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Journal Article
Environmental Humanities (1 May 2015) 6 (1): 53–71.
Published: 01 May 2015
... millions of years. The loss of wildness thus elicits a loss of harmony. I consider these Anthropocene interpretations of silence, noise and dissonance by comparing the environmentalist concerns of Krause with responses to the Listening to Birds project—an anthropological investigation of bird sounds. These...
Journal Article
Environmental Humanities (1 November 2016) 8 (2): 196–214.
Published: 01 November 2016
...Max Ritts; John Shiga Abstract Throughout the Cold War, the US Navy aggressively explored the sound-making and sound-detecting capacities of cetaceans to help it retain its supremacy in marine battle space. Whales, dolphins, and porpoises were engaged as animals that “see with sound,” that produce...
Journal Article
Environmental Humanities (1 May 2019) 11 (1): 180–193.
Published: 01 May 2019
..., a massive and still growing hodgepodge of industrial and consumer by-products and emissions; shards of metaphysical ideas and theological dreams; radioactive materials; light, sound, and other modes of sensory pollution; pesticides and herbicides; and so forth. Toxicity targets our bodily tissues...
Journal Article
Environmental Humanities (1 May 2013) 3 (1): 43–70.
Published: 01 May 2013
...Vicki Powys; Hollis Taylor; Carol Probets Abstract A lyrebird chick was raised in captivity in the 1920s in Australia's New England Tablelands, or so the story goes. The bird mimicked the sounds of the household's flute player, learning two tunes and an ascending scale. When released back into the...
Journal Article
Environmental Humanities (1 May 2014) 4 (1): 41–67.
Published: 01 May 2014
... benchmark opus for what shadow place composition might sound like in the modern global city. Copyright: © Ryan 2014 2014 This is an open access article distributed under the terms of a Creative Commons License (CC BY-NC-ND 3.0). This license permits use and distribution of the article for non...
Journal Article
Environmental Humanities (1 May 2018) 10 (1): 310–329.
Published: 01 May 2018
...Stefan Skrimshire Abstract What is the best way to communicate with far future human (and/or posthuman) societies? This sounds like a question for science fiction, but I ask it in the context of a pressing issue in environmental ethics: the (very) long-term disposal of high-level spent radioactive...
Image
Published: 01 November 2017
Figure 3. Ann Lislegaard, Time Machine (2011). Unfolded mirror box, HD video projection, 3-D animation with sound, 5:26 mins. Exhibited Nineteenth Biennale of Sydney (2014) at Carriageworks, Sydney. Reproduced courtesy the artist and Murray Guy Gallery, New York. Figure 3. Ann Lislegaard More
Image
Published: 01 November 2017
Figure 4. Ann Lislegaard, Time Machine (2011). Unfolded mirror box, HD video projection, 3-D animation with sound, 5:26 mins. Exhibited Nineteenth Biennale of Sydney (2014) at Carriageworks, Sydney. Reproduced courtesy the artist and Murray Guy Gallery, New York. Figure 4. Ann Lislegaard More
Image
Published: 01 November 2017
Figure 5. Ann Lislegaard, Time Machine (2011). Unfolded mirror box, HD video projection, 3-D animation with sound, 5:26 mins. Exhibited Nineteenth Biennale of Sydney (2014) at Carriageworks, Sydney. Reproduced courtesy the artist and Murray Guy Gallery, New York. Figure 5. Ann Lislegaard More
Journal Article
Environmental Humanities (1 November 2016) 8 (2): 172–195.
Published: 01 November 2016
... shaping a here and now. This particular performance filled the plaza with five rousing “choirs” of woodwinds, brass, strings, and percussion together with the ambient noise of 65th Street and Columbus Avenue and the larger cosmos beyond. Scored to sound the elements of extreme Arctic climes, Sila’ s...
Journal Article
Environmental Humanities (1 November 2016) 8 (2): 251–255.
Published: 01 November 2016
... “from another direction.” By definition, a clamor is an immense warning sound, and one has nothing with which to decode it. A clamor says nothing; it makes heads turn. But how can it be about “pleading”? 2 The encyclical begins with this curious configuration borrowed initially from the very...
Journal Article
Environmental Humanities (1 November 2016) 8 (2): 285–290.
Published: 01 November 2016
... of God and the vertical form of dependence that left creatures in the thrall of this power. In this sense, then, Francis sounds a bit less orthodox. His emphasis on interdependence sounds, for instance, less like the fourth-century theologian Augustine of Hippo, who spoke of our creaturely dependence...
Journal Article
Environmental Humanities (1 November 2017) 9 (2): 378–397.
Published: 01 November 2017
... account of the ultraviolet world indicates is that the devil—as always—is in the way the question is asked. Astrobiology is arguably the human endeavor that sounds the limits of life in the most comprehensive manner in the present day and age. 44 But it also consistently challenges mainstream...
Journal Article
Environmental Humanities (1 May 2014) 4 (1): 1–18.
Published: 01 May 2014
... the work of Ted Hughes. It is often associated with ekphrasis, and thus with sight; yet more properly enargeia involves all the senses, a point that is especially pertinent in my reading of its place in the work of a poet so “sound-centred” as Oswald. 13 Recent criticism has emphasised what Tom...
Journal Article
Environmental Humanities (1 May 2014) 4 (1): 95–112.
Published: 01 May 2014
... move with the camera onscreen. They asked people for input on the NRK website—what would they like to see? Suggestions included water temperature, air temperature, humidity, air pressure, accelerometer, compass data, radar and sonar live feed, underwater cameras, engine room sound, GPS coordinates, raw...
Journal Article
Environmental Humanities (1 May 2018) 10 (1): 338–342.
Published: 01 May 2018
.... 1 ). The irregular movements of these dials are accompanied by sound recordings and light projections. Seven different choreographies installed in the software of the system perform a posthuman dance in strange rhythms with the waves splashing onto the ancient stones beyond Haydarpasha’s elegant...
Journal Article
Environmental Humanities (1 May 2013) 3 (1): 1–24.
Published: 01 May 2013
... sound, slammed doors erupt across the world like gunfire. A passing car, a tractor or a barking dog can snap the moment like a thread and in the blink of an eye, the whole field comes alive, rising like a wave through the treeline and beyond, out and away. As long as the moment lasts, however, the...
Journal Article
Environmental Humanities (1 May 2017) 9 (1): 84–107.
Published: 01 May 2017
... an emergent “out-of-control dynamics” of “intimate entanglements” among multiple species. 1 Even before the doorbell sounds in the interior, the cockatoos scream in greeting or warning. Inside, parrots patrol the hallways, strut in and out of rooms, climb on perches, chew colorful mobiles (or the...
Journal Article
Environmental Humanities (1 May 2016) 7 (1): 191–202.
Published: 01 May 2016
...: Affective Ecologies and the Sciences of Plant/Insect Encounters .” Differences 23 , no. 3 ( 2012 ): 74 – 118 . Kahn Douglas . Earth Sound, Earth Signal: Energies and Earth Magnitude in the Arts . Oakland : University of California Press , 2013 ). Kohn Eduardo . How Forests...
Journal Article
Environmental Humanities (1 May 2014) 5 (1): 155–170.
Published: 01 May 2014
..., moves to the forefront. The moon is audible as a narrow sliver of noise. Pulsating patterns in the bass, which Adams calls Earth Drums, are activated by small earthquakes and other seismic events around Alaska. And shimmering sounds in the extreme registers—the Aurora Bells—are tied to the fluctuations...