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curating
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Journal Article
Environmental Humanities (2024) 16 (3): 680–691.
Published: 01 November 2024
... curatorial strategies deployed and critiqued in recent exhibitions, drawing on the authors’ long-term research project Curating the Sea, which has involved both primary art historical research and collaborations with curators of art and natural history as well as contemporary artists. Here the authors chart...
Journal Article
Environmental Humanities (2023) 15 (3): 104–118.
Published: 01 November 2023
...Caroline Ektander; Jonas Stuck Abstract Redistribute Toxicity was a commissioned art piece created by visual artist Jonas Staal in close collaboration with environmental historian Jonas Stuck and curator and researcher Caroline Ektander, and later enriched by the knowledge and practices of seed...
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Journal Article
Environmental Humanities (2020) 12 (1): 132–166.
Published: 01 May 2020
... to the depths, engaging with the Caribbean Sea and contemporary artists who depict a gendered oceanic intimacy and aesthetics of diffraction and submergence. Building upon the 2017 exhibition Relational Undercurrents: Contemporary Art of the Caribbean Archipelago , curated by Tatiana Flores, this article...
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Journal Article
Environmental Humanities (2023) 15 (2): 62–84.
Published: 01 July 2023
.... Cameron, “Viral Agencies,” 236 . 17. Haraway, Staying with the Trouble . 16. Cameron, Museum Practices . 15. Alaimo, “Transcorporeal,” 436 . 14. Cameron, Museum Practices . 13. Cameron, Future of Digital Data, Heritage, and Curation . 12. Cameron...
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in New Ecological Sympathies: Thinking about Contemporary Art in the Age of Extinction
> Environmental Humanities
Published: 01 November 2017
Figure 6. Hayden Fowler, Anthropocene (2011). Mixed-media installation, 5 × 6.5 × 6.5 m. Exhibited at “Awfully Wonderful: Science Fiction in Contemporary Art,” curated by Lizzie Muller and Bec Dean, Performance Space at Carriageworks, Sydney, Australia, April 15 – May 14, 2011. Photographed
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in New Ecological Sympathies: Thinking about Contemporary Art in the Age of Extinction
> Environmental Humanities
Published: 01 November 2017
Figure 7. Hayden Fowler, Anthropocene (2011). Mixed-media installation, 5 × 6.5 × 6.5 m. Exhibited at “Awfully Wonderful: Science Fiction in Contemporary Art,” curated by Lizzie Muller and Bec Dean, Performance Space at Carriageworks, Sydney, Australia, April 15 – May 14, 2011. Photographed
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Image
in New Ecological Sympathies: Thinking about Contemporary Art in the Age of Extinction
> Environmental Humanities
Published: 01 November 2017
Figure 8. Hayden Fowler, Anthropocene (2011). Mixed-media installation, 5 × 6.5 × 6.5 m. Exhibited at “Awfully Wonderful: Science Fiction in Contemporary Art,” curated by Lizzie Muller and Bec Dean, Performance Space at Carriageworks, Sydney, Australia, April 15 – May 14, 2011. Photographed
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Journal Article
Environmental Humanities (2017) 9 (2): 255–279.
Published: 01 November 2017
...Figure 6. Hayden Fowler, Anthropocene (2011). Mixed-media installation, 5 × 6.5 × 6.5 m. Exhibited at “Awfully Wonderful: Science Fiction in Contemporary Art,” curated by Lizzie Muller and Bec Dean, Performance Space at Carriageworks, Sydney, Australia, April 15 – May 14, 2011. Photographed...
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Journal Article
Environmental Humanities (2020) 12 (1): 23–50.
Published: 01 May 2020
... Before construction began Janet Laurence, a renowned Australian environmental artist, was part of a charrette—with international architects, designers, curators, and environmental scientists—to imagine possible futures for the Sydney Olympic Park. “At the charrette we devised the idea of the ‘Green Games...
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Journal Article
Environmental Humanities (2019) 11 (1): 101–107.
