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Journal Article
Ethnohistory (2017) 64 (4): 531–532.
Published: 01 October 2017
...Patrick Burke Kīkā Kila: How the Hawaiian Steel Guitar Changed the Sound of Modern Music . By Troutman John W. . ( Chapel Hill : University of North Carolina Press , 2016 . 392 pp., color plates, halftones, notes, bibliography, index . $35.00 cloth.) Copyright 2017 by American...
Journal Article
Ethnohistory (2006) 53 (4): 633–655.
Published: 01 October 2006
...Susan Rasmussen This essay examines the origins and directions of ichumar (also called tichumaren in some regions), a genre of guitar music popular among young Tuaregs in Mali and Niger. Initially composed and performed by Tuareg nationalist/separatist rebels, it is now composed and performed...
Journal Article
Ethnohistory (2013) 60 (2): 195–217.
Published: 01 April 2013
Journal Article
Ethnohistory (2021) 68 (3): 363–383.
Published: 01 July 2021
... controversies, see Pauline M. Kulstad ( 2008 : 39–41) and Guitar 2001 . 18 For more on the issue of double misunderstanding, see Lockhart 1994 and MacGaffey 1994 . 19 When Guarionex realized the dangerous position he was in, he fled the Cibao and found shelter with the Macorix cacique...
Journal Article
Ethnohistory (2004) 51 (1): 189–190.
Published: 01 January 2004
... of musical instruments, especially the guitar and other string instruments, and of musical and dance styles from across the Sahara Desert, in Islamic Spain and Portugal, coupled with the demographic impact of slaves brought directly from Senegal to South Carolina and Georgia. As valuable...
Journal Article
Ethnohistory (2014) 61 (2): 361–363.
Published: 01 April 2014
... that are not reflected in his many writ- ings. He was very fond of Renaissance music and enjoyed playing the lute, vihuela, mandolin, recorder, and classical guitar with family and friends. He also found joy in woodworking and was good enough at it to craft his own furniture and musical instruments. He and Mary...
Journal Article
Ethnohistory (2017) 64 (1): 65–90.
Published: 01 January 2017
..., “‘They Could Not Endure That Yoke,’” 61; Warren, “‘The Cause of Her Grief,’” 1038; Beckles, White Servitude and Black Slavery , 31n57; Dunn, Sugar and Slaves , 227. 9 For Indian rebellions on Hispaniola, see Guitar, “Boiling It Down.” On St. Christopher the English massacred the Kalinago population...
Journal Article
Ethnohistory (2016) 63 (2): 215–235.
Published: 01 April 2016
... with flowers on their heads and flowers and palm fronds in their hands, and they play guitars and harps ( fig. 1 , top left; fig. 3 , second row right). One such figure thus bedecked climbs a ladder to enter heaven ( fig. 3 , third row left). These depictions grant heaven a sensory reality—movement, sound...
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Journal Article
Ethnohistory (2009) 56 (3): 449–477.
Published: 01 July 2009
... to their partners. Their principal amuse- ment was dancing to the music of the rattle, “guayo,” and guitar.70 Culin recorded various aspects of the lifeways of the Yateras Indians. He entered a number of bohios or “conical Indian huts,” some, he noted, “occupied by the negroes.” In addition to noting...
Journal Article
Ethnohistory (2000) 47 (1): 133–169.
Published: 01 January 2000
Journal Article
Ethnohistory (2000) 47 (1): 171–204.
Published: 01 January 2000