Plate 18. Tonalamatl Aubin, p. 20. Twentieth Trecena: 1-Tochtli. In this manuscript, the Lords of Day appear as human masks attached to their corresponding flyers, emphasizing the unity of their ominous calls. The artist conventionally renders both the Chicuatli and the Tecolotl owls from More

Plate 18. Tonalamatl Aubin, p. 20. Twentieth Trecena: 1-Tochtli. In this manuscript, the Lords of Day appear as human masks attached to their corresponding flyers, emphasizing the unity of their ominous calls. The artist conventionally renders both the Chicuatli and the Tecolotl owls from More

Figure 1. Last part of the Apostles’ Creed, fols. 11v–12r. Egerton Manuscript 2898, British Museum. © The Trustees of the British Museum More

Figure 3. Section of the Rosary, fols. 23v–24r. Egerton Manuscript 2898, British Museum. © The Trustees of the British Museum More

Figure 2. Comparison of the handwriting of the leather codex, the Canek Manuscript, and the Pintura Manuscript. Author’s diagram More

Figure 1. Jack D. Forbes. Image from the Manuscript Collections, Department of Special Collections, University of California, Davis. More

Figure 3. Of the manuscripts plotted in figure 2 , 39 percent are found in Argentina, 25 percent in Brazil, 26 percent in Iberia, and 10 percent in Uruguay. Seventeen percent have been transcribed and published. More

Figure 2. Nearly 700 identified manuscripts are held in archives across twelve cities. Each city is plotted and weighted proportionately according to number of manuscripts it holds, from 1 to 175. More

Figure 4. More than five hundred manuscripts report locations of autonomous Indigenous agents, yet each present-day archival city exhibits a limited territorial vantage point concentrated on colonial settlements. More