Skip Nav Destination
Close Modal
1-20 of 290 Search Results for
water
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
1
Journal Article
Environmental Humanities (2024) 16 (1): 243–260.
Published: 01 March 2024
...Joshua B. Cohen; Amber Abrams; Martin Høybye Abstract Recent decades have seen a transformation in how water and human-water interrelations are conceptualized in the environmental humanities and social sciences. Such adaptation of theory has been tied to an interest in developing transdisciplinary...
FIGURES
| View All (4)
Image
in Experimenting with Water-Focused Participatory Research Methods: Toward New Forms of Question Asking in a Time of Socio-ecological Upheaval
> Environmental Humanities
Published: 01 March 2024
Figure 1. Launching on the water. Photograph by Amber Abrams.
More
Image
Published: 01 May 2018
Figure 4. Former site of the Chesapeake Bay Model. An original water meter is in the foreground, and the original water tower can be seen in the distance. Photograph by the author
More
Image
Published: 01 May 2019
Figure 2. A Talya Water System installed in an Amish barn. Photograph by author.
More
Image
Published: 01 May 2019
Figure 3. A Talya Water System informational card distributed by the Amish salesman. Photograph by author.
More
Image
Published: 01 May 2013
Figure 2 Detail of historical parish map of Allan's Water, 1909 edition, showing portion 52 (Daniel R. Jones) and 51 (later held by the Manns family). Annotation “H.S. Area Notd. 5.7.11” indicates that Daniel Jones took up portion 52 as a Homestead Selection Area in July 1911. Used
More
Image
Published: 01 May 2013
Figure 6 Allan's Water homestead ruins (elevation 1600 metres), dated November 1980. Photo by Neville Fenton.
More
Image
in Thinking About Inheritance Through the Figure of the Anthropocene, from the Antipodes and in the Presence of Others
> Environmental Humanities
Published: 01 May 2016
Figure 6. Wombat burrow under the water tank at Micalong Creek. Image courtesy of Affrica Taylor
More
Image
in Chemosociality in Multispecies Worlds: Endangered Frogs and Toxic Possibilities in Sydney
> Environmental Humanities
Published: 01 May 2020
Figures 5 and 6. (Top) Green and golden bell frogs spontaneously emerged in polluted water at the Blaxland Landfill Leachate Treatment facility. (Bottom) Water from nearby landfills is treated here in a series of bioremediation pools. Silverwater Correctional Complex is visible in the background
More
Image
in Chemosociality in Multispecies Worlds: Endangered Frogs and Toxic Possibilities in Sydney
> Environmental Humanities
Published: 01 May 2020
Figures 5 and 6. (Top) Green and golden bell frogs spontaneously emerged in polluted water at the Blaxland Landfill Leachate Treatment facility. (Bottom) Water from nearby landfills is treated here in a series of bioremediation pools. Silverwater Correctional Complex is visible in the background
More
Image
in Submerged Bodies: The Tidalectics of Representability and the Sea in Caribbean Art
> Environmental Humanities
Published: 01 May 2020
Figure 15. David Gumbs, still from Water and Dreams , 2014. Digital video, 6:14 min. Courtesy of the artist.
More
Journal Article
Environmental Humanities (2024) 16 (2): 351–370.
Published: 01 July 2024
... the relationship between irony and settler-colonial imaginaries in writings about unpredictable bodies of water. Focusing on settler writing in Australia, the article juxtaposes nineteenth-century author Henry Lawson and contemporary novelist Jane Rawson to argue that irony constitutes a form of environmental...
Image
in Submerged Bodies: The Tidalectics of Representability and the Sea in Caribbean Art
> Environmental Humanities
Published: 01 May 2020
Figure 3. Jean-Ulrick Désert, The Waters of Kiskéya/Quisqueya , 2017, detail.
More
Image
in Submerged Bodies: The Tidalectics of Representability and the Sea in Caribbean Art
> Environmental Humanities
Published: 01 May 2020
Figure 5. Jean-Ulrick Désert, The Waters of Kiskéya/Quisqueya , 2017, detail.
More
Image
in Submerged Bodies: The Tidalectics of Representability and the Sea in Caribbean Art
> Environmental Humanities
Published: 01 May 2020
Figure 6. Jean-Ulrick Désert, The Waters of Kiskéya/Quisqueya , 2017, detail.
More
Image
in Submerged Bodies: The Tidalectics of Representability and the Sea in Caribbean Art
> Environmental Humanities
Published: 01 May 2020
Figure 7. Jean-Ulrick Désert, The Waters of Kiskéya/Quisqueya , 2017, detail.
More
Image
in Submerged Bodies: The Tidalectics of Representability and the Sea in Caribbean Art
> Environmental Humanities
Published: 01 May 2020
Figure 2. Jean-Ulrick Désert, The Waters of Kiskéya/Quisqueya , 2017. Mixed media on vellum, 108 × 72 in. Photo by Luis Zavala. Courtesy of the artist.
More
Image
in Submerged Bodies: The Tidalectics of Representability and the Sea in Caribbean Art
> Environmental Humanities
Published: 01 May 2020
Figure 4. Jean-Ulrick Désert, The Waters of Kiskéya/Quisqueya , 2017, detail. Photo by Luis Zavala.
More
Journal Article
Environmental Humanities (2021) 13 (1): 245–263.
Published: 01 May 2021
... perspectives on lake being. It also reflects on the totalizing nature of assuming a single form of memory, of archiving, or of trauma in a world of lakes riven with partially occluded, subsumed, ever-present, and retrieved stories expressed through water. Memory for whom? Recollection for whom? Archiving...
Journal Article
Environmental Humanities (2024) 16 (1): 19–35.
Published: 01 March 2024
...Emma Blackett Abstract This article discusses the settler-colonial femininity at work in two films that foreground the Pacific Ocean, Blue Crush (John Stockwell, 2002) and The Piano (Jane Campion, 1993). With these film readings it offers a critique of the feminist new materialist turn toward water...
FIGURES
1
