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Image
Published: 01 May 2015
Figure 3. The composition of RBG, Kew's Directors' Correspondence collection by geographical origin. 46 Courtesy of Royal Botanic Gardens, Kew: Library, Art and Archives. Figure 3. The composition of RBG, Kew's Directors' Correspondence collection by geographical origin.46 Courtesy of More
Journal Article
Environmental Humanities (1 May 2015) 6 (1): 73–102.
Published: 01 May 2015
...Figure 3. The composition of RBG, Kew's Directors' Correspondence collection by geographical origin. 46 Courtesy of Royal Botanic Gardens, Kew: Library, Art and Archives. Figure 3. The composition of RBG, Kew's Directors' Correspondence collection by geographical origin.46 Courtesy of...
Journal Article
Environmental Humanities (1 May 2016) 7 (1): 133–150.
Published: 01 May 2016
... community, where the intractable realities of human and more than human settler colonial relations are played out on a daily basis. We also try to do this rethinking collectively, in the presence of other animals with whom our inherited pasts, our mundane everyday presents and our uncertain futures are...
Journal Article
Environmental Humanities (1 May 2013) 2 (1): 1–20.
Published: 01 May 2013
... essays and books. Foregrounding the voices of grassroots environmentalists as well as the public-relations campaigns of multinational agribusiness trade groups, materials collected in the special collections of Iowa State University, the article resituates Smiley's prizewinning novel and offers a...
Journal Article
Environmental Humanities (1 May 2012) 1 (1): 141–154.
Published: 01 May 2012
... disturbance history with feminist multispecies company. Cereals domesticate humans. Plantations give us the subspecies we call race. The home cordons off inter- and intra-species love. But mushroom collecting brings us somewhere else—to the unruly edges and seams of imperial space, where we cannot ignore the...
Journal Article
Environmental Humanities (1 May 2012) 1 (1): 85–102.
Published: 01 May 2012
...Laurel Peacock Abstract This article focuses on three collections of poetry by California poet Brenda Hillman, Cascadia, Practical Water, and Pieces of Air in the Epic, reading for the ways in which the poems model an affective interrelation between human and environment. These three works each...
Journal Article
Environmental Humanities (1 May 2014) 5 (1): 155–170.
Published: 01 May 2014
...Tobias Boes Abstract This article examines the hermeneutic and poetic operations by which we as human beings turn our very planet into a signifier for our collective existence as a species, a process which I refer to as “planetary mediation.” I identify the so-called Whole Earth images first...
Journal Article
Environmental Humanities (1 May 2014) 5 (1): 1–11.
Published: 01 May 2014
...-lapse technology locates itself in the optimistic promise of Internet community, what kind of collective relation is produced? My key interlocutors are Timothy Morton, who claims that ecological thinking effects a loss of authentic world, and Jonathan Crary, who argues that late capitalism robs us of...
Journal Article
Environmental Humanities (1 May 2014) 5 (1): 217–232.
Published: 01 May 2014
... Salgado's Genesis (2013), a monumental collection of photographs that promises a journey “to the beginnings of our planet,” confronting the viewer with the dimension of geological time into which human agency has expanded. Due to the indexicality of photography, the Genesis -project has to approach deep...
Journal Article
Environmental Humanities (1 May 2014) 5 (1): 77–100.
Published: 01 May 2014
... overlapping crises of the economy, the environment and the collective self-image in Iceland have fostered critical representations of the past, present and future of the relationship between humans and the environment. Thus utilitarian environmental policies and shallow ecology is treated critically in...
Journal Article
Environmental Humanities (1 May 2014) 4 (1): 125–148.
Published: 01 May 2014
... and comfortable ‘democratic collective’ (Latour 2004) to a messy, yet constantly productive and on-going coexistence. Copyright: © Abrahamsson and Bertoni 2014 2014 This is an open access article distributed under the terms of a Creative Commons License (CC BY-NC-ND 3.0). This license permits use...
Journal Article
Environmental Humanities (1 May 2018) 10 (1): 187–212.
Published: 01 May 2018
... the situated, historicized, and political composition of both our materials and our experiences. Thinking of this as a collective provocation, we do not rehearse a conventional argument. Its parts are connected but only partially. There is no dramatic arc but rather an attempt at composing an...
Journal Article
Environmental Humanities (1 May 2018) 10 (1): 150–170.
Published: 01 May 2018
... of re-creation. Engaging from an anthropological perspective with practices of collecting, representing, and re-creating the great auk, I combine testimonies from Cambridge ornithologist John Wolley’s mid-nineteenth-century Garefowl Books with contemporary ethnography among taxidermists and model...
Journal Article
Environmental Humanities (1 November 2017) 9 (2): 280–299.
Published: 01 November 2017
... electronic library collections. Scientists and environmentalists at that time sensed both the promise of unprecedented access to bio-information and the threat of lost knowledge through species extinction. The popularity of the metaphor conceals several weaknesses, however. Living species, even using the...
Journal Article
Environmental Humanities (1 May 2019) 11 (1): 27–51.
Published: 01 May 2019
...Teena Gabrielson Abstract This article examines the visual politics at work in website photographs depicting environmental justice issues in the United States. Based on roughly 580 web-published photos collected from environmental justice organizations, the Environmental Protection Agency, the...
Journal Article
Environmental Humanities (1 May 2019) 11 (1): 194–215.
Published: 01 May 2019
... points to the transformation of dominant regimes of property and governance, while also challenging approaches to the commons that rely on the distinction between active human collectives and malleable resources. © 2019 Miriam Tola 2019 This is an open access article distributed under the terms of a...
Image
Published: 01 May 2016
Figure 8. Bonnie Monteleone, Plastic Ocean: In Honor of Captain Charles Moore, from the What Goes Around Comes Around collection, 2011, trash. Copyright Bonnie Monteleone. Reproduced with Permission. Figure 8. Bonnie Monteleone, Plastic Ocean: In Honor of Captain Charles Moore, from the More
Image
Published: 01 May 2016
Figure 1. Paul Klee (1920) Drawing Knotted in the Manner of a Net. © The Metropolitan Museum of Art, New York; The Berggruen Klee Collection, 1984. Figure 1. Paul Klee (1920) Drawing Knotted in the Manner of a Net. © The Metropolitan Museum of Art, New York; The Berggruen Klee Collection More
Image
Published: 01 May 2017
, private collection. © Olafur Eliasson Figure 2. Olafur Eliasson, 360° Room for All Colours, 2002. Stainless steel, wood, fluorescent lights, color filter foil (red, green, blue), projection foil, control unit 320cm, ø 815cm. Museum of Modern Art, New York, 2008. Photo by Studio Olafur Eliasson. Courtesy More
Image
Published: 01 May 2016
Figure 7. Chris Jordan, Gyre, 2009. Depicts 2.4 million pieces of plastic, equal to the estimated number of pounds of plastic pollution that enter the world's oceans every hour. All of the plastic in this image was collected from the Pacific Ocean. Copyright Chris Jordan. Reproduced with More