Published: 01 May 2019
... ; for viscous porosity, see Tuana, “Viscous Porosity.” 12. Alaimo, Exposed ; Chen, Animacies ; DeSilvey, Curated Decay ; Oppermann, “Toxic Bodies and Alien Agencies”; van Dooren, Flight Ways. 13. Rose and van Dooren, “Unloved Others.” 14. Haraway, “Manifesto for Cyborgs”; Haraway...
Journal Article
Environmental Humanities (2020) 12 (1): 88–112.
Published: 01 May 2020
... of a Creative Commons license (CC BY-NC-ND 3.0). fermentation food feminism microbes art curation harm reduction Is feminism, with its etymological roots in the feminine, something worth preserving? In what ways might it be preserved? In what ways might it be transformed? Is feminism a relic...
Journal Article
Environmental Humanities (2021) 13 (1): 66–92.
Published: 01 May 2021
... been rooted into popular knowledge of Kirstenbosch geography but not yet become a subject of consistent horticultural care. To transform the clumps into a hedge they had to be curated as such. In the annual report for 1929 Kirstenbosch’s second director, Harold Compton, wrote that the silver trees...
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Journal Article
Environmental Humanities (2018) 10 (1): 150–170.
Published: 01 May 2018
... (Rebecca Machin, curator, Leeds Museum, personal communication with the author). The exhibition also showcased a dodo created by Derek Frampton based on recent scientific insights and interpretation—an important investment, according to the exhibition’s cocurator at Manchester Museum (Dmitri Logunov...
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Journal Article
Environmental Humanities (2021) 13 (1): 245–263.
Published: 01 May 2021
... of authority where the records are kept and the proclamations made. They were guarded by the archons , their curators and protectors and those “accorded the hermeneutic right and competence” to interpret. 51 They become known through mediations between the locus of memory and its interlocutors...
Journal Article
Environmental Humanities (2023) 15 (1): 164–167.
Published: 01 March 2023
... position to another, when traveling from the present identity into a new identity.” 7 In Australia, curator Brook Andrew, titled the 22nd Biennale of Sydney (2020) Nirin , a word from his mother’s Wiradjuri language that translates as “edge.” Nirin brought “edges to the centre” by recoding...
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Journal Article
Environmental Humanities (2021) 13 (1): 201–223.
Published: 01 May 2021
... in particular and perception-expanding ways. Dropping a tiny microphone into the burrow of fiddler crab, for example, *one can hear how the crab’s niche making sounds the wind, like a flute. 16 Here an ecoacoustic researcher selects and curates a soundscape, usually connected with dynamics of ecological...
Journal Article
Environmental Humanities (2023) 15 (3): 140–144.
Published: 01 November 2023
... of curating the “savage slot.” Considering otherness and difference from this vantage point might then help us (as Trouillot argued) situate that role in a broader project of the West, put into practice by the operation of the disciplines. In what follows I point to a few ways in which otherness...
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Journal Article
Environmental Humanities (2014) 5 (1): 307–311.
Published: 01 May 2014
... demonstrates the mutability and malleability of biology as against its permanence.” 5 This approach would trigger environmental emotions, which could be harnessed by sensitive curation of the visitor experience. I break memory up into a few elements to offer a poetics of memory for environmental...
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Journal Article
Environmental Humanities (2024) 16 (3): 725–745.
Published: 01 November 2024
... tubers that had been collected across the region during the botanical expeditions mentioned in the previous section. The project has now achieved worldwide fame as a successful in situ conservation initiative, currently curating an impressive number of 1,362 varieties of native tubers. Unlike the seeds...
Journal Article
Seeing the Anthropocene through Montage: John Akomfrah’s Vertigo Sea and Elizabeth Price’s BERLINWAL
Environmental Humanities (2024) 16 (3): 530–553.
Published: 01 November 2024
... and insight as a curator of contemporary art. As a composition principle, montage provisionally connects heterogeneous materials from different origins and from different temporal and spatial contexts to create arguments. It thus provides an epistemic structure (what and how to know) for the viewer...
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