...Mark Christensen mark_christensen@byu.edu The Chilam Balam of Ixil: Facsimile and Study of an Unpublished Maya Book . By Laura Caso Barrera . With the participation of Mario M. Aliphat F. Translated (Spanish to English) by Quentin Pope . ( Leiden : Brill , 2019 . vii + 395...

...Victoria R. Bricker; Rebecca E. Hill Dense collections of eighteenth-century wills and death registers from Tekanto and Ixil, two towns in northern Yucatan, represent hitherto unexplored sources for documenting the relationship between natural disasters and mortality patterns among the Yucatecan...

... Center Nahuatl Studies Series 8 . Stanford, CA : Stanford University Press and UCLA Latin American Center Publications . Restall Matthew 1995 Life and Death in a Maya Community: The Ixil Testaments of the 1760s . Lancaster, CA : Labyrinthos . 1997 The Maya World: Yucatec Culture...

... Hale Charles R. 2002 Does Multiculturalism Menace?: Governance, Cultural Rights, and the Politics of Identity in Guatemala . Journal of Latin American Studies 34 : 485 – 524 . Stoll David 1993 Two Armies in the Ixil Towns of Guatemala . New York : Columbia University Press...

... Linguistics 50, no. 1 (2008): 90–112; Laura Caso Barrera, Chilam Balam de Ixil: Facsmiliar [sic] y estudio de un libro maya inédito (Mexico City, 2011). 2 Knowlton, “Dynamics”; Hanks, Converting Words, 341–42; these similarities are also examined in Alfredo Barrera Vásquez and Silvia Rendón, El...

.... Yet the absence of captions to explain the triptychs in the book distances the reader from the images. Kahn might have consulted such sources as the Asociación de la Mujer Maya Ixil’s Voces e imágenes for ideas about transferring visual projects to book form and showcasing Maya...

.... Yet the absence of captions to explain the triptychs in the book distances the reader from the images. Kahn might have consulted such sources as the Asociación de la Mujer Maya Ixil’s Voces e imágenes for ideas about transferring visual projects to book form and showcasing Maya...

.... Yet the absence of captions to explain the triptychs in the book distances the reader from the images. Kahn might have consulted such sources as the Asociación de la Mujer Maya Ixil’s Voces e imágenes for ideas about transferring visual projects to book form and showcasing Maya...

.... Yet the absence of captions to explain the triptychs in the book distances the reader from the images. Kahn might have consulted such sources as the Asociación de la Mujer Maya Ixil’s Voces e imágenes for ideas about transferring visual projects to book form and showcasing Maya...

.... Yet the absence of captions to explain the triptychs in the book distances the reader from the images. Kahn might have consulted such sources as the Asociación de la Mujer Maya Ixil’s Voces e imágenes for ideas about transferring visual projects to book form and showcasing Maya...

.... Yet the absence of captions to explain the triptychs in the book distances the reader from the images. Kahn might have consulted such sources as the Asociación de la Mujer Maya Ixil’s Voces e imágenes for ideas about transferring visual projects to book form and showcasing Maya...

.... Yet the absence of captions to explain the triptychs in the book distances the reader from the images. Kahn might have consulted such sources as the Asociación de la Mujer Maya Ixil’s Voces e imágenes for ideas about transferring visual projects to book form and showcasing Maya...

.... Yet the absence of captions to explain the triptychs in the book distances the reader from the images. Kahn might have consulted such sources as the Asociación de la Mujer Maya Ixil’s Voces e imágenes for ideas about transferring visual projects to book form and showcasing Maya...

.... Yet the absence of captions to explain the triptychs in the book distances the reader from the images. Kahn might have consulted such sources as the Asociación de la Mujer Maya Ixil’s Voces e imágenes for ideas about transferring visual projects to book form and showcasing Maya...

.... Yet the absence of captions to explain the triptychs in the book distances the reader from the images. Kahn might have consulted such sources as the Asociación de la Mujer Maya Ixil’s Voces e imágenes for ideas about transferring visual projects to book form and showcasing Maya...

.... Yet the absence of captions to explain the triptychs in the book distances the reader from the images. Kahn might have consulted such sources as the Asociación de la Mujer Maya Ixil’s Voces e imágenes for ideas about transferring visual projects to book form and showcasing Maya...

.... Yet the absence of captions to explain the triptychs in the book distances the reader from the images. Kahn might have consulted such sources as the Asociación de la Mujer Maya Ixil’s Voces e imágenes for ideas about transferring visual projects to book form and showcasing Maya...

.... Yet the absence of captions to explain the triptychs in the book distances the reader from the images. Kahn might have consulted such sources as the Asociación de la Mujer Maya Ixil’s Voces e imágenes for ideas about transferring visual projects to book form and showcasing Maya...

.... Yet the absence of captions to explain the triptychs in the book distances the reader from the images. Kahn might have consulted such sources as the Asociación de la Mujer Maya Ixil’s Voces e imágenes for ideas about transferring visual projects to book form and showcasing Maya...

.... Yet the absence of captions to explain the triptychs in the book distances the reader from the images. Kahn might have consulted such sources as the Asociación de la Mujer Maya Ixil’s Voces e imágenes for ideas about transferring visual projects to book form and showcasing Maya...