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Ethnohistory (2017) 64 (4): 531–532.
Published: 01 October 2017
...Patrick Burke Kīkā Kila: How the Hawaiian Steel Guitar Changed the Sound of Modern Music . By Troutman John W. . ( Chapel Hill : University of North Carolina Press , 2016 . 392 pp., color plates, halftones, notes, bibliography, index . $35.00 cloth.) Copyright 2017 by American...
Ethnohistory (2006) 53 (4): 633–655.
Published: 01 October 2006
...Susan Rasmussen This essay examines the origins and directions of ichumar (also called tichumaren in some regions), a genre of guitar music popular among young Tuaregs in Mali and Niger. Initially composed and performed by Tuareg nationalist/separatist rebels, it is now composed and performed...
Ethnohistory (2013) 60 (2): 195–217.
Published: 01 April 2013
... the practices used by the Spanish con- quistadores elsewhere in the New World, especially with regard to indige- nous versus African enslavement. Notes 1 Lynne Guitar, “Boiling It Down: Slavery on the First Commercial Sugarcane Ingenios in the Americas (Española, 1534–45 in Slaves...
Ethnohistory (2021) 68 (3): 363–383.
Published: 01 July 2021
... villages or districts made up one cacicazgo. The position of cacique was inherited through matrilineal succession (Rouse 1992 : 16). If matrilineal succession was impossible, the cacique’s son could inherit (Guitar 1998 : 10). 6 In some circumstances even a foreigner could become cacique; for example...
Ethnohistory (2004) 51 (1): 189–190.
Published: 01 January 2004
..., pushing the boundaries between language and musicology. Although the research, conceptualization, and interpretation are impressive, the chapter could be strengthened by better knowledge of interchange of musical instruments, especially the guitar and other string instruments, and of musical and dance...
Ethnohistory (2014) 61 (2): 361–363.
Published: 01 April 2014
... that are not reflected in his many writ- ings. He was very fond of Renaissance music and enjoyed playing the lute, vihuela, mandolin, recorder, and classical guitar with family and friends. He also found joy in woodworking and was good enough at it to craft his own furniture and musical instruments. He and Mary...
Ethnohistory (2017) 64 (1): 65–90.
Published: 01 January 2017
..., “‘They Could Not Endure That Yoke,’” 61; Warren, “‘The Cause of Her Grief,’” 1038; Beckles, White Servitude and Black Slavery , 31n57; Dunn, Sugar and Slaves , 227. 9 For Indian rebellions on Hispaniola, see Guitar, “Boiling It Down.” On St. Christopher the English massacred the Kalinago population...
Ethnohistory (2016) 63 (2): 215–235.
Published: 01 April 2016
... with flowers on their heads and flowers and palm fronds in their hands, and they play guitars and harps ( fig. 1 , top left; fig. 3 , second row right). One such figure thus bedecked climbs a ladder to enter heaven ( fig. 3 , third row left). These depictions grant heaven a sensory reality—movement, sound...
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Ethnohistory (2009) 56 (3): 449–477.
Published: 01 July 2009
... to their partners. Their principal amuse- ment was dancing to the music of the rattle, “guayo,” and guitar.70 Culin recorded various aspects of the lifeways of the Yateras Indians. He entered a number of bohios or “conical Indian huts,” some, he noted, “occupied by the negroes.” In addition to noting...
Ethnohistory (2000) 47 (1): 133–169.
Published: 01 January 2000
... 156 Ira Bashkow they desire portable generators, ampliﬁers, speakers, and electric guitars and keyboards. At a ‘‘Next Millennium Seminar’’ recently held...
Ethnohistory (2000) 47 (1): 171–204.
Published: 01 January 2000
... newly appointed oﬃcials, each of whom was blessed by the priest and had to fulﬁll a particular task for Sunday service, such as decorating the church building ower leader plaua lida), playing the guitar (gita lida), speaking...