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Journal Article
Environmental Humanities (2015) 6 (1): 53–71.
Published: 01 May 2015
... millions of years. The loss of wildness thus elicits a loss of harmony. I consider these Anthropocene interpretations of silence, noise and dissonance by comparing the environmentalist concerns of Krause with responses to the Listening to Birds project—an anthropological investigation of bird sounds...
View articletitled, Listening to Birds in the Anthropocene: The Anxious Semiotics of <span class="search-highlight">Sound</span> in a Human-Dominated World
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Journal Article
Environmental Humanities (2024) 16 (1): 230–242.
Published: 01 March 2024
...Dave Wilson Abstract This article reflects on the participation of humans and other species as listening and sounding entities in creating sonic environments. The article offers a preliminary reflexive consideration of the author’s current composition-improvisation project, discussing how...
View articletitled, <span class="search-highlight">Sounding</span> Together: A Reflection on Extending Acoustic Assemblages and Transforming Sonic Environments in Improvisative Music
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Journal Article
Environmental Humanities (2025) 17 (1): 65–87.
Published: 01 March 2025
... Sound , 6 . 115. Lowe, Wild Profusion ; Yates-Doerr, “Does Meat Come from Animals?,” 309 . 116. Haraway, When Species Meet , 148 ; Despret, What Would Animals Say . 117. Indeed, despite the rampant scholarly hand-wringing regarding music’s definition in the light...
Journal Article
Environmental Humanities (2025) 17 (1): 203–218.
Published: 01 March 2025
...Robin Ryan; Yuin-Monaro Elder Ossie Cruse Abstract The practice of gumleaf playing bridges art and activism as a whimsical musical thread in Australia’s national imagination. This article pursues a gumleaf sound-culture system that embraces environmental, physical, and musical qualities remote from...
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View articletitled, I Heard the Old Fellas Play: Sustaining the Ecology of Gumleaf <span class="search-highlight">Sounds</span> in Koori Community Culture and Beyond
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Journal Article
Environmental Humanities (2016) 8 (2): 196–214.
Published: 01 November 2016
...Max Ritts; John Shiga Abstract Throughout the Cold War, the US Navy aggressively explored the sound-making and sound-detecting capacities of cetaceans to help it retain its supremacy in marine battle space. Whales, dolphins, and porpoises were engaged as animals that “see with sound,” that produce...
Journal Article
Environmental Humanities (2025) 17 (1): 23–44.
Published: 01 March 2025
... Freyre (Peru). It analyzes how sound, photography, and weaving serve as aesthetic mediums for critical, imaginative, and embodied engagements with water across expansive temporal and spatial scales. Ultimately the article argues that art for the hydrocommons makes its most compelling contribution...
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Journal Article
Environmental Humanities (2013) 3 (1): 43–70.
Published: 01 May 2013
...Vicki Powys; Hollis Taylor; Carol Probets Abstract A lyrebird chick was raised in captivity in the 1920s in Australia's New England Tablelands, or so the story goes. The bird mimicked the sounds of the household's flute player, learning two tunes and an ascending scale. When released back...
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Journal Article
Environmental Humanities (2018) 10 (1): 310–329.
Published: 01 May 2018
...Stefan Skrimshire Abstract What is the best way to communicate with far future human (and/or posthuman) societies? This sounds like a question for science fiction, but I ask it in the context of a pressing issue in environmental ethics: the (very) long-term disposal of high-level spent radioactive...
Journal Article
Environmental Humanities (2019) 11 (1): 180–193.
Published: 01 May 2019
..., a massive and still growing hodgepodge of industrial and consumer by-products and emissions; shards of metaphysical ideas and theological dreams; radioactive materials; light, sound, and other modes of sensory pollution; pesticides and herbicides; and so forth. Toxicity targets our bodily tissues, senses...
Journal Article
Environmental Humanities (2019) 11 (2): 302–323.
Published: 01 November 2019
... of transgressive, avant-garde performative and sound poetics—although it escapes such terms, thinking about the bird’s composition in this way compels us into a relation with its territory. On the one hand, we have assumptions about poetics that are inherited from Western modernists, that poetry is text-based...
