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Published: 01 May 2018
Figure 2. Derek Frampton demonstrates layering of plumage in his studio near London, 2015. Photograph by the author More
Journal Article
Environmental Humanities (2017) 9 (2): 341–358.
Published: 01 November 2017
... of Cosmos” seminar series, funded by University College London (UCL) Grand Challenges. We would also like to thank Istvan Praet for inviting us to present the first draft of this article at the “Frontiers of Life” workshop held at Roehampton University in June 2015. Another draft of the article...
Journal Article
Environmental Humanities (2022) 14 (2): 284–302.
Published: 01 July 2022
... to a research project currently being undertaken at the River Lea in East London and the attempt to enroll I. sakaiensis as a collaborator in responding to plastic pollution in the river. skgtavb@ucl.ac.uk © 2022 Aaron Bradshaw 2022 This is an open access article distributed under the terms...
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Environmental Humanities (2023) 15 (2): 62–84.
Published: 01 July 2023
... expressions of climate change embedded in climate processes. This article considers the oldest surviving largely unaltered Boulton and Watt rotative engine, housed in the collection of the Science Museum, London, as an example to examine how objects are at once the material expression of carbon economies...
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Environmental Humanities (2019) 11 (1): 152–173.
Published: 01 May 2019
... . “ Fingeryeyes: Impressions of Cup Corals .” Cultural Anthropology 25 , no. 4 ( 2010 ): 577 – 99 . Jones Robert H. Asbestos: Its Production and Use . London : Crosby Lockwood and Son , 1888 . Krishna Gopal . “ India and BRICS Should Pay Heed to Brazilian Supreme Court’s Ban...
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Environmental Humanities (2020) 12 (1): 346–369.
Published: 01 May 2020
... and dynamic rupture in the fabric of what makes up a place. 32 Some might conceptualize the wildcat’s absence as a haunting, the creature a spectral beast that troubles the spaces where it is supposed to be. Parallels can be drawn with Whale and Ginn’s study of absent sparrows in London’s suburbia, where...
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Environmental Humanities (2021) 13 (1): 136–158.
Published: 01 May 2021
... Anthropology 32 , no. 4 ( 2017 ): 494 – 503 . Murphy Michelle . “ Chemical Infrastructures of the St. Clair River .” In Toxicants, Health, and Regulation since 1945 , edited by Boudia Soraya and Jas Nathalie , 103 – 16 . London : Pickering and Chatto , 2013 . Nixon...
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Environmental Humanities (2023) 15 (3): 284–291.
Published: 01 November 2023
Journal Article
Environmental Humanities (2024) 16 (1): 162–182.
Published: 01 March 2024
... . London : Virago , 2005 . Brown Douglas A. “ The Modern Romance of Mountaineering: Photography, Aesthetics and Embodiment .” International Journal of the History of Sport 24 , no. 1 ( 2007 ): 1 – 34 . Brugger Julie , Dunbar K. W. , Jurt Christine , and Orlove...
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Published: 01 May 2019
Figure 6. Exhibition documentation, Asbestos, Sasha Litvintseva and Graeme Arnfield, Roaming Projects, London, UK, 2017, courtesy of the artists. More
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Published: 01 November 2022
Figure 2. Henry Cyril Paget, 5th Marquess of Anglesey, seated in drag by a tree (1905). Photoprint, 13.7 × 8.6 cm. No. 2045338i, James Gardiner Collection, Wellcome Library, London, UK ( https://wellcomecollection.org/works/hy7v89v2 ). More
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Published: 01 November 2021
Figure 1. Olafur Eliasson, The Presence of Absence Pavilion, 2019. Bronze, 200 × 100 × 100 cm, installation view: Tate Modern, London, 2019. Photo: Anders Sune Berg. Courtesy the artist; Neugerriemschneider, Berlin; Tanya Bonakdar Gallery, New York/Los Angeles. © 2019 Olafur Eliasson. More
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Published: 01 May 2017
Figure 4. Olafur Eliasson, The Weather Project , 2003. Monofrequency lights, projection foil, haze machines, mirror foil, aluminum, scaffolding 26.7 × 22.3 × 155.44 m. Tate Modern, London, 2003. Photo by Olafur Eliasson. Courtesy of the artist; neugerriemschneider, Berlin; and Tanya Bonakdar More
Image
Published: 01 May 2017
Figure 3. Olafur Eliasson, The Weather Project , 2003. Monofrequency lights, projection foil, haze machines, mirror foil, aluminum, scaffolding 26.7 × 22.3 × 155.44 m. Tate Modern, London, 2003. Photo by Andrew Dunkley and Marcus Leith. Courtesy of the artist; neugerriemschneider, Berlin More
Journal Article
Environmental Humanities (2022) 14 (1): 233–236.
Published: 01 March 2022
... is entangled, nonlinear, rhizomatic; critical writing is creative; creativity is critical. In an arboromorphic poetics, boundaries become hedgerows—spaces of relation, innovation, and growth. I first proposed the term arboromorphism at the London Centre for Interdisciplinary Research (2018). I would...
Journal Article
Environmental Humanities (2017) 9 (1): 60–83.
Published: 01 May 2017
...Figure 4. Olafur Eliasson, The Weather Project , 2003. Monofrequency lights, projection foil, haze machines, mirror foil, aluminum, scaffolding 26.7 × 22.3 × 155.44 m. Tate Modern, London, 2003. Photo by Olafur Eliasson. Courtesy of the artist; neugerriemschneider, Berlin; and Tanya Bonakdar...
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Environmental Humanities (2012) 1 (1): 123–140.
Published: 01 May 2012
... and Environment 13, no. 1 (2006): 113-133 (118). 77 Andrew Ross, The Chicago Gangster Theory of Life: Nature's Debt to Society (London: Verso, 1995). 76 Sianne Ngai, Ugly Feelings (Cambridge, Massachusetts: Harvard University Press, 2005), 3. 75 McKibben, The End of Nature, 92-93...
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Environmental Humanities (2013) 2 (1): 147–167.
Published: 01 May 2013
... originally presented in ‘Does Climate Change Put a Spanner in the Works of History?’: a public debate organised by Rescue!History between myself and fellow-historian, Penelope J. Corfield, hosted by the Institute of Historical Research, London on 1 April 2011. Professor Corfield's “Climate Reds: Responding...
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Environmental Humanities (2016) 7 (1): 265–270.
Published: 01 May 2016
...: Capitalism and Schizophrenia . Minneapolis, MN : University of Minnesota Press , 1987 . Deleuze G. , and Parnet C. Dialogues Ii . London : Continuum , 2007 . Derrida J. The Animal That Therefore I Am . Translated by Wills David . New York : Fordham University Press...
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Journal Article
Environmental Humanities (2016) 8 (2): 235–239.
Published: 01 November 2016
...Jamie Lorimer Copyright © 2016 Jamie Lorimer 2016 This is an open access article distributed under the terms of a Creative Commons license (CC BY-NC-ND 3.0). I first got acquainted with rot and its possibilities in a graveyard in South London. This Gothic Victorian churchyard...
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