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...Nicole Rizzuto Abstract Absent from prodigious critical scholarship about the seas is a discussion of modernism between the wars. Yet this period is rife with writing set on the waters. This essay argues that it is in their orchestrations of the waters as dead zones that such works revitalize...

... place. Such works are expressive of cultural anxiety at the vanishing of the generation of eyewitnesses to the events of the Holocaust yet also act to defuse the unwelcome lessons such witnesses might impart. Copyright © 2019 Regents of the University of Colorado 2019 Holocaust survivors...

... of an Anthropocene ocean. In this scholarly turn to the ocean, the concepts of fluidity, flow, routes, and mobility have been emphasized over other, less poetic terms such as blue water navies, mobile offshore bases, high-seas exclusion zones, sea lanes of communication (SLOCs), and maritime “choke points.” Yet...

... historical societies, historical markers, family heirlooms, and many other forms of memorialization. Yet this seeming abundance of memory arises from equally powerful kinds of forgetting: collective colonial amnesias that endeavor to erase, sideline, overwrite, or delegitimize other dimensions of exceedingly...

... Coulthard—in Dante’s Monarchia (and Paradiso ) and Leslie Marmon Silko’s Ceremony provides an analytic example of this comparative framework, since both authors challenge readers to question the imposition of authority and the logics that legitimate and justify dominant forms of governance. Yet Dante...

... to be human, and exert a muffling of the very agency that defines our sense of our exceptionalism. Yet horror and ecohorror also enthrall. They do so precisely because they provide a perversely traumatophilic/traumatophobic sensation, a paradoxical presence of opposites that somehow, like sweet-and-sour soup...

... registers of “in-betweenness” within this imaginary. The essay redirects attention from future as an event or a discrete unit of time, and from its not-yetness, toward the intimate and everyday articulations and enactments of future—a complex ongoing process of becoming and unbecoming unfolding...

... together with original synthesizer pieces that resemble those used in horror-film scores, vaporwave is an undead, artificial soundscape that floats somewhere between music and sound. Its fake nostalgia for an alternative yet ossified past aims to confront our contemporary social paralysis in the face...

... on opium addiction frame it as a crisis of sovereignty for individuals and masses in ways that veil its relationships to labor, collectivity, and community. Yet addiction arises within broad systems as much as it does within individuals: in this exemplary case, of labor, empire, opium, and logistics...

... in the form of science, narrative fiction—or anything yet to be imagined. Copyright © 2012 Regents of the University of Colorado 2012 R e p o n s e s F r e d e r ic k L u is A l d a m a a n d Pa t r ic k C o l m H o g a n , P u z z l in g O ut t h e S e l f : S o m e In it ia l R e f l e c t io n s...

... of science, narrative fiction—or anything yet to be imagined. Copyright © 2012 Regents of the University of Colorado 2012 S u e J. K im 2 13 Thoughts on "Puzzling Out the Self" S u e J. K im F rederick Luis A ld a m a and Patrick Colm Hogan's w id e -ra n g in g discussion raises m any issues key to co...

...Aaron Kunin Abstract Expanding upon theorists Sidonie Smith and Julia Watson's classic essay “Fifty-Two Genres of Life Narrative,” Andy Fitch and Jon Cotner's article introduces yet another life-writing genre: the “triography”—a triangulated narrative mode that dissolves conventional distinctions...

...Mark Pizzato Copyright © 2006 Regents of the University of Colorado 2006 A P o sT II Pa s s io n P lay M a r k P iz z a t o G ibson's film extends a long tradition of Euro-American passion plays and mar­ tyr dramas, related also to the ritual sacrifice of "god-actors" in other cul­ tures. Yet...

... on the preconceptions we carry with us. Hence there is no reason in principle that mystical experience could not reconcile itself to doctrine. Yet an experience, to be reconciled with doctrine, must be cast in the form of a proposition. And here the mystic faces an immediate obstacle, which is that experience...

...—“the incinerated city lurks in the center of the vicious heart’s splinter.” 1 Emblematic of this impossible yet occultly charged spatiality, Baudelaire in English does not begin with a poem at all, but with a black-and-white photo snapped within an abandoned building, rendered at once visible...

... whatever threat such a covert language m ight form to be discounted am ong critics as well as oth er characters. Berkove states that his essay was written to counter the strong, and at times extreme, feminist b en t underlying recent discussions of the story (152). Yet he seriously misreads Louise s...

...?" Lamantia answered, "Isn 't this what poets have always aspired to? Seemingly failing in the attempt but finally achieving a miracle in words" Lamantia, while never renouncing surrealism, returned to the Catholic faith shortly before his death in 2005.This need not be surprising, given the deep, yet...

... was this the only sign of Mouffet s relationship with the Sidneys: Gary Waller observes that his Nobilis (1593) seems to have been written at the request of his mother to impress upon the young William Herbert that he, as yet a growing shoot, was born to become a flower of the Sidneys4 There are plenty of signs...

... of this state, images or phrases arise the way they do when I'm w riting freely: unbid­ den yet significant, surrounded by an "aura" of inevitability and significance. "Agnes Martin was a little girl in Saskatchewan," my friend told me last week, "as horizon­ tal a place as her paintings are." "She would wake...

.... It is possible to open the volum e at any page and read right on w ith ­ out embarrassment. E. S. Dallas, review of The Woman in W hite1 T he novel's length, and the speed at which one reads it, have long seemed to be defining yet theoretically intractable characteristics o f the genre. In producing...