Journal Article
Environmental Humanities (2014) 4 (1): 41–67.
Published: 01 May 2014
... a benchmark opus for what shadow place composition might sound like in the modern global city. Copyright: © Ryan 2014 2014 This is an open access article distributed under the terms of a Creative Commons License (CC BY-NC-ND 3.0). This license permits use and distribution of the article for non...
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in Images of Pollution and the Pollution of Images: Postindustrial Landscapes on and through Film
> Environmental Humanities
Published: 01 March 2025
Figure 5. Still from Alexandra Navratil, Silbersee (2015). Video, black and white, sound, 11:11 min. © the artist.
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in Seeing the Anthropocene through Montage: John Akomfrah’s Vertigo Sea and Elizabeth Price’s BERLINWAL
> Environmental Humanities
Published: 01 November 2024
Figure 4. John Akomfrah, single-screen still image from Vertigo Sea , 2015. Three-channel HD color video installation, 7.1 sound, 48 minutes, 30 seconds. © Smoking Dogs Films. Courtesy of Lisson Gallery.
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in Seeing the Anthropocene through Montage: John Akomfrah’s Vertigo Sea and Elizabeth Price’s BERLINWAL
> Environmental Humanities
Published: 01 November 2024
Figure 1. John Akomfrah, Vertigo Sea , 2015. Three-channel HD color video installation, 7.1 sound, 48 minutes, 30 seconds. Installation at Turner Contemporary, 2016. © Smoking Dogs Films. Photo: Stephen White. Courtesy of Turner Contemporary, Margate.
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in New Ecological Sympathies: Thinking about Contemporary Art in the Age of Extinction
> Environmental Humanities
Published: 01 November 2017
Figure 3. Ann Lislegaard, Time Machine (2011). Unfolded mirror box, HD video projection, 3-D animation with sound, 5:26 mins. Exhibited Nineteenth Biennale of Sydney (2014) at Carriageworks, Sydney. Reproduced courtesy the artist and Murray Guy Gallery, New York.
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in New Ecological Sympathies: Thinking about Contemporary Art in the Age of Extinction
> Environmental Humanities
Published: 01 November 2017
Figure 4. Ann Lislegaard, Time Machine (2011). Unfolded mirror box, HD video projection, 3-D animation with sound, 5:26 mins. Exhibited Nineteenth Biennale of Sydney (2014) at Carriageworks, Sydney. Reproduced courtesy the artist and Murray Guy Gallery, New York.
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Image
in New Ecological Sympathies: Thinking about Contemporary Art in the Age of Extinction
> Environmental Humanities
Published: 01 November 2017
Figure 5. Ann Lislegaard, Time Machine (2011). Unfolded mirror box, HD video projection, 3-D animation with sound, 5:26 mins. Exhibited Nineteenth Biennale of Sydney (2014) at Carriageworks, Sydney. Reproduced courtesy the artist and Murray Guy Gallery, New York.
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Published: 01 November 2023
Figure 2. Soilkin exercise #2: Observe a stone (2020). Fluxus-inspired instructions as meme, dimensions and media variable. In reference to Milan Knizak, Ceremony , 1977: “5. breaking a stone (to find its soul)”; and Yoko Ono, Stone Piece , 1963: “Take the sound of the stone aging,” both
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Journal Article
Environmental Humanities (2016) 8 (2): 172–195.
Published: 01 November 2016
... the language (or at least the rhetoric) of mathematics, crystallography, botany, engineering.” Varèse “eventually mak[es] use of the new systems and mechanisms of sound reproduction” (Macdonald, “New Heaven?,” 4), whereas Adams uses computer technology to connect listening directly to the music of outer climes...
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Journal Article
Environmental Humanities (2021) 13 (1): 201–223.
Published: 01 May 2021
... was informed by Lillis, Eggleston, and Bohnenstiehl, “Oyster Larvae Settle in Response to Habitat-Associated Underwater Sounds.” 32. The Conservatory: Listening for Coastal Futures, “Listen,” www.coastalconservatory.org/listen/ (click on “Hog Island Water Quality”). 33. Helmreich, Sounding...
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