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Journal Article
Environmental Humanities (1 November 2018) 10 (2): 447–472.
Published: 01 November 2018
Journal Article
Environmental Humanities (1 November 2018) 10 (2): 473–500.
Published: 01 November 2018
Journal Article
Environmental Humanities (1 November 2018) 10 (2): 349–369.
Published: 01 November 2018
Journal Article
Environmental Humanities (1 November 2018) 10 (2): 501–527.
Published: 01 November 2018
Journal Article
Environmental Humanities (1 November 2018) 10 (2): 528–531.
Published: 01 November 2018
Journal Article
Environmental Humanities (1 November 2018) 10 (2): 370–396.
Published: 01 November 2018
Journal Article
Environmental Humanities (1 November 2018) 10 (2): 421–446.
Published: 01 November 2018
Journal Article
Environmental Humanities (1 November 2018) 10 (2): 397–420.
Published: 01 November 2018
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Published: 01 May 2018
Figure 1. Metal puddle formerly a lawn mower, in the wake of the Black Saturday fires. April 2009. Photo by author Figure 1. Metal puddle formerly a lawn mower, in the wake of the Black Saturday fires. April 2009. Photo by author
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Published: 01 May 2018
Figure 1. E-Motions , Haydarpasha, Rahşan Düren, 2015. Photo by Serpil Oppermann Figure 1. E-Motions, Haydarpasha, Rahşan Düren, 2015. Photo by Serpil Oppermann
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Published: 01 May 2018
Figure 1. Zaʿatar grown in a greenhouse in South Lebanon, 2011. Image courtesy of kaveyeats.com . © Kavita Favelle Figure 1. Zaʿatar grown in a greenhouse in South Lebanon, 2011. Image courtesy of kaveyeats.com. © Kavita Favelle
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Published: 01 May 2018
Figure 2. Wounded orange tree in South Lebanon, 2012. Photograph by the author Figure 2. Wounded orange tree in South Lebanon, 2012. Photograph by the author
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Published: 01 May 2018
Figure 1. A young seal on an Australian cattle farm. Photograph courtesy of Stacey Lee Figure 1. A young seal on an Australian cattle farm. Photograph courtesy of Stacey Lee
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Published: 01 May 2018
Figure 2. An 1853 engraving of a platypus. Courtesy of the Illustrated Magazine of Art Figure 2. An 1853 engraving of a platypus. Courtesy of the Illustrated Magazine of Art
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Published: 01 May 2018
Figure 1. Concrete pour in Puchuncaví. Photograph by the author Figure 1. Concrete pour in Puchuncaví. Photograph by the author
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Published: 01 May 2018
Figure 2. Gloria and the cloud in Los Maquis. Photograph by the author Figure 2. Gloria and the cloud in Los Maquis. Photograph by the author
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Published: 01 May 2018
Figure 1. Bear 71 peers out of a cage before being released into Banff National Park with her new radio collar. Bear 71 ©2012 National Film Board of Canada. All rights reserved. Bear 71 peers out of a cage before being released into Banff National Park with her new radio collar. Bear 71 ©2012
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Published: 01 May 2018
Figure 2. The minimalist grid interface. Bear 71 ©2012 National Film Board of Canada. All rights reserved. The minimalist grid interface. Bear 71 ©2012 National Film Board of Canada. All rights reserved.
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Published: 01 May 2018
Figure 1. Selecting a specimen at a bird taxidermy course, Greater Manchester, 2011. Photograph by the author Figure 1. Selecting a specimen at a bird taxidermy course, Greater Manchester, 2011. Photograph by the author
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Published: 01 May 2018
Figure 2. Derek Frampton demonstrates layering of plumage in his studio near London, 2015. Photograph by the author Figure 2. Derek Frampton demonstrates layering of plumage in his studio near London, 2015. Photograph by the author