one excellent-quality black-and-white illustrations, mostly engravings and prints, including some maps. We also find some black-and-white photos, which is unfortunate, as colonial art often thrives on...
Journal Article
Ethnohistory (1 July 2012) 59 (3): 631–633.
Published: 01 July 2012
... anthropologist. Over the past decade Neil branched out of his traditional area of Latin American anthropology and ethnohistory to focus globally on the war on terror, goth music and culture, digital subjectivities, posthumanity, and sexuality. Most provocatively, Neil provided incisive...
Journal Article
Ethnohistory (1 October 2016) 63 (4): 752–753.
Published: 01 October 2016
..., monuments, and music. She also uses less explored ways of knowing—graffiti, Maurice Bishop’s calling card, an abandoned Cuban plane, and a stained-glass window—which together locate her work between an evidence-based social science account of the revolution and its aftermath and the poetic license afforded...
Journal Article
Ethnohistory (1 April 2014) 61 (2): 361–363.
Published: 01 April 2014
... many sides to Jim that are not reflected in his many writ- ings. He was very fond of Renaissance music and enjoyed playing the lute, vihuela, mandolin, recorder, and classical guitar with family and friends. He also found joy in woodworking and was good enough at it to craft his own furniture...
Journal Article
Ethnohistory (1 October 2012) 59 (4): 765–783.
Published: 01 October 2012
... Nahuatl to their sixteenth-­century protégés in Guatemala, as is evident in the musical works of Tomás Pascual, a Maya choirmaster from San Juan Ixcoy, Huehuetenango. Pascual’s polyphonic compositions—some of the earliest surviving from colonial Latin America and more important still for...
Journal Article
Ethnohistory (1 April 2009) 56 (2): 309–311.
Published: 01 April 2009
... music it made, but the missionaries knew that if they spoke “one word about the ‘Jesus Way’” they would be “obliged to leave at once,” so they sang the “good tidings” to the assembled Senecas instead. The following week, however, Laura Wright felt embold- ened enough to open with a prayer. As...
Journal Article
Ethnohistory (1 April 2009) 56 (2): 311–313.
Published: 01 April 2009
... music it made, but the missionaries knew that if they spoke “one word about the ‘Jesus Way’” they would be “obliged to leave at once,” so they sang the “good tidings” to the assembled Senecas instead. The following week, however, Laura Wright felt embold- ened enough to open with a prayer. As...
Journal Article
Ethnohistory (1 April 2009) 56 (2): 313–315.
Published: 01 April 2009
... music it made, but the missionaries knew that if they spoke “one word about the ‘Jesus Way’” they would be “obliged to leave at once,” so they sang the “good tidings” to the assembled Senecas instead. The following week, however, Laura Wright felt embold- ened enough to open with a prayer. As...
Journal Article
Ethnohistory (1 April 2009) 56 (2): 315–317.
Published: 01 April 2009
... well drenched” (201). On another occasion, the missionaries lured a large number of Senecas into the schoolhouse with a small organ called a melodeon. The Senecas enjoyed the music it made, but the missionaries knew that if they spoke “one word about the ‘Jesus Way’” they would be “obliged to...
Journal Article
Ethnohistory (1 April 2009) 56 (2): 317–318.
Published: 01 April 2009
... music it made, but the missionaries knew that if they spoke “one word about the ‘Jesus Way’” they would be “obliged to leave at once,” so they sang the “good tidings” to the assembled Senecas instead. The following week, however, Laura Wright felt embold- ened enough to open with a prayer. As...
Journal Article
Ethnohistory (1 April 2009) 56 (2): 318–320.
Published: 01 April 2009
... Senecas into the schoolhouse with a small organ called a melodeon. The Senecas enjoyed the music it made, but the missionaries knew that if they spoke “one word about the ‘Jesus Way’” they would be “obliged to leave at once,” so they sang the “good tidings” to the assembled Senecas instead. The...