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Journal Article
Kīkā Kila: How the Hawaiian Steel Guitar Changed the Sound of Modern Music
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Ethnohistory (2017) 64 (4): 531–532.
Published: 01 October 2017
...Patrick Burke Kīkā Kila: How the Hawaiian Steel Guitar Changed the Sound of Modern Music . By Troutman John W. . ( Chapel Hill : University of North Carolina Press , 2016 . 392 pp., color plates, halftones, notes, bibliography, index . $35.00 cloth.) Copyright 2017 by American...
Journal Article
Moving Beyond Protest in Tuareg Ichumar Musical Performance
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Ethnohistory (2006) 53 (4): 633–655.
Published: 01 October 2006
...Susan Rasmussen This essay examines the origins and directions of ichumar (also called tichumaren in some regions), a genre of guitar music popular among young Tuaregs in Mali and Niger. Initially composed and performed by Tuareg nationalist/separatist rebels, it is now composed and performed...
Journal Article
America's First Slave Revolt: Indians and African Slaves in Española, 1500–1534
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Ethnohistory (2013) 60 (2): 195–217.
Published: 01 April 2013
... the practices used by the Spanish con-
quistadores elsewhere in the New World, especially with regard to indige-
nous versus African enslavement.
Notes
1 Lynne Guitar, “Boiling It Down: Slavery on the First Commercial Sugarcane
Ingenios in the Americas (Española, 1534–45 in Slaves...
Journal Article
The Conquest of Española as a “Structure of Conjuncture”
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Ethnohistory (2021) 68 (3): 363–383.
Published: 01 July 2021
... Historia del Descubrimiento (1492–1556): Actas , vol. 1 , 521 – 66 . Madrid : Real Academia de la Historia Confederación Española de Cajas de Ahorros . Guitar Lynne . 1998 . “ A Cultural Genesis: Relationships among Indians, Africans, and Spaniards in Hispaniola, First Half of the Sixteenth...
FIGURES
Journal Article
Indigenous Life after the Conquest: The De la Cruz Family Papers of Colonial Mexico
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Ethnohistory (2023) 70 (2): 224–225.
Published: 01 April 2023
... and guild murals, lienzos (Indigenous painted cloths), and retablos. They are particularly concerned with music as an aspect of religious expression and describe efforts to buy an organ, guitars, and trumpets for the church. As a volume intended for classroom use, Indigenous Life after the Conquest...
Journal Article
Creolization in the Americas
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Ethnohistory (2004) 51 (1): 189–190.
Published: 01 January 2004
..., pushing the boundaries between language and
musicology. Although the research, conceptualization, and interpretation
are impressive, the chapter could be strengthened by better knowledge of
interchange of musical instruments, especially the guitar and other string
instruments, and of musical and dance...
Journal Article
Obituary for James Lockhart
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Ethnohistory (2014) 61 (2): 361–363.
Published: 01 April 2014
... that are not reflected in his many writ-
ings. He was very fond of Renaissance music and enjoyed playing the lute,
vihuela, mandolin, recorder, and classical guitar with family and friends.
He also found joy in woodworking and was good enough at it to craft his
own furniture and musical instruments. He and Mary...
Journal Article
Indian Slaves from Guiana in Seventeenth-Century Barbados
Available to Purchase
Ethnohistory (2017) 64 (1): 65–90.
Published: 01 January 2017
... University Press . Gragg Larry 2003 Englishmen Transplanted: The Colonization of Barbados, 1627–1660 . Oxford : Oxford University Press . Guitar Lynne 2006 “ Boiling It Down: Slavery on the First Commercial Sugarcane Ingenios in the Americas (Hispaniola, 1530–1545) .” In Slaves...
FIGURES
Journal Article
2014 Presidential Address: Christian Salvation as Ethno-Ethnohistory: Two Views from 1714
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Ethnohistory (2016) 63 (2): 215–235.
Published: 01 April 2016
... with flowers on their heads and flowers and palm fronds in their hands, and they play guitars and harps ( fig. 1 , top left; fig. 3 , second row right). One such figure thus bedecked climbs a ladder to enter heaven ( fig. 3 , third row left). These depictions grant heaven a sensory reality—movement, sound...
FIGURES
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Journal Article
“Obvious Indian”—missionaries, Anthropologists, and the “Wild Indians” Of Cuba: Representations of the Amerindian Presence in Cuba
Available to Purchase
Ethnohistory (2009) 56 (3): 449–477.
Published: 01 July 2009
... to their partners. Their principal amuse-
ment was dancing to the music of the rattle, “guayo,” and guitar.70
Culin recorded various aspects of the lifeways of the Yateras Indians.
He entered a number of bohios or “conical Indian huts,” some, he noted,
“occupied by the negroes.” In addition to noting...
View articletitled, “Obvious Indian”—missionaries, Anthropologists, and the “Wild Indians” Of Cuba: Representations of the Amerindian Presence in Cuba
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Journal Article
Confusion, Native Skepticism, and Recurring Questions about the Year 2000: “Soft” Beliefs and Preparations for the Millennium in the Arapesh Region, Papua New Guinea
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Ethnohistory (2000) 47 (1): 133–169.
Published: 01 January 2000
...
156 Ira Bashkow
they desire portable generators, amplifiers, speakers, and electric guitars
and keyboards. At a ‘‘Next Millennium Seminar’’ recently held...
View articletitled, Confusion, Native Skepticism, and Recurring Questions about the Year 2000: “Soft” Beliefs and Preparations for the Millennium in the Arapesh Region, Papua New Guinea
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for article titled, Confusion, Native Skepticism, and Recurring Questions about the Year 2000: “Soft” Beliefs and Preparations for the Millennium in the Arapesh Region, Papua New Guinea
Journal Article
Signs of the Second Coming: On Eschatological Expectation and Disappointment in Highland and Seaboard Papua New Guinea
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Ethnohistory (2000) 47 (1): 171–204.
Published: 01 January 2000
...
newly appointed officials, each of whom was blessed by the priest and had
to fulfill a particular task for Sunday service, such as decorating the church
building ower leader plaua lida), playing the guitar (gita lida), speaking...
