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participatory art

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Journal Article
Environmental Humanities (1 May 2018) 10 (1): 241–256.
Published: 01 May 2018
... usefully elaborated the role of participation, identifying three recurring agendas that motivate participatory art practices: The first concerns the desire to create an active subject, one who will be empowered by the experience of physical or symbolic participation. . . . The second argument concerns...
Journal Article
Environmental Humanities (1 May 2017) 9 (1): 60–83.
Published: 01 May 2017
... possibility of atmospheres that exist beyond their human witness. Copyright © 2017 Louise Hornby 2017 This is an open access article distributed under the terms of a Creative Commons license (CC BY-NC-ND 3.0). weather Anthropocene participatory art air phenomenology climate control In...
Journal Article
Environmental Humanities (1 May 2014) 4 (1): 41–67.
Published: 01 May 2014
... Jukebox in the Garden (2010)—observed how “the psychic and social structures in which we live” have become “profoundly antiecological, unhealthy and destructive.” 7 Ingram thus promoted a notion of the “ecological self” that privileges music as a vital art form for exploring human relationships with...
Journal Article
Environmental Humanities (1 May 2014) 4 (1): 69–93.
Published: 01 May 2014
... win their trust, Wiseman is able to shock his spectators. With interviews and consideration of the semiotic content of Uranium, I explore possibilities for activation of ecological consciousness through performing arts. Building on the shared ideas of Heinrich von Kleist, Gregory Bateson, and Thomas...
Journal Article
Environmental Humanities (1 May 2017) 9 (1): 129–148.
Published: 01 May 2017
...John Charles Ryan Abstract This article examines the DNA-based biopoetry of Christian Bök in relation to its antecedents in the art-science experiments of Joe Davis, Pak Chung Wong, and Eduardo Kac. In particular, I develop an ecocritical analysis of the process of encipherment at the center of...
Journal Article
Environmental Humanities (1 May 2016) 8 (1): 37–56.
Published: 01 May 2016
... choreograph an ontological state. Conducting an outmoded pregnancy test with live Xenopus frogs, we probed the contours of this gap. As we took an antiquated bioassay out of medical archives, we conducted a performative experiment—an intervention that blurred the boundaries between performance art, science...
Journal Article
Environmental Humanities (1 May 2016) 8 (1): 77–94.
Published: 01 May 2016
... relationships do fungi strike up with wind, soil, tree roots, and countless others to shape a world of “intricate but [perhaps] unintended designs”? 9 Here we are reminded that the wider distinctiveness of ēthea is crafted through relational and participatory intra-action. 10 Ways of being are not...
Journal Article
Environmental Humanities (1 May 2018) 10 (1): 330–337.
Published: 01 May 2018
... knowledge cultures, with the creative arts and professions sitting alongside philosophy and religion. To do justice to the human experience of reality, they argued, we need “to bridge the great wellsprings of human understanding—the natural and social sciences, philosophy, religion and the creative arts—to...
Journal Article
Environmental Humanities (1 November 2016) 8 (2): 285–290.
Published: 01 November 2016
... these bodies model and generate. Ultimately, for Gebara, an (environmental) ethic that attends to religious biodiversity will promote or imply “an attitude of humility” that recognizes that “there cannot be absolute powers that regulate and dictate the meaning of life, or the art of meaning.” 7...
Journal Article
Environmental Humanities (1 November 2018) 10 (2): 370–396.
Published: 01 November 2018
... built in the 1960s and abandoned in the 1980s. In 2010, a public arts organization called NVA initiated a project to reinvent Kilmahew as a space for arts and education. 2 One of the early interventions addressed the presence of R. ponticum , whose excessive growth had made many former paths and...
Journal Article
Environmental Humanities (1 May 2016) 7 (1): 107–127.
Published: 01 May 2016
... production is not without precedents. The OSE project and the larger open-source “maker movement” out of which it grows can to some extent be understood as a digital-age re-hash of the late 19 th century arts and crafts movement. Like the contemporary maker movement, the arts and crafts movement, which had...
Journal Article
Environmental Humanities (1 May 2013) 3 (1): 93–109.
Published: 01 May 2013
... across the great binaries of western thought, rethreading the fabric of knowledge across arts and sciences, and across dominant and excluded knowledges. One of the chief aims was to stimulate and sustain the great humanities' project of imagining and working out “new ways to live with the earth.” 1...
Journal Article
Environmental Humanities (1 May 2013) 2 (1): 101–116.
Published: 01 May 2013
... into the participatory space opened by the uncertainty clause. Uncertainty allows her to not only establish her knowledge, moral virtue, and goodwill toward the audience, paradoxically, it allows her to make a claim on future certainties, and make moral demands on public actions. In the rhetorical...
Journal Article
Environmental Humanities (1 May 2014) 5 (1): 233–260.
Published: 01 May 2014
Journal Article
Environmental Humanities (1 May 2014) 4 (1): 1–18.
Published: 01 May 2014
..., consumption, and disposal, and to the immense reaches of both the deep past and the unpredictable future. It is salient that, for Halperin, this is realised most forcefully in the body's own geologic processes. In her “participatory” approach to the non-human, 29 Alice Oswald shares some of Bennett's...
Journal Article
Environmental Humanities (1 May 2012) 1 (1): 23–55.
Published: 01 May 2012
... understand the pleasure of this game from a safe non-participatory distance. The most enthusiastic player I saw was a skinny man with red ears, pale blue eyes, a muted buttoned-down shirt, and white hair. Throwing the dice with a distinctive backhand twist, his eyes sparkled and his mouth pursed in a boyish...
Journal Article
Environmental Humanities (1 May 2013) 2 (1): 79–99.
Published: 01 May 2013
... 1961–1994 . Göteborgs Universitet , 1996 . PhD. Drapera Malcolm . “ Zen and the Art of Garden Province Maintenance: The Soft Intimacy of Hard Men in the Wilderness of KwaZulu-Natal, South Africa, 1952–1997 .” Journal of Southern African Studies 24 , no. 4 ( 1998 ): 801 - 828...
Journal Article
Environmental Humanities (1 May 2014) 5 (1): 171–201.
Published: 01 May 2014
...-National Socialist architect Paul Schultze-Naumburg, whose multi-volume work Die Gestaltung der Landschaft durch den Menschen [ Mankind's Shaping of the Landscape ] is mentioned as an inspiration in the book's preface—but without commentary on how Schultze-Naumburg's 1928 work Kunst und Rasse [ Art and...